In my work on the state historic preservation plan in 1983-1994, I was excited about the new insight I could bring to the state’s landscape–the impact of the transcontinental railroads and the transportation and settlement corridors that they established in the late 19th and early 20th century. Railroads were of course not a new theme then–books abounded on the railroad barons and the romance of the rails. But as a built environment–that was new, reflecting current scholarship from John Hudson, John Stilgoe, and Roger Grant. So whenever I hit a major railroad division point–like Livingston–I only saw the rails and what happened around them.
That was certainly easy enough to do coming into Livingston from the west on old U.S. 10. The railroad tracks were directly to the north, as well older elements of the town’s roadside architecture, like the exquisite Art Deco-styled radio station, KPRK, now closed for broadcasting (the station’s signal comes from Bozeman) but listed in the National Register. William Fox, a Missoula architect, designed this jewel in 1946.
Continuing west you soon encounter post-World War II service stations and motels, some updated, some much like they were, on the outskirts of town and then, boom, you are in the heart of Livingston, facing the commanding presence of the Northern Pacific depot complex with warehouses–some now converted to new uses–coming first and then
massive passenger station itself. Opened in 1902, the passenger station was an architectural marvel for the new state, designed by Reed and Stem, who would continue on to great fame as the architects of Grand Central Station in New York City. The station, interestingly, is not Classical Revival in style–certainly the choice of most architects for their grand gateways along the nation’s rail line–but a more restrained interpretation of Renaissance Revival style, completed in red brick.
The building is not particularly inviting for locals coming from the business district to the depot–that was not its primary audience. Rather the grand entrance is track side, where passengers headed to Yellowstone National Park could depart for food, fun, frivolity, whatever they needed before the journey into the wildness of Yellowstone.
Travelers were welcome to use the grand covered walkways to enter the depot proper, or to take a side visit to the railroad’s cafe, Martin’s as I
knew it back in the day, a place that rarely slept and always had good pie. The cafe changed its orientation from the railroad to the road as automobile travelers on U.S. 10 began to dominate the tourist market. Now it has been restored as a local brew pub.
The interior of the passenger station once held large public spaces for travelers and then more intimate spaces themed to either men or women.
Upstairs were spaces for offices, company lodging, and other company business. The station was the railroad’s urban outpost was what was then still the Montana frontier–its statement of taste and sophistication still reverberates today even as the depot no longer serves passengers (except for occasion excursion trains Amtrak doesn’t run here anymore) and serves as a railroad and Park County museum.
Thirty years ago, the overwhelming imprint of the Northern Pacific on the surrounding built environment was all I could see. At one corner was one of the first local historic preservation projects, an adaptive reuse effort to create the Livingston Bar and Grille (once popular with the valley’s Hollywood crowd).
Directly facing the center of the passenger station was the mammoth Murray Hotel–a flea bag operation in the 1980s but now recently restored as a hipster place to be, especially its signature bar.
My throwback place back in the 1980s, however, was Gil’s. It was next to the Murray and the place to get the cheesy souvenirs you equate with western travel in the second half of the 20th century.
Imagine my pleasant surprise last year when I found that Gil’s still existed but now had been converted into a decidedly up-scale establishment, far removed from the 1980s.
I don’t know if I have encountered a more fundamentally changed place–cheap trinkets gone, let the wood-fired pizzas come on.
I was not so blinded in 1984 by the concept of the “metropolitan corridor” that I ignored the distinctive Victorian storefronts of Livingston–how could I since they all, in a way, fed into the tracks. But when I got to the end of that distinctive business district and watched the town, in my
mind, fade into the Rockies, I had captured the obvious but had missed the bigger picture–that’s the next story.
Traveling south of Clyde Park on U.S. 89, you pass by the turn-off for Horse Thief Trail, where a historic steel bridge still allows for one-lane traffic over the Shields River; this bridge and snippet of road is part of the original route of U.S 89. That means you are nearing the confluence of the Yellowstone and Shields rivers, and where U.S. Highway 89 crosses the Yellowstone River and takes you into the heart of Park County. Paralleling the modern concrete bridge is a c. 1897 steel Pratt through truss bridge, to serve the Northern Pacific Railroad spur that runs north to Clyde Park then Wilsall. The Northern Pacific called this the Third Crossing of the Yellowstone bridge; the Phoenix Bridge Company constructed it.
Before jogging slightly to the west to head to Livingston, the county seat, two places east of the Shields River confluence are worth a look. First is the site of Fort Parker, established as the first Crow Agency in 1869 or the first federal facility in the valley. It operated from this location until 1875.
Gladly all of that changed in the 21st century. As a result of another innovative state partnership with land owners, there is an interpretive center for the Fort Parker story, easily accessible from the interstate, which also does not intrude into the potentially rich archaeological remains of the fort. The story told by the historical markers is accurate and comprehensive, from the agency’s beginnings to the land today.
Few remnants of that early white settlement remain today; you can find some just north of Springdale, at Park County’s eastern border, on the north side of the Yellowstone River. Hunter’s Hot Springs was the first attraction, established by Andrew Jackson Hunter in the 1870s, and receiving its last update in the early years of automobile tourism in the 1920s, as shown below in this postcard from my collection. Today, as the Google image below also shows, there are just scattered stones and fences from what had been a showplace for the valley.
Commercial businesses once lined the town side of the Northern Pacific tracks. Nothing is open today although trains rumbled down this historic main line every day. What does survive is impressive and worthy of
As the highway leaves the central plains east of Great Falls, it heads east through coal country (see the earlier post on Belt) and south into the Little Belt Mountains and the old mining towns of Monarch and Neihart (above). Both Cascade County towns are proud of their heritage, a story embodied in the Monarch-Neihart School, a wonderful bit of log craftsmanship from the New Deal era, a WPA project finished in 1940 that is listed in the National Register of Historic Places.
When I last visited there in 2015 the combined route of U.S. 89 and 12, which passes in front of the courthouse and the center of town, was being rebuilt, giving the historic business district the look of a ghost town.
U.S. Highway 89 continues south, crossing the historic corridor of the Milwaukee Road at Ringling, another Meagher County town discussed in an earlier post, marked by the landmark St. John’s Catholic Church.
Travelers continuing south soon find themselves in Park County, entering the Shields River Valley just north of Wilsall, where highway markers and monuments, like that for “Thunder Jack” (2006) by sculptor Gary Kerby, convey the significance of the place.
Wilsall was not much a place 30 years ago, a small trade town on the edge of a Northern Pacific Railroad spur line, a past still recalled by the tall elevator and old railroad corridor.
But the growing popularity of the Shields River Valley has led to a new boom in Walsall, with old banks converted into bars and old general stores
Clyde Park Tavern is still the place to go for an adult beverage, or two. Historic grain elevators still serve local ranchers, marking the railroad line that defined the town’s landscape until the impact of the highway in the early 20th century.
project, and the Art Moderne landmark Intermountain bus station–once so proudly featured in the Clint Eastwood and Jeff Bridges movie, “Thunderbolt and Lightfoot,” part of that decade from the mid-1970s to mid-1980s when Montana was suddenly in the lens of Hollywood.
All of these buildings and places help to give Great Falls its unique sense of self, and its sense of achievement and promise. And that is not to even mention the fun, funky stuff, such as the Polar Bears and having the
supper club experience of 50 years ago at Borrie’s in Black Eagle. Stepping back into time, or looking into a future where heritage stands next to the
atomic age, Great Falls and its environs–from Fort Benton to the northeast to Fort Shaw to the southwest–can give you that memorable heritage area experience.
Many heritage areas in the eastern United States emphasize the relationship between rivers, railroads, and industrial development and how those resources contributed to national economic growth and wartime mobilization. Great Falls can do that too. Situated on the Missouri River and designed by its founders to be a northwest industrial center, entrepreneurs counted on the falls to be a source of power and then on the railroads coming from Minnesota, especially the promising Manitoba Road headed by James J. Hill, to provide the transportation.
Paris Gibson, the promoter of the Electric City, allied his interests to two of most powerful capitalists of the region: Marcus Daly, the baron of the Anaconda Copper Company interests and James J. Hill, the future rail king of the northwest. Their alliance is embodied in several different properties in the city but the most significant place was where the Anaconda Copper Company smelter operated at Black Eagle until the last decades of the 20th century. When I surveyed Great Falls for the state
decade of the 20th century and soon erected its tall tower depot right on the Missouri River. But wherever you go along the river you find significant buildings associated with the Great Northern and its allied branch the Montana Central Railroad, especially the downtown warehouses. Some are still fulfilling their original function but others
The Missouri River runs through Cascade County and is at the heart of any future Great Falls Heritage Area. This section of the river, and the portage around its falls that fueled its later nationally significant industrial development, is of course central to the story of the Lewis and Clark Expedition of 1803-1806. The Lewis and Clark story was recognized when I surveyed Cascade County 30 years ago–the Giant Springs State Park was the primary public interpretation available then. But today the Lewis and Clark story has taken a larger part of the public history narrative in Cascade County. In 2003 the nation, state, and city kicked off the bicentennial of the expedition and that key anniversary date spurred the
Despite federal budget challenges, the new interpretive center was exactly what the state needed to move forward the story of the Lewis and Clark expedition, and its many levels of impact of the peoples and landscape of the region. The center emphasized the harrowing, challenging story of the portage around the natural falls of what became Great Falls but its
exhibits and programs have significantly broadened our historical understanding of the expedition, especially its relationship with and impact on various Native American tribes from Missouri to Washington.
The contribution of the interpretive center to a greater local and in-state appreciation of the portage route cannot be underplayed. In the preservation survey of 1984, no one emphasized it nor pushed it as an important resource. When threats of development came about in last decade, though, determined voices from preservationists and residents helped to keep the portage route, a National Historic Landmark itself, from insensitive impacts.
late 1850s. Hundreds pass by the monument near the civic center in the heart of Great Falls but this story is another national one that needs more attention, and soon than later.
Fort Shaw was not the region’s earliest mission site. That designation belongs to St. Peter’s Mission, located on the winding Mission Road to the south of Fort Shaw. An earlier blog discussed St. Peter’s but this special property is worth further discussion, as it is linked in time and purpose to what happened at Fort Shaw.
The property has limited public accessibility as an active ranch surrounds it and uses some of the remaining historic buildings. But since my first visit in 1984, a small metal interpretive marker has been installed, which emphasizes its founding date of 1865-1866 by Catholic missionaries, many
Often we forget these connections between religious missionaries and the nation-building process of government. Within a few hundred yards of Fort Shaw school, for instance, is the old road connecting the school to the historic St. Ann’s Catholic Church (seen above is the historic church building; the congregation has built a modern church in recent years).
And we further forget, or choose to ignore, how the messy present lies side by side with these older, seemingly sacred places. Along the Mission Road and the Simms Road are nuclear missile bases, some active, some inactive, that are administered by the Malmstrom Air Force Base in Great Falls. Much like Fort Shaw from 100 years earlier, military commanders in the 1960s saw Cascade County as part of the edge of America’s national defense, the ideal location for nuclear bases that could protect, or retaliate, in case of a nuclear strike from the nation’s enemies.
The Sun River Valley was transformed by homesteaders and irrigation during the great boom of the early 20th century; it shares that story of course with many towns in the Great Falls heritage area. Montana Highway 21 (shown above) connects with Montana Highway 200 to provide great opportunities to explore that landscape. The Sun River project of the U.S. Bureau of Reclamation especially left its mark.
The barn is part of a still active ranch and is on private property. But the stone masonry can be viewed and appreciated from Montana Hwy 200.
When one considers a Great Falls heritage area, the Missouri River of course will take center stage; as the next postings will show, it should be at the center of the story. But what happened along the Sun River, and what remains today, adds immeasurably to the national story and the overall significance of the region.
Successful heritage areas have chronological depth to their history, and places that are of national, if not international, significance. To begin that part of the story, let’s shift to the other side of Cascade County from Belt and explore the landscape and significance of the First Nations Buffalo Jump State Park. When I visited the site in 1984 there was not much to it but the landscape: no interpretive center existed and there were only a few markers. To give the state its due, it then only owned a portion of the site, with the first land acquisition dating to the New Deal. Listed in the National Register in 1974, the site only had opened as a state park a few years earlier, and no one seemed to know much about it or even how to get to it. But as this photograph from “A Traveler’s Companion to Montana History” shows, wow, what a view: it was totally impressive, and had a big story obviously to convey.
Buffalo jumps were ways that the first nations in Montana could effectively kill large number of bisons–by planning, gathering and then stampeding a herd over a steep cliff. Native Americans used this site for hundreds, if not thousands of years. The cliff is hundreds of yards long and kill sites are throughout the property.
State park officials, working with local residents and ranchers, have significantly enhanced the public interpretation at the park since the late 1990s. Hundreds of additional acres have been acquired, better access roads have been installed. and new interpretive features, such as these reproduction sweat lodges on the top of the cliff, have been added to the landscape to physically enhance the Native American feel to the park.
The interpretive center is a model of 21st century Native American-focus history. It provides facilities and exhibits for visitors, and encourages a longer stay and exploration of the site.
Park managers understood that this site had special significance to all Native Americans thus they included capsule history displays about all Montana tribes of today along with displays that emphasize the Native American dominance of the landscape when the jump was in use.
As the park was being expanded and improved into an effective heritage asset, both in its public interpretation and visitor facilities, research on the property continued. The buffalo jump is now considered the largest in the United States, and quite likely the world. In the summer of 2015, the site was designated as a National Historic Landmark as one of the nationally significant archaeological and Native American properties in America. The bone deposits remain deep and rich in artifacts, still awaiting further exploration despite being mined for a brief time during World War II for phosphorus production. Indeed the entire site is one of reflection and respect for the cultural contributions made by the First Nations long before the arrival of Lewis and Clark just over 200 years ago.
Here is a property that today tells us how the earliest Montanans used their wits and understanding of nature and landscape to enrich their diet and to make their world, one far from that of our own, and one still difficult for those of us in the 21st century to grasp.
This buffalo jump remains a place of mystery and meaning, and when you look to the south and see the shadow of Crown Butte you glimpse into that world of the deep past in Montana,. If you look in an opposite direction you find the patterns of settlement that surround this sacred place. And that is where we go next to St. Peter’s Mission and the Sun River Valley.
Along the Missouri River is Paris Gibson Park, deep in the heart of Great Falls, Montana. Gibson was one of the classic civic capitalists of the late 19th century who understood that as the community prospered he too would achieve this dream of building a great western empire, with his town of Great Falls as the center. Almost 100 years after his death, in 2015, residents, preservationists, historians, and economic developers began discussions on establishing a heritage area, centered on Great Falls, but encompassing the Missouri River as the thread between the plains and mountains, that has shaped the region, and the nation, for hundreds of years. I strongly endorse the discussion and will spend the next several posts exploring key resources in Cascade County that could serve as the foundation for a larger regional story.
Thirty years later, Belt’s population had bottomed out, declining to under 600 by the time of the 2010 census. But both times I have stopped by, in 2013 and 2015, the town has a sense of life about it, and hope. The town’s two historic taverns, the Harvest Moon Tavern and the Belt Creek Brew Pub, as well as the Black Diamond Bar and Supper Club attract visitors from nearby Great Falls and elsewhere, giving the place a sense of life at evenings and weekends.
When planners talk about heritage areas, they often focus on the contributions of local entrepreneurs who take historic buildings, like the Pioneer above, and breathe new life into them. Throughout small town Montana and urban commercial districts, new breweries and distilleries are creating such opportunities.
Belt has a range of historic buildings, mostly of vernacular two-part commercial style that speak strongly to the boom of 1900 to 1920. The Victorian-styled cornice of the Belt Hardware Store (1896) speaks to the town’s origins. The Knights of Pythias Lodge of 1916 has been restored as a community theater, another reason for visitors to stop and explore.
The result is a living cultural experience, since nothing in Belt is over-restored or phony feeling. It is still a gritty, no frills place. That feel is complemented by the Belt museum, which is housed in a historic jail on road down into town and within sight on a railroad trestle, a reminder of what literally drove the town’s development, coal for the railroads.
During the 1984 survey, I gave the jail a good bit of attention since this stone building spoke to the craftsmanship of the era, the centrality of local government as the town developed, and the reality that this building was the only thing in Belt listed in the National Register of Historic Places. But in 2004 the state historic preservation office approved the Belt commercial historic district, and that designation has done much to drive the town’s recent revival. Belt is just the first place that speaks to the promise of the Great Falls heritage area concept.
Even the local museum was at the beginning stage, sharing quarters with the chamber of commerce in a Ranch-style building, like the park, on the outskirts of town.
How times changed over 30 years. The museum is still at its location but adjacent is now a new facility, replicating a huge barn, expanded exhibits and artifacts about the region’s history.
Markers about National Register-listed properties and districts exist throughout town, courtesy of the exemplary interpretive marker program of the Montana Historical Society.
What happens within town is supported by recent interpretive marker installations at the highway rest stop as you enter Lewistown. From this spot there is an excellent view of the historic Lewistown airfield, listed in the National Register of Historic Places, for its significance in World War II aerial supply lines and defense.
Not only can you see the historic district, you also can learn about its significance through an interpretive marker developed by Montana Department of Transportation.
Steps away is another interpretive kiosk, related to an earlier, sadder military story, that of Chief Joseph of the Nez Perce Indians and their attempted flight to freedom in Canada in the 1870s. Both markers also emphasized the overall theme of transportation and how Lewistown has been crisscrossed by important historical events for centuries.
Renaissance revival style from the prominent Montana firm of Link and Haire, and the historic early 20th century domestic architecture in the downtown neighborhoods.
The town’s historic districts serve as anchors within the commendable trail system developed in Lewistown over the last 20 years. Local officials and representatives, working with the state government and abandoned railroad property and corridors, have established a series of trail loops that not only provide excellent recreational opportunities, as signified in this trail head near the Yogo Inn, but also paths for heritage tourists and
residents alike to explore the landscape, and how history in the 19th and 20th centuries created the place where they live and play today.
As we will see later in western Montana, like in Butte and Kalispell, trail systems can be the best of heritage development because they take advantage of the state’s greatest asset–its landscape and sense of the Big Sky Country–and combine it with explanations of the layers of history you encounter wherever you go, creating an asset that visitors will like but that residents will cherish, because they can use it on a daily basis.
Of course recreation, to my mind, is never complete unless there are nearby watering holes where one can relax and replenish, and Lewistown is rich in those too, being they the various classic roadside establishments along the highways entering and leaving town or the can’t miss taverns downtown, such as The Mint and the Montana Tavern, where the signs speak to the good times to come. Those properties are crucial for heritage development because they are important in themselves but they also are the places that get people to stop, and hopefully explore.
Using multiple pasts to create new opportunities for communities: Lewistown has it going, and it’s far different world today than in 1984.
Montana's Historic Landscapes 