Helena’s Resurrection Cemetery (1908)

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Dominated by the monumental Cruse family mausoleum, Resurrection Cemetery has been a Montana Avenue landmark for over 100 years.  It is not the first Catholic cemetery in Helena–the original one was nearer the yards of the Northern Pacific Railroad and was closed c. 1906-1908, when Resurrection Cemetery was under development.  The first cemetery became abandoned and many markers and crypts were not removed until the late 1940s and 1950s.  Then in the 1970s, the city finished the process and turned the cemetery into Robinson Park, where a small interpretive marker still tells the story of the first Catholic cemetery.

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Resurrection is a beautifully planned cemetery, with separate sections, and standardized markers, for priests and for the sisters, as shown above.  Their understated tablet stones mark their service to God and add few embellishments.  Not so for the merchant and political elite buried in the historic half of Resurrection Cemetery.  “Statement” grave markers abound, such as the Greek Revival temple-styled mausoleum for the Larsen family, shown below.

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An elaborate cross marks the family plot of Martin Maginnis, an influential and significant merchant and politician from the early decades of the state’s history (but who is largely forgotten today).  Nearby is the family plot for one of Maginnis’ allies in central Montana and later in Helena, T. C. Power.

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Joseph K. Toole, a two-time Governor of Montana, is also buried with a large but not ornate stone marker, shown below. Former senator Thomas Walsh is nearby but what is

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most interesting about the Walsh family plot is the striking Arts and Crafts design for his

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daughter Elinor Walsh, who died as a young woman.  I have not yet encountered a marker similar to hers in all of Montana.

IMG_4387Another compelling marker with statuary is that of another young woman rendered in marble, a memorial to James and Catherine Ryan.

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Thomas Cruse, who struck it rich with the Drumlummon mine at Marysville, had no qualms about proclaiming his significance and the grandest cemetery memorial in Montana bears his name.  Cruse already had put up at least one-third of the funding for the magnificent High Gothic-styled St. Helena Cathedral in downtown Helena.  At Resurrection, Cruse (who died in late 1914) was laid to rest in a majestic classical-style family mausoleum where his wife and his daughter were also interred (both proceeded Cruse in death).  The Cruse mausoleum is the centerpiece of Resurrection’s design.

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But the monuments for the rich and famous at Resurrection are the exceptions, not the rule.  In the historic half of the cemetery, most markers are rectangular tablet types.  The cemetery also has a separate veterans section.  IMG_4373

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Forestvale: Helena’s Victorian Cemetery

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Its castellated Gothic gate standing silently a few blocks off of Montana Avenue south of downtown Helena, Forestvale Cemetery was established, at the end of a trolley line, in 1890.  Montana has just become a state and Helena would soon enough become the permanent state capitol.  The cemetery is the final resting place for town and state founders, pioneers, and the hundreds of workers, merchants, ranchers, and mechanics who shaped Helena’s history for over 100 years.

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As the interpretive marker at the entrance cemetery notes, the cemetery came into public ownership in 1991 and has been listed in the National Register of Historic Places.  It “was designated as a ‘Rural Park,’ a place to walk through Montana history.”

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I would agree fully with that assertion.  When I moved to Montana in 1981 my first abode was the Chessman Flats, a Victorian row house converted to apartments next to the Original Governor’s Mansion.  I soon sought out Chessman’s final resting place, a sizable family plot shown above.  I also discovered the graves of many famous late 19th century Montanans who I was just learning about.  Samuel Hauser, the banker and early territorial governor, is buried here in another family plot.

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The Fergus family was another name I recalled, especially with the proud designation of “Pioneers 1862”.  Several markers, like that for the Ecler family below,  note the final resting place of that first generation of settlers in the Big Sky Country.  Nor is Hauser the

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only governor to be buried here.  Tim Babcock, a late 20th century governor, is buried with a marker that outlines the state of Montana, a fitting tribute.

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The Nicolas family plot is one of the view, compared to the many at Benton Avenue Cemetery, to be outlined by a low metal fence.  But Forestvale also has a handful of the distinctive hollowed press metal grave markers, like the flamboyant combination of classical and Victorian motifs of the Leslie family marker.

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The pressed metal markers for the Leslies are just the beginning of the Victorian funerary art represented at Forestvale.  As shown below there is the Richardsonian Romanesque grave house memorial for the Brown family and the cut-off limbs monument for Mary Love Stoakes, who died in 1889.

Beautiful statuary is reflected in the grave marker for Lillian Stoakes Cullen, who died in 1897.

 

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But as is obvious in the background of the photographs above, the great majority of the grave markers at Forestvale are much more restrained, rectangular slabs of rock, respectful but minus the Victorian flourish.

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At the rear of the cemetery markers are missing, or are small and unadorned.  In the far corner is a later memorial to at least 22 children who died at the Montana Children’s Home and Hospital from 1917 to 1932.

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The cemetery’s interpretive marker noted that at Forestvale “There was never any prejudice as to creed or color.” That is not true, outside the north fence of the cemetery is a grave yard for Chinese residents of Helena.  This section is not well kept, and judging from the number of depressions, the number of people buried here could be sizable.

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A summer 2018 story in the Helena Independent Record told of a new local effort to identify the number of graves in this section and to begin a process to right a wrong.  Certainly the present condition is unacceptable, and hopefully steps will finally take place to place the “Chinese section” into the publicly owned and maintained cemetery.

Helena’s Benton Avenue Cemetery (1870)

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Nestled in the shadows of Mount Helena, across the street from Carroll College, with its boundaries made up of 1950s and 1960s suburban housing, and the historic main line of the Northern Pacific Railroad is Benton Avenue Cemetery, which dates to 1870.  The preservation effort here over a generation has met with several successes.  The cemetery was reclaimed, documented, and listed in the National Register of Historic Places.

MT Lewis and Clark County Benton Cemetery 18But my visit on Memorial Day 2018 left me with the feeling that the cemetery is an under-appreciated historic property.  There are no signs of true neglect, but it was so quiet on Memorial Day that I did think the place had become an almost forgotten historic asset–an afterthought in today’s busy world.  I hope not–because this cemetery has many jewels to explore and appreciate.  Perhaps the most striking–certainly most rare to see–are the cast iron baskets–or bassinets, see below, that surround two children’s graves.

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These are remarkable yet sad artistic creations–I have not seen anything comparable in my research in historic cemeteries in either the west, the midwest, or the south.  The Benton Avenue Cemetery has an amazing array of cast-iron fencing that define family

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MT Lewis and Clark County Benton Cemetery 12plots–certainly the ironwork was a status symbol in the late 19th century and there is no one statement.  Families adorned their graves with fences much as they surrounded their houses in the nearby neighborhoods.

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There are numerous hollowed cast-iron grave markers too.  Almost everytime I share this late 19th century style marker with a viewer, they say, well they must be rare, what an odd thing.  But these markers were wildly popular in the railroad era.  You could

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order the marker with whatever designs or inscriptions you wish and they would soon be delivered.  Finding family groups of these hollow metal markers is rare, however, so the grouping for the Toole family at Benton Avenue deserves a close look.

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Veterans of the U.S. Army, several dating to service in the Civil War, are buried at Benton Avenue.  Other graves are just marked by slowly fading wood tablets.

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Ornamental planting abounds, and added beautiful color on Memorial Day.  My favorite grave marker is both early and unique.  Cast-iron is a material once crucial for all sorts of items in a household: pots, pans, tools, fire backs.  But a cast-iron grave marker–made of a single rectangular tablet with name and designs? That’s something special.

MT Lewis and Clark County Benton Cemetery 28Benton Avenue Cemetery is worth a new consideration for its many different forms, materials, and designs.  When I lived in Helena some thirty-five years ago, I gave it scant attention–it deserves so much more.

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Helena’s Historic Cemeteries: Home of Peace Cemetery (1867)

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As discussed at several places in this blog, I have given careful consideration to the historic cemeteries of Montana in the fieldwork of 2012-2016.  When the initial survey for the state historic preservation plan took place in 1984 to 1985, cemeteries rarely registered with anyone–the professionals were not looking that way nor were communities.  That is no longer the case in historic preservation–cemeteries are an increasing area of interest.

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Home of Peace was established in 1867 and the cast iron fence around its boundaries dates to that time.  The earliest identified grave marker is 1873 but the Hebrew Benevolent Society (or Association), which established the cemetery originally, believes that Home of Peace includes burials from the 1860s.  The beautiful arched gateway to the cemetery dates c. 1910, the same time that the cottonwoods were planted and most of the existing ornamental plants in the cemetery were added.  Most of the burials are arranged in family groups, outlined by low stone or concrete walls.  Some are individuals, or couples.  A few are non-Jewish since at one time the association, which still owns the cemetery, allowed for their burials.

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IMG_4309The date of most markers are from the late 19th century to the early 20th century.  Mostly made of granite and sandstone, with some marble as well, the grave markers reflect Victorian styles and Classical influences.  Herman Gans’ marker from 1901, seen below, is a mixture of both.

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The cemetery contains several veterans markers in the standardized tablet design provided by the War Department and later the Veterans Administration. The grouping in the forefront, below, identifies two veterans from the Spanish-American War of 1898.

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In the mid-1970s the association transferred some of its land for the construction of Capitol High School, which now almost surrounds the cemetery, which had once stood faraway from the center of Helena’s population.

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IMG_4312The looming presence of the school grounds is a worry for future preservation of the cemetery–could it be possibly overlooked, ignored, and abandoned?   One online resource about the cemetery remarks that there are more Jews buried in the cemetery than live in Helena today.  But this sacred place is a powerful reminder of the contributions of the Jewish community to Helena’s growth and permanence.  Listed in the National Register of Historic Places, the cemetery should be valued as one of the city’s oldest and most significant historic properties.

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Lincoln’s TeePee Burner and new vistas in a national forest

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As I carried out my new exploration and documentation of the Montana historic landscape from 2012 to 2016, there were new developments underway that I missed as I moved from one region to another during those years.  The creation of Blackfoot Pathways: Sculpture in the Wild within a section of the national forest at Lincoln happened after I had revisited Lincoln–so I did not visit this exciting new sculpture park until May 2018.  The park’s mission is to celebrate “the rich environmental and cultural heritage of the Blackfoot Valley through contemporary art practice.”  Moving the TeePee Burner, which had stood for decades outside of the town between the Blackfoot River and Montana Highway 200, was the appropriate first step.  This large metal structure once burned wood refuse from the Delaney and Sons sawmill–now it is the centerpiece of creative space set within the national forest just off of the highway.

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The Gateway of Change (2014) by Jorn Ronnau of Denmark serves as an effective transition from the TeePee Burner to the other installations in the sculpture park.  Casey Schachner’s Stringer (2017), below, is a great pine fan, recalling in its strength and lift the industrial works of the past.

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My favorite installation in 2018 was the Picture Frame by Jaakko Frame of Finland, a massive interpretation of how we take nature and frame it constantly in our mind’s eye, or in our camera lens!

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Another favorite was what seemed to be a trench, but is named the East West Passage (2015) by its creators, Mark Jacobs and Sam Clayton of the UK.  The “walkable” structure creates a below-grade passage, giving a sense of direction in what can otherwise be a directionless landscape.

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Tyler Nansen’s Bat Beacons (2016) at first glance seems redundant–why have pine poles installed in a pine forest?  But Nansen wants to “encourage the preservation of bat habitats in Montana,” by creating possible roosts for bats with the black bat boxes at the top of each pole.

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Frankly everything you encounter as you walk through this special landscape is interesting, if not thought provoking.  And the artists are international, just as in the past the people who carved out the forests, dug the mines, and created towns came from across the globe.  What an appropriate representation of the people who made the Blackfoot River Valley a distinctive place. In my earlier posts I have discussed how the

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U. S. Forest Service really upped its game in public interpretation at historic sites from my fieldwork in the mid-1980s to the new survey of the mid-2010s.  Blackfoot Pathways takes the interpretive experience in new and worthwhile directions, acknowledging the industrial past of the forests but also identifying new paths for the future.

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Canyon Ferry and the transformation of the Missouri River Valley

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Canyon Ferry Lake is the third largest in Montana.  A good part of it lies just east of Helena, the state capitol, while the bulk of the lake stretches southward into Broadwater County.  Living in Helena during the 1984-85 state historic preservation plan survey, and often driving U.S. 287/12 which parallels the lake, you would think that the lake and its history would have played a major role in that initial plan.  Such was not the case–rarely did I or anyone else give it much of a thought.  Canyon Ferry Lake in 1984 was just 30 years old–it was not “historic.”

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But its historic impact can’t be ignored.  As part of the massive federal plan to conquer the Missouri River, the Pick-Sloan Flood Control Act of 1944 was justified by wartime conditions–it would create new sources of hydroelectric power–but actual construction did not get underway until the later 1940s and 1950s.  Historians have studied the act’s disastrous impact on Native American tribal lands in the west, and the environmental consequences of building some 50 dams on the Missouri and its various tributaries.

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For Lewis and Clark County and Broadwater County, you can see the relationship between the dammed Missouri and irrigation, as shown above along Montana Highway 284, and you can find remnants of how the project displaced towns, landmarks, and people along the length of the river. No longer was the Missouri the river that the Corps of Discovery had traversed at the beginning of the 19th century.

Broadwater Co MT 284 St Joseph Catholic NR 1St. Joseph Catholic Church, perched now on a barren bluff facing the lake, was moved about 2.5 miles east to its present location in 1954.  Originally near the river in what was then known as the Canton Valley settlement, the church building is one of the state’s oldest, dating to 1874-1875 and is listed in the National Register of Historic Places.  The proud Gothic styled church is the remnant of one of the valley’s earliest settlements.

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Not far from the church is another remnant of the early 20th century settlement boom during the early 20th century homesteading era after the creation of the county in 1897.  Located along Montana Highway 284 this one-room school is typical of the type found throughout the state from 100 years ago, as adaptive by communities and school boards with the small gable-end extension creating storage space and a barrier between the cold winds of the outside and the inside of the classroom itself.

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These vernacular buildings and landscapes compare starkly with what the U.S. Corps of Engineers built at Canyon Ferry in the 1950s.  It is a Colonial Revival styled federal village–an architectural choice wildly out of step with regional traditions, and a reminder to anyone that here was the federal government, in the midst of the Cold War, placing its imprint on the land.

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In 1984-1985 I ignored this new public landscape of a school, administrative building, work buildings, and village.  Thirty years later, of course I see Canyon Ferry as a very distinct historic district, symbolic of the entire Pick-Sloan project and a significant example of an architectural aesthetic from the U.S. Corps of Engineers.

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The Canyon Ferry headquarters of the mid-1950s is not listed in the National Register but it could be–an evocative grouping of buildings that helps to document that 60 years we were assured and more than a bit arrogant in our power and mastery of technology.  We were convinced hat as we controlled the world, we could also control nature.

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Lincoln and its log traditions

img_7245One of my favorite weekend drives, when I lived in Helena over 30 years ago, was to head north, via the Flesher Pass (above) and Montana Highway 279, and hit the very different landscape of Montana Highway 200 (below) and eastern end of the Blackfoot Valley.

Lewis & Clark Co MT 200 W to LincolnThe destination was breakfast, often at Lambkin’s, a family business that, to my delight, still operates when I visited in 2015.  Lambkin’s is one of those classic small town Montana eateries, great for breakfast, and not bad for a burger and pie later in the day.  The town is

Lincoln, known back in the early 1980s as a logging town, and known better today as the location of  Ted’s Kaczynski shack, from where as the Unabomber, he brought death and wrecked havoc on the lives of his fellow citizens, in the 1980s and 1990s.

Obviously Ted and I did not travel in the same circles.  He was a hermit who rarely engaged with anyone.  Lincoln is totally different:  a friendly town that invites repeat visits–if it was not breakfast for me, it was a stop at the Wilderness Bar.  Good times, open, interesting people in this town of several hundred is how I recall Lincoln.

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Lincoln in 2015 is clearly a place where the population has grown–over 1,000 now, which is reflected in the recently added public buildings, be it the town Library and the Chamber of Commerce, but more impressively the Lincoln Public School.

Here you see the future linked to the town’s logging past, and how log architecture has now become such a defining feature of Lincoln’s roadside.  There was always a log, rustic theme here but the additions of the last 20 years give not only a frontier aesthetic to the town, but reinforces its identity as place where people and the forests, in this case the surrounding Helena National Forest, have learned to co-exist.

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The log/ rustic theme of the new post office is rare in Montana–and I am grateful that it is not the standardized designed rectangular box that the postal service has built in too many Montana towns in the last generation.  The log aesthetic of the buildings are further enhanced by various log sculptures set in and around the town.  They too harken to the imagined past of the frontier era of the late 19th century.

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On the eastern end of Lincoln, however, is emerging an entirely new, and welcome, tradition:  the Sculpture in the Wild park.  A vision of Rick Dunkerly, the park invites artists from across the country and around the world to come to Lincoln and  to leave, on

 

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the ground, their own vision of the interplay between environment, culture, and people in the Blackfoot Valley.  The park idea is breathtaking–and just getting underway when I visited in 2015.  But it is promising indeed, and a much better way to identify and think about what the people of Lincoln, Montana, are all about–than a crazed PhD who saw little hope in the future.