Since my initial survey of Montana historic places in 1984-1985, Montana state parks has established several small but significant historic parks. One of these, Tower Rock State Park, is viewed by hundreds of drivers daily, as it is located directly on Interstate I-15 along the Missouri River Canyon in southern Cascade County.

Native Americans traveling from their Rocky Mountain homelands into the game-rich high plains, used the rock formation, over 400 feet high, as a landmark between the two regions. The Bitterroot Salish, Lower Kootenay, and the Piegan Blackfeet are all associated with the place. For the Piegan Blackfeet it was and is a sacred place. Groups camped in the vicinity between the Rock and Missouri River.

When on July 16, 1805 Capt. Meriwether Lewis of the famous Corps of Discovery encountered the Rock on his journey west, he noted the presence of what he called an “Indian road” around the Rock. He then decided to name the place and wrote in his journal: “this rock I called the tower. it may be ascended with some difficulty nearly to its summit, and from it there is a most pleasing view of the country we are now about to leave. from it I saw this evening immence herds of buffaloe in the plains below.”
The surrounding region’s development took place in the late 19th century, accelerated by the decision of the Manitoba Road to built through the canyon a rail link connecting Great Falls, Helena and Butte. This line became known as the Montana Central Railroad.

In the early 20th century came an automobile route, U.S. Highway 91, and then the interstate highway in 1968. Interestingly, the property’s official designation as a historic site came much later. Tower Rock was listed in the National Register of Historic Places in 2002. Two years later, it became a state park of about 140 acres.

The park is day-use only but there is adequate public interpretation. There is also a maintained trail to the Rock’s base, allowing for a more direct experience with landscape and some mitigation of the noise from the highway. The importance of the place deserves a more robust treatment but perhaps more can come in the future ( and the adjacent disposal center can be moved to a more appropriate location).




































modern style for many Catholic churches in eastern Montana. The Culbertson church is a good example of that pattern. Another church that belongs to the modern design era of the 20th century is Trinity Lutheran Church, especially as this distinguished building expanded over the decades to meet its congregation’s needs.





























First came efforts to better interpret the Corps of Discovery and their travels through this section of the Missouri River 15-20 years ago. The theme was Lewis & Clark in the Missouri River Country, but by the 2010s the region’s demanding weather had taken its toll on the installation.
At the lake’s edge are additional markers encouraging visitors to imagine the time before the lake when the Big Dry River often meant exactly what it said–the reservoir keeps it full now.
New interpretive markers combine with a well-defined pull-off to encourage travelers to stop and think about the loss of life that occurred in building the dam. Many of the massive infrastructure projects of the New Deal have similarly sad stories to tell–but few of them do.
You can explore the landscape with the assistance of the highway markers to a far greater degree than in the past. Even if today it is difficult to “see” the transformation brought about by the massive earthen dam, there are informative markers to help you.





St. Joseph Catholic Church, perched now on a barren bluff facing the lake, was moved about 2.5 miles east to its present location in 1954. Originally near the river in what was then known as the Canton Valley settlement, the church building is one of the state’s oldest, dating to 1874-1875 and is listed in the National Register of Historic Places. The proud Gothic styled church is the remnant of one of the valley’s earliest settlements.





















I am speaking instead of the wide range of images and themes that visually interpret the town’s and county’s history. Finding public art murals about the open landscape once dominated by the Blackfeet Indians and the buffalo is not surprising–communities often embrace the deep history of their land.
That Cut Bank also has a large expressive mural about the Lewis and Clark Expedition is not surprising–murals about Lewis and Clark were installed across several towns during the bicentennial of the expedition in the first decade of this century. East of Cut Bank is Camp Disappointment, one of the more important sites associated with the Corps of Discovery.
Nor is it surprising to see communities commemorate their homesteading roots, and the importance of agriculture and cattle ranching.
But I was surprised, pleasantly, by the number of murals that also documented the town’s twentieth century history, whether it is the magnificent steel trestle of the Great Northern Railway just west of the commercial core, or a mural that reminded everyone of the days when the railroad dominated all traffic here.

It is this first half of the 20th century feel that the murals interpret–the era that actually built most of the historic buildings you find there today–that I find so impressive and memorable about Cut Bank, be it people on bicycles or what an old service station was like.
Space matters when you interpret the built environment, and these various murals reflect not only a sense of town pride and identity they also give meaning to buildings and stories long forgotten.