Montana State Capitol: update

Posted on November 9, 2018 by carrollvanwest

In 1982, two years before I began my survey of all 56 counties for the state historic preservation office, I took on a very meaningful and fun assignment—developing an interpretive tour of the recently restored Montana State Capitol. Jim Mc Donald’s firm in Missoula had developed a comprehensive study nd they and the many partners and contractors restored the grand spaces of this turn of the twentieth century building.

Designed by the firm of Bell and Kent, the Capitol is a jaw-dropping public space, which spoke of the state’s dreams and ambitions at its beginning. No matter how jaded you might be about politics and politicians today just a walk through the corridors of grandeur, and power, of the Capitol will remind you that democracy does matter and we the people continue down the demanding path of making ourselves rise up to democracy’s promise.

Plus the 1982 project was just a great learning experience. I worked most closely with Jennifer Jeffries Thompson, then the education curator at the Montana Historical Society, plus it became a way to meet and learn from the SHPO staff then, led by Marcella Sherry, and the architect Lon Johnson and architectural historian Pat Bick. Governor Ted Schwinden and his staff were great and I always appreciated the interest shown by Senate Republican leader (and future governor) Stan Stephens. Senator Stephens always wanted me to lead his groups through the building, but I never knew if that was because he thought I had something to say or that everyone always liked to hear me say it, with my southern accent echoing in the chambers and hallways.

I learned so much because the Capitol was full of magnificent western art depicting pivitol moments in state history, as understood by state leaders one hundred years ago. Everyone (my celebrities included actors Clint Eastwood and Robert Duvall) wanted to see Charles M. Russell’s depiction of the Lewis and Clark expedition at Ross’s Hole in the House chamber. My favorites however were the series of historical paintings by Edgar Paxton in the legislative lounge and office area.

Paxson’s portrayal of Sacajawea showing the way at Three Forks—artistic license acknowledged—was always a favorite teaching opportunity for in a painting of 100 years ago Paxton depicted a reality—the presence and importance of a Native American woman and an African American slave, York—at a time when historians of the west had difficulty even acknowledging their existence in history.

I also liked the scope of Paxton’s narrative and the prominence of the Native American stor..u even to the surrender of Chief Joseph, which would have been fairly recent history when Paxton carried out his work.

The Senate Chamber taught other stories, from the process of voting and government to the story of the three Georgians who left the South in the midst of the Civil War to find riches in Last Chance Gulch, now Helena, and on to the massive Sioux and Cheyenne victory over George Armstrong Custer’s Calvary at the Battle of Little Big Horn.

While I had stopped in at the Capitol several times in the last decade, I did not really explore. My trip this summer found many more history lessons throughout the building.

The statue of the Mansfields were an effective complement to the earlier statues for Wilbur F. Sanders and Jeanette Rankin, which had booth stood in the Capitol when I worked there in 1882 and 1983. I also really like the bronze bell added in honor of the state’s centennial. Both the Mansfields and the bell allow you to take visitors into Montana’s late twentieth century history.

Then the women history murals, titled Women Build Montana, are just delightful, and inspiring. Installed in 2015 the murals by Hadley Ferguson add new layers of history and meaning to the grand old Capitol. Of course there is much more to the art and architecture of the State Capitol than what I have highlighted here. The Montana Historical Society maintains an excellent website that gives you all of the details you would ever need. But I hope that you do will visit the Capitol if you haven’t recently. Some 36 years after I first discovered its history, art, and architecture it still has many lessons to teach.

To those who built a state, and made history

Posted on July 25, 2017 by carrollvanwest

Sad news came out of the state capitol last week when budget cuts gave the Montana Historical Society no choice but to announce that its uber talented staff just don’t have the funding to travel to the hundreds of important places across the state, to gather stories, preserve historic buildings, conserve invaluable documents and photographs, and to celebrate with communities both large and small the history, traditions, and people that made Montana the special place it is.

It’s unfortunate when a state steps back from its past and thinks its future is better without it. When I look for those who built the state, the deep past is where I start, and the leaps forward in how Montana’s tribes are documenting and interpreting their history to their terms and needs, one of the most important developments in Montana’s heritage development over the last 30 plus years.

Then there are the properties that link the peoples of Montana and their sense of themselves and their past–cemeteries large and small across the state, where veterans are commemorated and families celebrated.

Fort Kipp Cemetery, above, is one of those place, nestled on the river bluffs overlooking the Missouri River. On a larger scale but still intimate, personal, and compelling is the city cemetery of Red Lodge, hundreds of miles away. Here surrounded by the mountains

are graves from the early Finnish residents who came to work at the coal mines and build a community. Some are of a traditional design, immediately translated from the old country. Others–like the cast iron family marker shown above–are as mainstream as American industry could make it at the turn of the twentieth century: a prefabricated marker cast somewhere back east but with Finnish lettering, speaking to those who also came over in c.1900 to build a new land.

The Finnish imprint on the landscape of Carbon County has been eclipsed by generations of growth since the early 1900s, but as the 2016 Road Show of the Montana Preservation Alliance demonstrated, buildings large and small are still part of the landscape. With a few acres of land outside of Red Lodge, Finnish settlers and their descendants have maintained a place of community–the Kavela–which remains vibrant some 100 years later. At this place of ethnic identity and celebration, you almost feel like an intruder–that you have stepped inside a sacred circle as an outsider. But families go out of their way to make you feel welcome, through fellowship, good food, and stories of past and present. The Kavela naturally features one of the most traditional Finnish community buildings–the sauna, built of concrete in the 1920s. Speak of tradition, ethnic pride, and assimilation–a concrete sauna might say it all.

Indeed what you can find in the Finnish landscape of Carbon County is repeated countless times across Big Sky Country, just in different languages and with different forms. It is why you get off the interstates and travel the backroads, the dirt roads, for

the markers of the nations that built our nation can be almost anywhere. It might be of the many ethnicities who mined the copper of Butte, or the African American railroad

workers and other average citizens who established permanent institutions such as the Bethel Union AME Church in Great Falls, pictured below.

Stonemasons from Croatia are credited with many of the architecturally striking stone buildings in Lewistown, shown below, whereas if you stop and explore the state capital

of Helena, you can see where Irish Americans banded together to fund some of the state’s most iconic structures, from the majestic Catholic Cathedral that overlooks the city and the commanding statue of General Thomas Meagher in front of the State Capitol.

2011 MT Lewis and Clark County 137 catholic cathedral

2011 MT Lewis and Clark County 130 Thomas Meagher sculpture Civil War

From the Meagher statue it is only a few steps to the east to the doors of the Montana Historical Society. Its operating hours are fewer but you will find an institution not just of the past but of the future for like the land itself, the society, its collections, and dedicated staff are the keepers of the things and words that remain from those who built the state. The idea that Montana can stride into the 21st century without the Montana Historical Society is folly, defined.

Ranches and the Montana landscape

Posted on December 27, 2016 by carrollvanwest

Here is a property category that could be, probably should be, a blog of its own–the ranching landscape of Big Sky Country. Historic family ranches are everywhere in the state, and being of rural roots myself, and a Tennessee Century Farm owner, the ways families have crafted their lives and livelihood out of the land and its resources is always of interest.

Wibaux ranch house, 1985.

When I carried out the 1984-1985 fieldwork for the Montana state historic preservation plan, a handful of ranches had been preserved as museums. On the eastern end of the state in Wibaux was the preserved ranch house of Pierre Wibaux, one of the 1880s cattle barons of eastern Montana and western North Dakota. The ranch house today remains as a historic site, and a state welcome center for interstate travelers–although you wish someone in charge would remove the rather silly awning from the gable end window.

Preserving merely the ranch house, and adding other period buildings, is one thing. The massive preserved landscape of hundreds of acres of the Grant-Kohrs Ranch in the western end of Montana is a totally different experience. This National Park Service site

not only preserves one of the earliest settlement landscapes in the state it also shows how successful ranches change over time. John Grant began the place before the Civil War: he was as much an Indian trader than ranch man. Grant Kohrs however looked at the rich land, the railroad line that ran through the place, and saw the potential for becoming a cattle baron in the late 19th century. To reflect his prestige and for his family’s comfort, the old ranch house was even updated with a stylish Victorian brick addition. The layers of history within this landscape are everywhere–not surprisingly. There is a mix of 19th and 20th century buildings here that you often find at any historic ranch.

When I was working with the Montana Historical Society in 1984-1985 there were two additional grand ranches that we thought could be added to the earlier preservation achievements. Both are now landmarks, important achievements of the last 30 years.

The Bitter Root Stock Farm, established in 1886 by soon-to-be copper magnate Marcus Daly outside of Hamilton, came first. I can recall early site visits in 1985–that started the ball rolling but the deal wasn’t finalized for several years. All of the work was worth it.

Here was one of the grand showplace ranches of the American West, with its own layers of a grand Queen Anne ranch house (still marked by the Shingle-style laundry house) of Daly’s time that was transformed into an even greater Classical Revival mansion by his Margaret Daly after her husband’s death. It is with us today largely due to the efforts of a determined local group, with support from local, state, and federal governments, a group of preservation non-profits, and the timely partnership of the University of Montana.

The second possibility was also of the grand scale but from more recent times–the Bair Ranch in Martinsdale, almost in the center of the state. Charles Bair had made his money in sheep and wise investments. His daughters traveled the world and brought treasures home to their Colonial Revival styled ranch house. To get a chance to visit with Alberta Bair here in the mid-1980s was a treat indeed.

Montana 2007 Bair Ranch sign Martinsdale

Montana 2007 Bair Ranch barn Martinsdale

Montana 2007 outbuildings at Bair Ranch Martinsdale

Once again, local initiative preserved the ranch house and surrounding buildings and a local board operates both a house museum and a museum that highlights items from the family’s collections.

The success of the Bitter Root Stock Farm and the Bair Ranch was long in the making, and you hope that both can weather the many challenges faced by our public historic sites and museums today. We praise our past but far too often we don’t want to pay for it.

That is why family stewardship of the landscape is so important. Here are two examples from Beayerhead County. The Tash Ranch (above and below) is just outside of Dillon and is listed in the National Register of Historic Places. But is also still a thriving family ranch.

Tash Ranch 3, 1200 Hwy 278, Dillon, NR log

The same is true for the Bremmer Ranch, on the way to Lemhi Pass. Here is a family still using the past to forge their future and their own stories of how to use the land and its resources to maintain a life and a culture.

One family ranch that I highlighted in my book, A Traveler’s Companion to Montana History (1986), was the Simms-Garfield Ranch, located along the Musselshell River Valley in Golden Valley County, along U.S. Highway 12. This National Register-property was not, at

first glance, architecturally magnificent as the properties above. But in its use of local materials–the timber, the rocks from the river bluffs–and its setting along a historic road, this ranch is far more typical of the Montana experience.

Golden Valley Co Ryegate Simms-Garfield Ranch NR 1

Golden Valley Co Ryegate Simms-Garfield Ranch NR

Golden Valley Co Ryegate Simms-Garfield Ranch NR 2

Golden Valley Co Ryegate Simms-Garfield Ranch NR 4

Golden Valley Co Ryegate Simms-Garfield Ranch NR 5

Similar traditions are expressed in another way at a more recent National Register-listed ranch, the Vogt-Nunberg Ranch south of Wibaux on Montana Highway 7. Actively farmed from 1911 to 1995, the property documents the changes large and small that happened in Montana agriculture throughout the 20th century.

The stories of these ranches are only a beginning. The Montana Preservation Alliance has done an admirable job of documenting the state’s historic barns, and the state historic preservation office has listed many other ranches to the National Register. But still the rural landscape of the Big Sky Country awaits more exploration and understanding.

The Public Landscape of Statehood

Posted on November 3, 2016 by carrollvanwest

The Montana State Capitol was my first heritage project in the state–the Montana Department of General Services worked with the Montana Historical Society to have me prepare an interpretive guide to the capitol, and then set up the interpretation program, following an excellent historic structures report prepared by the firm of Jim McDonald, a preservation architect based in Missoula.

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The capitol was designed by the firm of Charles Bell and John Kent of Council Bluffs, Iowa, who moved to Helena to supervise the project. The first phase of construction dates from 1899 to 1902 and then between 1909 and 1912 the building was largely completed to its present form with additions from the Billings firm of Link and Haire. It was a splendid building and a joy to work with, and clearly a point of pride of the thousands of Montanans who would visit in a given year.

When I worked at the capitol, of course I passed daily by other state government buildings, and rarely gave those “modern” buildings another thought, except perhaps for the museum exhibits and archival collections at the Montana Historical Society. Years later, however, what seemed unbearably recent in the early 1980s were now clearly historic. One of my MTSU graduate assistants, Sarah Jane Murray, spent part of a summer last decade helping develop a inventory of the buildings and then, finally, in 2016 the Montana State Capitol Campus historic district was listed in the National Register of Historic Places.

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It is really a splendid grouping of buildings, reflecting both the growth of Montana in the middle decades of the 20th century and how state government has expanded its services to the citizens. The Scott Hart Building dates to 1958, an impressive bit of Montana modernism by the firm of Bordeleau, Pannell, and Amundsen. it was an addition to the original Montana Highway Building (1936), a New Deal project in PWA Moderne style from

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the Great Falls architect George Shanley. The initial highway building now houses the departments of livestock and agriculture.

The Capitol Annex (1910) was the first building added to the capitol campus, and its restrained classicism came from the firm of Link and Haire.

The nearby Livestock Building (1918) is like the annex, complimentary of the capitol’s classicism but also distinguished in its own Renaissance Revival skin. Link and Haire were the architects.

The mammoth Sam W. Mitchell Building (1948-50) reflected the post-World War II interpretation of institutional modernism and its mammoth scale challenged the capitol itself, especially once a large addition was completed at the rear of the building in 1977. The architect was Vincent H. Walsh of Helena.

Another Link and Haire building on the campus is the Board of Health Building (1919-1920), which continues the pattern of more restrained architectural embellishment that shaped the look of the government buildings in the middle decades of the century. The Cogswell Building (1954-55, 1981) is another Vincent H. Walsh design, again reflecting the stripped classicism institution style often found in Cold War era public buildings.

While the capitol campus took form on a hill about a mile east of Last Chance Gulch, the state’s governor still lived downtown, in the Queen Anne-style “mansion” originally built by miner and entrepreneur William Chessman and designed by the St. Paul firm of Hodgson, Stem and Welter. The state acquired the house in 1913 to serve as the residence for the governor and his family, and it remained the governor’s “mansion” until 1959.

It was the opportunity to be the curator of this house museum that attracted my newlywed wife Mary Hoffschwelle that led me to come with her to Montana. She was born in Billings; I had never been west of Dallas. But then over 25,000 miles of driving, visiting, and looking in Montana transformed me, and led not only to the 1986 book A Traveler’s Companion to Montana History but now this Montana historic landscape blog. Fate, perhaps. Luck–I will take it any day.

Helena’s downtowns

Posted on October 28, 2016 by carrollvanwest

Helena, the capitol city of Montana, was where I made my home from 1981 to 1985, and served as my base for travels far and wide across the state during my work for the Montana State Historic Preservation Office’s preservation plan in 1984-1985. I started the project at the 1950s modernist Montana Historical Society building next door to the state capitol.

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I ended the project at a far different environment, one of Helena’s downtown historic buildings, just off from Last Chance Gulch.

Helena then was a small town but a big urban environment, and I used to enjoy exploring its two sided urban landscape: the 1970s “Last Chance Mall” where planners and designers closed the street for a few blocks and inserted a pedestrian mall, thinking that a “walking mall” experience would keep businesses downtown, and then the rest of the downtown before urban planners decided to change it into something it never was.

Don’t misread me–I spent many, many hours in the town’s Last Chance Mall, and at first I thought it quite brilliant, because as the historian I liked the fact that the walking experience was distracted by various interpretive pieces, depicting cattle drives, placer mining, and early 20th century urban life.

But soon enough I was like long-time residents–the sculptural and interpretive elements were nice enough for tourists–it was the surrounding historic brick environments that proved much more fascinating, and lasting.

The impetus behind the urban renewal of the 1970s was not only federal dollars through the Model Cities program but also federal presence. Officials wished to anchor the new Last Chance Gulch Urban Renewal project with a Park Avenue section that

began at the intersection of Last Chance Gulch and Broadway and then stretched back to new modernist-styled city library and a flashy Federal Building, moving the federal presence from where it had stood for most of the century–on a hill overlooking the gulch

in an Italian Renaissance-styled landmark designed by federal architect James Knox Taylor and constructed in 1904. That building would become a new city-county municipal building, still with a downtown post office.

The pedestrian mall on its west side ends at the imposing Richardsonian Romanesque styled T.C. Power Block, one of my favorite commercial buildings not just in Helena but in all of Montana.

Once you crossed the street, you found yet another downtown–not more historic but more architecturally diverse and without as many 1970s improvements. The gulch is the dominant corridor, with two lanes of traffic, parked cars, and all of the traffic bustle you expected in a historic downtown.

This downtown has several architectural landmarks, as you see below with the Art Deco-styled First National Bank building, and then a short block away, a magnificent statement of power and influence, the Montana Club, designed by noted architect Cass Gilbert.

Gilbert would gain his greatest fame later in his career for the designs of the Woolworth Building in New York City and the U.S. Supreme Court building in Washington, D.C. The Montana Club (1903-1905) comes from the first part of Gilbert’s career, where he pursued multiple design inspirations, from the Richardsonian to the Gothic to the stylish Arts and Crafts approach then described as Mission style.

Certainly this part of downtown has changed over the last 30 years, be it from recent, and quite necessary, preservation work at the Montana Club to jazzy new facades added to commercial blocks along the way.

A whole different world, one of the 21st century, beckons when you walk through the Hill park, with its controversial fountain founded by a local chapter of the United Daughters of the Confederacy, and reach the park’s intersection with Neill Avenue.

Once you cross Neill Avenue, you enter a new downtown of 21st century Helena, created by the demolition of the historic Great Northern Railway passenger station in the 1990s and the construction of a new Federal Reserve Bank. Here suddenly was a new downtown

anchor, similar to that of the 1977 Federal Building on the opposite end of Last Chance Gulch. And the name given to this? the Great Northern Center, where not only the

Federal Reserve lived but also a huge new Federal Courthouse, the Paul G. Hatfield Courthouse (2001-2002), a neoclassical monument of a scale that Helena had not seen since the construction of the State Capitol more than a century earlier, along with its more

modern styled neighbor, the Senator Max Baucus Federal Building. In less than 40 years, the federal presence not only moved from one end of the gulch to another, it had become much larger and architecturally distinct.

2011 MT Lewis and Clark County 065 civic center New Deal

All that remained from the Helena I recalled from 1985 was the Moorish Revival Civic Center, a building unique in an architectural style but one that still serves as community gathering spot for the arts and music. Here I experienced the Johnny Cash Show in the early 1980s, among other concerts and events. Downtown Helena now has four layers, and the surrounding neighborhoods had changed too–as we shall explore in future posts.

Montana’s Three Forks: Crossroads of Rivers and Rails

Posted on February 1, 2016 by carrollvanwest

The Missouri River headwaters, located just north of the town of Three Forks, is one of the most important places in all of the United States. Here, within the boundaries of a state park that has improved its public interpretation significantly in the last 30 years, was one of the primary goals that President Thomas Jefferson gave the Lewis and Clark expedition in 1803–to find the headwaters of the Missouri River. When the expedition

traversed this land in 1805, they followed the footsteps of Bannock, Shoshoni, and Flathead Indians who had found this place and hunted the abundant game along the rivers long before the “explorers” arrived. Nevertheless, it was the Corps of Discovery that named the place. They found three sources–that they named the Jefferson, the Madison, and the Gallatin after the president and two of his cabinet officers–creating the Missouri River.

While fur trappers such as John Colter, who was an expedition member, soon returned to this site, and in the 1860s the settlement of Gallatin City was established, but only the

historic log Gallatin City Hotel of 1868 remains to mark a place where early Montana settlers thought an important town along the rivers would develop.

Recreational and interpretive features are now much more plentiful than 30 years ago but the park still exudes that feeling of openness and wildness that attracted that only the

Gallatin Co Missouri Headwaters confluence 4

Native Americans but later waves of 19th century trappers and settlers. It is a very special place within Montana and certainly earns its National Historic Landmark designation many times over.

As you leave the Missouri Headwaters State Park access road (Montana 286) and return south to old U.S. Highway 10, you encounter a plaintive sign hoping to attract the thousands of heritage tourists who come to the state park–go a bit farther south and west and find the town of Three Forks.

The story of Three Forks, on the western edge of Gallatin County, is not of rivers but of railroads, of how both the Northern Pacific and the Milwaukee Road corridors shaped this part of the state at the end of the first decade of the 20th century.

The Milwaukee Road came first, with Milwaukee Land Company agent John Q. Adams establishing the townsite in 1908, and later contributing its first landmark building, the two-story Colonial Revival-styled Sacajawea Hotel in 1910. Adams began the hotel in true Montana vernacular fashion, having contractors tack together existing moved buildings

into some type of lodging for railroad workers. Bozeman architect Fred Willson finished the building with a new facade along with various additions, leaving housing for railroad employees along with providing services for travelers. Heritage tourists were part of that mix, especially once the Montana Daughters of the American Revolution in 1914 placed a large boulder with a bronze plaque in honor of Sacajawea across the street from the hotel. Here was one of the state’s early examples of public interpretation of the Sacajawea story. In 2005, as part of the bicentennial of the Lewis and Clark Expedition, the Three Forks Area Historical Society commissioned artist Mary Michael to add a stylized statue of Sacajawea and her baby Pomp, turning the spot into a 21st century memorial to the Shoshoni woman.

Thirty years ago, the hotel was a renovation project we all at the Montana Historical Society wanted to happen. Listed in the National Register of Historic Places in 1980, it was a proud relic of that railroad that had just closed but also of the early automobile age when travelers could stop here, spend the night, and then travel by car to Yellowstone National Park far to the south. I would stay here when working in the region, reveling in

Sacajawea Hotel, 1990

the feel, the look, the sounds of a historic railroad hotel. Unfortunately the restart only lasted about 20 years. The hotel closed in 2001, and looked to have a bleak future in the new century. From 2009-2010 new owners, however, took this historic hulk and have

polished back into a jewel, better suited for more upscale travelers than in the past. It is the center point of a renewal of Three Forks, and part of a minor population boom that has seen the town, which basically had a flat population of 1100 to 1200 from 1950 to 1990 reach a population of almost 2000 in 2015. More on Three Forks in the next post

Lewistown’s Heritage Development

Posted on November 19, 2015 by carrollvanwest

Photo by Montana Preservation Alliance.

During the state historic preservation planning process in 1984-1985, the new historic preservation efforts in Lewistown, especially the focus on the sandstone masonry of the Croatians, were noted and celebrated as well as the town’s only “marked” historic site, Reed’s Fort Post Office, associated with the very early history of settlement in Fergus County and the history of the Metis who lived here in the 1870s and 1880s. Certainly much more was known about the community’s history and architecture. But there was little public interpretation, except for this log building and, on the other side, of the town, a public park with military artifacts including an ICBM missile–a rarity then and now for a public park anywhere in the west.

Even the local museum was at the beginning stage, sharing quarters with the chamber of commerce in a Ranch-style building, like the park, on the outskirts of town.

How times changed over 30 years. The museum is still at its location but adjacent is now a new facility, replicating a huge barn, expanded exhibits and artifacts about the region’s history.

Markers about National Register-listed properties and districts exist throughout town, courtesy of the exemplary interpretive marker program of the Montana Historical Society.

What happens within town is supported by recent interpretive marker installations at the highway rest stop as you enter Lewistown. From this spot there is an excellent view of the historic Lewistown airfield, listed in the National Register of Historic Places, for its significance in World War II aerial supply lines and defense.

Not only can you see the historic district, you also can learn about its significance through an interpretive marker developed by Montana Department of Transportation.

Steps away is another interpretive kiosk, related to an earlier, sadder military story, that of Chief Joseph of the Nez Perce Indians and their attempted flight to freedom in Canada in the 1870s. Both markers also emphasized the overall theme of transportation and how Lewistown has been crisscrossed by important historical events for centuries.

Walking tour brochures help visitors and residents understand more of the history and architectural beauty of the town, from landmarks such as St. Leo’s Catholic Church, an amazing interpretation of Italian

Renaissance revival style from the prominent Montana firm of Link and Haire, and the historic early 20th century domestic architecture in the downtown neighborhoods.

The town’s historic districts serve as anchors within the commendable trail system developed in Lewistown over the last 20 years. Local officials and representatives, working with the state government and abandoned railroad property and corridors, have established a series of trail loops that not only provide excellent recreational opportunities, as signified in this trail head near the Yogo Inn, but also paths for heritage tourists and

residents alike to explore the landscape, and how history in the 19th and 20th centuries created the place where they live and play today.

As we will see later in western Montana, like in Butte and Kalispell, trail systems can be the best of heritage development because they take advantage of the state’s greatest asset–its landscape and sense of the Big Sky Country–and combine it with explanations of the layers of history you encounter wherever you go, creating an asset that visitors will like but that residents will cherish, because they can use it on a daily basis.

Of course recreation, to my mind, is never complete unless there are nearby watering holes where one can relax and replenish, and Lewistown is rich in those too, being they the various classic roadside establishments along the highways entering and leaving town or the can’t miss taverns downtown, such as The Mint and the Montana Tavern, where the signs speak to the good times to come. Those properties are crucial for heritage development because they are important in themselves but they also are the places that get people to stop, and hopefully explore.

Using multiple pasts to create new opportunities for communities: Lewistown has it going, and it’s far different world today than in 1984.

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