Butte’s Mountain View Cemetery, located in the Flats across the road from a Walmart store, is a fascinating urban cemetery. Here is where, in memorial, you can encounter butte’s rich historic ethnic past, with the script of many headstones written in the deceased’s native language, so family and friends could member, without sharing with the dominant Anglo world that surrounded them on a daily basis. The people who worked in Butte from eastern Europe and the Middle East are rarely found in the standard history books but their stories are marked in this cemetery.
The small Arabic section is a reminder of the early immigration and contributions of Middle East natives who carved out their separate niche in Butte.
Mountain View Cemetery also has a moving, modern style Veterans of Foreign Wars memorial to soldiers buried within its walls as well as other sections devoted to those who fought for their nation, no matter their ethnic origin.
As several of these images show, Mountain View has few of the large, ornate Victorian or Classical Revival style grave markers found in St. Patrick’s Cemetery or Mt. Moriah Cemetery or B’nai Israel Cemetery. This is a 20th century cemetery where the memorials are not so bold but smaller, more intimate in their messages and memorials.
Far from the bustle and grime of the Richest Hill on Earth are the historic cemeteries of Butte. As I have said many times already in this blog, I rarely considered cemeteries during the 1984-1985 state historic preservation plan work. That was a huge mistake for Butte. The three historic cemeteries I wish to consider here–Mt. Moriah, St. Patrick’s, and B’nai Israel–document the city’s ethnic diversity like few other resources, reinforcing how groups survived in a city together although they often keep to their separate communities. But the cemeteries also have sculpture and art worthy of attention and preservation–they are outstanding examples of late 19th and early 20th cemetery art and craftsmanship in the United States.
The Masons established Mr. Moriah Cemetery Association in 1877. The cemetery has many striking markers, especially the Thompson Arches (seen above and below), an elaborate statement to mark a family plot, especially when compared to the cast-iron
iron fence, when combined with the carving and detail of the gravestone itself makes quite the statement for Cornish identity in Butte at the turn of the century. Note the dual fraternal lodge marks, one for the Masons, another (the linked chain) for the Odd Fellows.
Frank Beck left this earth in 1909, and the marker for Frank and his wife Agnes is remarkable for the inclusion of the family pet, noted above as Frank and His Faithful Dog.
1881 when the Hebrew Benevolent Association first acquired the land from the Northern Pacific Railroad. Congregation B’nai Israel acquired the property in 1905, two years after finishing its landmark synagogue in uptown Butte.
The cemetery seems to stretch to the very edge of the city, but it is worth a long walk around for what you can discover about the Catholic impact on Butte in the late 19th and early 20th centuries.
There are spectacular sculptural monuments to prominent city builders, such as the Classical Revival-style temple crypt for merchant price D. J. Hennessy.
Adjacent are separate plots maintained for Sisters who served and died in Butte as well as larger, more elaborate memorials for priests who served in Butte over the years.
Towering over the Butte cityscape, in competition with the corporate symbols of the steel head frames for dominance, are the steeples of Butte’s churches, in themselves powerful symbols of the ethnic diversity that make up the population of the copper city. This posting hardly pretends to cover all of the city’s historic churches–consider this a sampling of sacred spaces that too often are taken for granted.
Stone work in a Gothic style reminiscent of a Cotswold village parish distinguishes St. John’s Episcopal Church in Butte. Built in 1881, with later additions in the 20th century, the church is considered the oldest in the city. Copper magnate William A. Clark lived nearby and he helped to fund the church.
The original St. Paul Methodist Episcopal Church South (1899) was designed by architect William White in a restrained Gothic/Norman style similar to that of St. John’s Episcopal. But the real significance of the property lies with its association with miners’ attempts to organize and the influence of the International Workers of the World (IWW or Wobblies) in Butte history. The property’s National Register marker summarizes it nicely: “By 1918, the church housed the Butte Daily Bulletin, a radical newspaper voicing policies of the anti-corporate Nonpartisan League, published by William F. Dunne. The office was also a known stronghold of the incendiary Industrial Workers of the World (IWW). On September 14, 1918, local police and federal troops under Major O. N. Bradley raided the Bulletin, arresting twenty-four men and thwarting a miners’ strike.”
Another Gothic landmark listed in the National Register in Butte is St. Mary’s Catholic Church, now home to a Catholic women’s foundation, on North Main Street near the federal building. The congregation was among the city’s earliest but a fire destroyed the church building leading to construction of this building at the onset of the Depression.
St. Joseph Catholic Church is quite different in its architecture, a strong statement of Classical Revival from 1911. The architect was Austrian-born Albert O. Von Verbalism, who also designed the magnificent High Victorian Gothic St. Helena Catholic Cathedral in Helena. St. Joseph is still an ethnically vibrant congregation some 100 years later.
The Christian Scientist Church follows the blending of Colonial and Classical Revival design so often found in the congregation’s churches no matter their location in the United States. This building dates to 1920 and Walter Arnold was the architect.
Perhaps the grandest of the Uptown religious buildings is the Onion-dome steeple of the historic B’nai Israel Synagogue (1903), which was one of three Jewish houses of worship in Butte and is now the oldest synagogue in continuous use in all of Montana.
On a far different scale is the Gold Street Lutheran Church. Built in a restrained, late interpretation of Gothic style in 1936, the church shows the continued expansion of Butte’s religious centers from the Uptown area into what is called the Flats, where so many congregations now reside.
You don’t think Montana modernism when you think of Butte, but as this overview will demonstrate, you should think about it. I have already pinpointed contemporary homes on Ophir Street (above). The copper mines remained in high production during the Cold War era and many key resources remain to document that time in the city. For discussion sake, I will introduce some of my favorites.
I looked at schools constantly across the state in 1984-1985 but did not give enough attention to the late 1930s Butte High School, a classic bit of New Deal design combining International and Deco styles in red brick. Nor did I pay attention to the modernist buildings associated with Butte Central (Catholic) High School.
You would think that I would have paid attention to the Walker-Garfield School since I stopped in at the nearby Bonanza Freeze, not once but twice in the Butte work of 1984. I
never gave a thought about recording this classic bit of roadside architecture either. Same too for Muzz and Stan’s Freeway Bar, although maybe I should not recount the number of stops at this classic liquor-to-go spot.
In the north end, Walkerville still shows this working side of domestic architecture well.
Here are blocks upon blocks of the unpretentious, yet homey, dwellings of those drilling out a life below the ground. And elsewhere in the city you have surviving enclaves of the
Some places speak to larger truths, often hidden in the landscape, of segregated spaces and segregated lives. This corner of Idaho Street (see below) was once home to the local African Methodist Episcopal church, which served a small surrounding neighborhood of black families.
Let me just jump right in: I do not know of another town in Montana that has done more with the concept of heritage development than Butte in the last 30 years. Heritage development, in brief, means that a community identifies the stories and places that define their past and sense of identity and then uses them as tools for community revitalization and growth. The stories and places must be authentic, meaningful, real–fake pasts don’t get you very far. In 1981, out of fears that its storied and nationally significant history would be lost in the haze of late 20th century urban renewal and economic change, Butte created as part of local government the Butte-Silver Bow Archives–everyone I knew were excited about its potential and its early discoveries at the time of the state historic preservation plan work in 1984-1985. Now that institution is one of the key rocks upon which Butte’s future lays. Above is the conversion of a historic firehall into the modern archives/heritage center the institution is today–in itself a great example of adaptive reuse and historic preservation at work.
a vibrant institution, always in touch as its community room hosts other heritage groups and special programs throughout the year. The archives is just around the corner from one of the most important, and solemn, places in the city, the location of the Butte Miners’ Union Hall, which was bombed in 1914.
Heritage development has become part of the basic sinews of Butte. Along with its active archives board, the city also maintains an effective historic district commission, and provided seed money for several key projects over the past generation. The Original Mine site below, the city’s first copper mine, not only serves as part of the city’s public
Today the Granite Mountain site is one of the best interpreted mining properties I have encountered. The miners’ stories are told–often with the words they were able to write down before dying from the lack of oxygen–and their multiple ethnic backgrounds are acknowledged, and celebrated.
The interpretive memorial overlooks the mine, and is located high over town. But when I visited in May 2012 a school group was there too, along with visitors like me.
All of these efforts considerably enhance earlier efforts at public interpretation, be they along Interstate I-15 and its overview of Butte or the visitor center maintained just off the
interstate by the local chamber of commerce. The center, yet another change in the last 30 years, is an attractive reproduction of a classic railroad depot design. It also provides a useful perspective of the city from its south side, giving special prominence to the soaring clock tower of the historic Milwaukee Road depot.
The Berkeley Pit in 1984 was a giant hole in the earth, with a viewing stand. It too now has a more comprehensive heritage experience with a small visitor center/ museum adding to the public understanding of the massiveness and significance of the pit.
Butte–the copper city that was once the largest urban area in Montana–was a place undergoing tremendous stress at the time of state historic preservation plan work of 1984-1985. The closing of the Berkeley Pit–the most scarred landscape of that time in Montana (the coal pits of Colstrip now surpass it)–shocked so many since Anaconda
From here you understood that Uptown–the state’s most sophisticated urban setting–was little more than a speck within a larger landscape where people lived and toiled, scratching out lives for their families, building communities, providing raw materials to a hungry industrial world. But what seemed to me to be the vastness of Butte was actually a decidedly human response to the far greater vastness of the northern Rockies. Here was a landscape of work like few others in this nation.
There are few better places in the United States to explore the landscape of work, and how opportunity attracted all types of people from all sorts of lands to mine the copper, to house the workers, to feed the families, to provide rest and relaxation, to do all of things big and small it takes to keep a place humming 24 hours a day for decades, taking from the earth materials that made modern suburban America possible.
I cannot touch upon everything or everyone that define the Butte experience today but in the next several posts I want to dig deep into this landscape and discuss how this transformed place is now, for me, the most compelling spot of all in Montana.
Jefferson County, nestled as it is between the much larger population centers of Helena (Lewis and Clark County) and Butte (Silver Bow County), has often been neglected in any overview or study of Montana. But within the county’s historical landscape are places and stories that convey so much about Montana history and the historic properties that reflect its culture and identity.
Let’s begin with the place so often in the news lately, the Montana Development Center, the location of the historic Montana Deaf and Dumb Asylum (1897-1898), a stately red brick Renaissance Revival-style building listed in the National Register of Historic Places in 1985. Since the building was being considered for listing, it was a top priority for the state historic preservation plan work in 1984. It remains in need of a new future 30-plus
Another public institution once found in numbers across Montana but now found only in a few places is the high school dormitory, for students who spent the week in town rather than attempting to travel the distances between home and the high school on a daily basis. Boulder still has its high school dormitory from the 1920s, converted long ago into apartments.
Community halls represent another theme found in the Montana landscape; Jefferson County has an excellent example in its 1911 community hall in Clancy, which now serves as the local library. Likewise, fraternal lodges played a major role as community centers in early Montana history–the stone masonry of the two-story Boulder Basin Masonic Lodge makes an impressive Main Street statement.
Another good example of the early railroad development is at Corbin, where a major ore concentrator operated by the Helena Mining and Reduction Company was located in the 1880s. The concentrator handled 125 tons of ore every day. The concentrator is long gone but the foundations, while crumbling steadily, remain to convey its size and location. The tall steel train trestle overlooks the town, a powerful reminder of the connection between the rails and mines. It is part of the historic Montana Central line, first built as a wood trestle in 1888 and then replaced with the steel structure found today in 1902.
Fraternity Hall was famous at the time of the state historic preservation plan survey as one of the best architectural examples of false front, Italianate style-influenced commercial buildings in the northern Rockies. The two photos below, one from 1985 and the other from 2013, show how its preservation has been enhanced under state guardianship. Its projecting bay and balcony are outstanding examples of the craftsmanship found in the vernacular architecture of the boom towns.
The historic barn at the Jefferson Valley Museum is the Brooke Barn from 1914, another example of the dairy production then taking place in this part of Montana as the same time that the mines were booming in nearby Butte.
The adjacent rodeo grounds at Whitehall host in late July the Whitehall Bucking Horse Futurity competition and fair.
The bucking horse competition is not the only major summer event in the county. Along the old federal highway and the Jefferson River at Cardwell, music promoters took a historic highway truss bridge, converted it into a stage, and have been hosting the Headwaters Country Jam, the state’s biggest country music festival–a bit of Nashville every June in Montana: I have to love it.
Here is adaptive reuse at perhaps its ingenious best, and successful adaptive reuse projects are another constant theme found across Montana. Whitehall itself has a second example in the conversion of a 1920s Craftsman-style building on Legion Avenue (old U.S. Highway 10). Indeed, although travelers do not use the older federal highway much since the construction of the interstate, Whitehall has several good examples of roadside architecture–yes, another blog theme–along Legion Avenue, such as a Art Moderne-styled automobile dealership and a classic 1950s motel, complete with flashing neon sign.
During the mid-1930s the Civilian Conservation Corps developed the park with new trails in the caverns; state and local authorities wanted more site development since the park stood along U.S. Highway 10, with potential tourism growth. In 1937-38, the federal government transferred the national monument to state control and in 1938 state officials launched Lewis and Clark Caverns as Montana’s first state park. Since my work 30 years ago, the state has re-energized the park with a new visitor center and interpretive exhibits that better convey the caverns’ significance, especially to Native Americans who had used the place centuries before Lewis and Clark passed nearby.
The public landscape of Anaconda has already been touched on in this blog–places like Washoe Park, the cemeteries, or Mitchell Stadium for instance. Now I want to go a bit deeper and look at public buildings, both government and education in this smelter city.
Let’s begin with the only building in Anaconda that truly competes with the stack for visual dominance, the imposing classical revival-styled Deer Lodge County Courthouse. When copper baron Marcus Daly created Anaconda in the 1880s it may have been the industrial heart of Deer Lodge County but it was not the county seat. Daly was not concerned–his hopes centered on gaining the state capitol designation for his company town. When that did not happen, efforts returned to the county seat, which came to Anaconda in 1896. The courthouse was then built from 1898-1900.
in Montana is the lavish interior of the central lobby and then the upper story dome. The decorative upper dome frescoes come from a Milwaukee firm, Consolidated Artists. Newspaper accounts in 1900 recorded that the completed courthouse cost $100,000.
The bombastic classicism of the courthouse was at odds with the earlier more High Victorian style of City Hall, built 1895-1896, and attributed to J. H. Bartlett and Charles Lane. But classicism in the first third of the 20th century ruled in Anaconda’s public architecture, witness the Ionic colonnade of the 1931-1933 U.S. Post Office, from the office of Oscar Wenderoth.
Once Anaconda, bursting at the seams following the boom of World War II, chose to upgrade its public schools, it took a decided turn away from traditional European influenced styles and embraced modernism, as defined in Montana during the 1950s.
The long, lean facade of Lincoln Elementary School (1950) began the trend. Its alternating bands of brick punctuated by bands of glass windows was a classic adaptation of International style in a regional setting. The modernist bent continued in 1950-1952 with the Anaconda Central High School, the private Catholic school, now known as the Fred Moody middle school, only a few blocks away. Except here the modernist style is softened by the use of local stone, giving it a rustic feel more in keeping with mid-20th century sensibilities and the Catholic diocese’s deliberate turn to modern style for its church buildings of the 1950s and 1960s (see my earlier post on College of Great Falls).
Montana's Historic Landscapes 