Eastern Montana County Seats: Glasgow

Valley Co Glasgow courthouse

It has been five years since I revisited the historic built environment of northeast Montana.  My last posting took a second look at Wolf Point, the seat of Roosevelt County.  I thought a perfect follow-up would be second looks at the different county seats of the region–a part of the Treasure State that I have always enjoyed visiting, and would strongly encourage you to do the same.

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Grain elevators along the Glasgow railroad corridor.

Like Wolf Point, Glasgow is another of the county seats created in the wake of the Manitoba Road/Great Northern Railway building through the state in the late 1880s.  Glasgow is the seat of Valley County.  The courthouse grounds include not only the modernist building above from 1973 but a WPA-constructed courthouse annex/ public building from 1939-1940 behind the courthouse.

Valley Co Glasgow WPA public building behind courthouse

The understated WPA classic look of this building fits into the architectural legacies of Glasgow.  My first post about the town looked at its National Register buildings and the blending of classicism and modernism.  Here I want to highlight other impressive properties that I left out of the original Glasgow entry.  St. Michael’s Episcopal Church is an excellent late 19th century of Gothic Revival style in Montana.

Valley Co Glasgow St Mike Episcopal NR

The town has other architecturally distinctive commercial buildings that document its transition from late Victorian era railroad town to am early 20th century homesteading boom town.

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The fact that these buildings are well-kept and in use speaks to the local commitment to stewardship and effective adaptive reuse projects.  As part of Glasgow’s architectural legacy I should have said more about its Craftsman-style buildings, beyond the National

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Register-listed Rundle Building.  The Rundle is truly eye-catching but Glasgow also has a Mission-styled apartment row and then its historic Masonic Lodge.

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Valley Co Glasgow masonic lodge

I have always been impressed with the public landscapes of Glasgow, from the courthouse grounds to the city-county library (and its excellent local history collection)

 

Valley Co Glasgow library

and on to Valley County Fairgrounds which are located on the boundaries of town.

Valley Co Glasgow fairgrounds

Valley Co Glasgow fairgrounds 2

Another key public institution is the Valley County Pioneer Museum, which proudly emphasizes the theme of from dinosaur bones to moon walk–just see its entrance.

Valley Co Glasgow museum roadside

The museum was a fairly new institution when I first visited in 1984 and local leaders proudly took me through the collection as a way of emphasizing what themes and what places they wanted to be considered in the state historic preservation plan.  Then I spoke with the community that evening at the museum.  Not surprisingly then, the museum has ever since been a favorite place.  Its has grown substantially in 35 years to include buildings and other large items on a lot adjacent to the museum collections.  I have earlier discussed its collection of Thomas Moleworth furniture–a very important bit of western material culture from the previous town library.  In the images below, I want to suggest its range–from the deep Native American past to the railroad era to the county’s huge veteran story and even its high school band and sports history.

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A new installation, dating to the Lewis and Clark Bicentennial of 2003, is a mural depicting the Corps of Discovery along the Missouri River in Valley County.  The mural is signed by artist Jesse W. Henderson, who also identifies himself as a Chippewa-Cree.  The mural is huge, and to adequately convey its details I have divided my images into the different groups of people Henderson interprets in the mural.

The Henderson mural, together with the New Deal mural of the post office/courthouse discussed in my first Glasgow posting (below is a single image of that work by Forrest

Valley Co Glasgow 1 New Deal mural

Hill), are just two of the reasons to stop in Glasgow–it is one of those county seats where I discover something new every time I travel along U.S. Highway 2.

A Return to Fort Peck

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For sheer scale and audacity nothing in Montana built environment rivals the transformations wrought on the Missouri River and the peoples who for centuries had taken nourishment from it than the construction of Fort Peck Dam, spillway, powerhouse, reservoir, and a new federally inspired town from the 1930s to the early 1940s.

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The mammoth size of the entire complex was just as jaw-dropping to me as it had been to the New Dealers and most Americans in the 1930s.  That same spillway, for instance, had been the subject of the famous first cover of Life Magazine by Margaret Bourne-White in 1936.

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When she visited in 1936 the town of Fort Peck housed thousands but once the job was over, the town quickly diminished and when you take an overview of Fort Peck, the town, today it seems like a mere bump in what is otherwise an overpowering engineering achievement.

Valley Co Fort Peck

Coming from a state that had headquartered another New Deal era transformation of the landscape–the even larger Tennessee Valley Authority project–I understood a good bit of what Fort Peck meant as I started my work for the state historic preservation plan in 1984.  A good thing I knew a little because outside of a Montana Historic Highway marker and a tour of the power plant there was little in the way of public interpretation at Fort Peck thirty years ago.

IMG_8115First came efforts to better interpret the Corps of Discovery and their travels through this section of the Missouri River 15-20 years ago. The theme was Lewis & Clark in the Missouri River Country, but by the 2010s the region’s demanding weather had taken its toll on the installation.

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IMG_8003At the lake’s edge are additional markers encouraging visitors to imagine the time before the lake when the Big Dry River often meant exactly what it said–the reservoir keeps it full now.

IMG_8024New interpretive markers combine with a well-defined pull-off to encourage travelers to stop and think about the loss of life that occurred in building the dam.  Many of the massive infrastructure projects of the New Deal have similarly sad stories to tell–but few of them do.

IMG_8025You can explore the landscape with the assistance of the highway markers to a far greater degree than in the past.  Even if today it is difficult to “see” the transformation brought about by the massive earthen dam, there are informative markers to help you.

The new visitor center at the Fort Peck powerhouses takes the site’s public interpretation to a new level.  Just reading the landscape is difficult; it is challenging to grasp the fact that tens of

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workers and families were here in the worst of the Great Depression years and it is impossible to imagine this challenging landscape as once lush with thick vegetation and dinosaurs.

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Through fossils, recreations, artwork, historic photographs, recreated buildings, and scores of artifacts, the new interpretive center and museum does its job well.  Not only are the complications of the New Deal project spelled out–perhaps a bit too heavy on that score, I mean where else do you see what the “Alphabet Agencies” actually meant–but you get an understanding of worlds lost in the name of 20th century progress.

Is everything covered?  Far from it–too much in the new public interpretations focuses on 1800 to 1940, and not how Fort Peck has the harbinger of the Cold War-era Pick-Sloan Missouri Basin reject that totally transformed the river and its historic communities.  Nor is there enough exploration into the deep time of the Native Americans and what the transformation of the river and the valley meant and still means to the residents of the Fort Peck Indian Reservation.  There’s still work to be done to adequately convey the lasting transformation that came to this section of Montana in the mid-1930s.

Nashua, Montana: stories of a railroad and a man

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Nashua is the eastern most town of Valley County, Montana, located where Porcupine Creek empties into the Milk River.  Its history mirrors those of many towns along the Hi-Line:  it too began as a Manitoba Road town in 1888-1889. The tall grain elevators that still dominate the townscape, as they did in 1984, document the days when the rails carried everything as does the moved and repurposed Great Northern Railway depot, not a Senior Citizens Center.

Elevators along Great Northern line, 1984

Elevators along Great Northern line, 1984

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Nashua is also a gateway along U.S. Highway 2 to the region’s New Deal era history, especially the construction of Fort Peck Dam and Reservoir.  As an eastern gateway to the dam, Nashua reached its peak population of over 900 in 1940 as the project neared completion.  Today less than 300 make Nashua home.  One key New Deal survivor–the 1935 school (with later additions)–is home to the Porcupines, and serves still as a community center.

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Another building in Nashua, the Civic Center, also looked New Deal in its origins, indeed similar in shape (but not materials) to the WPA-constructed civic center in Glasgow.  But in finding out the history of this building, I also found the story of a man and family who shaped Nashua in the post-World War II era.

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Victor Dostert (1886-1961) is a Montana small town example of a “civic capitalist,” a topic that I explored at length in my book Capitalism on the Frontier (1993).  He came and homesteaded south of the town along the Milk River during the boom of the 1910s but when the bust came in the 1920s Dostert, his wife Anna, and their three sons stayed, making their mark with construction projects (from a theater to the Catholic Church) and taking advantage of the thousands of construction workers passing through by building and operating Vick’s Bar in 1935.

Vick's Bar and Bowling Lane is at the center of the Nashua business district

Vick’s Bar and Bowling Lane is at the center of the Nashua business district

Then in 1957 the family added a adjacent Bowling Alley–and both institutions were still going when I visited in 2013.  The Civic Center, however, was Dostert’s crowning civic achievement.  He designed the building and had it constructed during his period as Nashua mayor (1945-1951).  It housed a movie theater as well as provided community meeting space. And as a community gathering point it anchors the adjacent Lion’s Park and is busy throughout the year, an anchor of identity for the dwindling population of eastern Valley County.

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Dinosaurs on the Roadside

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One of the most fun discoveries I made along the U.S. Highway 2 roadside in Valley County was the Buck Samuelson “zoo” just west of Glasgow.  No dinosaurs hunting mountain sheep roamed the high plains when I traveled this region in 1984, and again in 1988, but they are there now, thanks to this self-taught sculptor.

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Samuelson began adding the sculptures to the roadside in the early to mid-1990s, just as the region’s latest dinosaur touring craze took off.  Now there is a small zoo of creatures overlooking the road, and railroad tracks, adding a bit of whimsy, but also a strong dose of patriotism to the mix.  Who still thinks that roadside art–so famous in stretches of U.S. 2 to the east in North Dakota and Minnesota–is not a Hi-Line tradition?

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Glasgow on the Hi-Line

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Glasgow, the seat of Valley County, has a rich small-town urban landscape, among the best along the Hi-Line of U.S. Highway 2.  Although businesses and population has struggled since I spent time there during my 1984 fieldwork (the population dropped from 4,455 in 1980 to 3,250 in 2010), the town retained an edge of vibrancy and vigor.

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Many of the patterns shaping life in the northern reaches in Montana are still on display within Glasgow, starting with the original impact of the Manitoba Road, then Great Northern Railway.  The combination passenger station continues to serve travelers, who if they wish to step off the train will find a classic strip of bars and cafes facing the depot.

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The railroad corridor has deeply imprinted the town, with giant elevators dominating the skyline while even the highway as it dips under the tracks by means of the New Deal-era underpass pays tribute to the true “right-of-way” through Glasgow.

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So too has the federal government left a deep imprint on the town, from the irrigation projects of the U.S. Reclamation Service to the construction of Fort Peck Dam in the 1930s and then the Glasgow Air Force Base in the late 1950s and 1960s. The Glasgow Post Office and Federal Courthouse lies at the heart of downtown, reflecting in its blocky massiveness and Art Deco styling the federal presence.

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Just as important, the building tells the federal side of the local story through the New Deal mural, “Montana Progress,” by artist Forest Hill that adorns the lobby.  It is one of the state’s six extant New Deal post office murals. Here the coming era of progress–symbolized by railroads, irrigation (the sugar beet factory), Fort Peck Dam and electric power–supplants cowboys, Indians, and the rural landscape itself.

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Another landmark featured in the mural is the Glasgow Civic Center, part of the larger effort to create community institutions in the face of the often overwhelming sense of change and despair during the Great Depression.  The Civic Center still serves as a town anchor, an important part of Glasgow’s public landscape.

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The federal imprint left a decided modernist turn to the townscape, although preservation efforts in the last generation have kept earlier classical or revival-inspired buildings part of the town, such as the Goodkind Block, the First National Bank, and especially the Rundle Building, which may be the town’s most distinctive architectural statement from its initial settlement and development era.

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The highway corridor shows the modernism of the 1950s most graphically through restaurants, bank buildings, and signs designed to grab the attention of all those who entered.

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Glasgow’s built environment tells the story of how federal programs, from irrigation to New Deal to the Cold War, could leave marks still apparent in the 21st century.

 

 

Fort Peck’s Transformation of Valley County, part 2

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For many visitors to Fort Peck, the grand, mammoth concrete spillway (which is actually in McCone County) is the takeaway lesson of this nationally significant New Deal project.  Photos in Life magazine made this place famous, and its modernist design was lauded not only in the United States but overseas as well.  When he visited the construction site in 1934 President Franklin D. Roosevelt insisted:  “people talk about the Fort Peck Dam as the fulfillment of a dream.  It is only a small percentage of the whole dream covering all of the important watersheds of the Nation.”

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Fort Peck Village, constructed for officials of the project, visitors, and workmen, is on a wholly different scale.  One and two-story buildings, a general Arts and Crafts aesthetic with Colonial Revival buildings thrown in for good measure, curvilinear streets, open public spaces:  an attempt in general to establish a 1930s suburb feeling among the key administration buildings of the project.

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Historian Fred Quivik has written insightfully about the townsite, its development, and the changes it has experienced since, especially the expansion of the 1950s and the addition ranch-style houses and a contemporary-design school.

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Fort Peck Village provided respite and recreation for administrators and workers.  The village’s most impressive legacy–and one of the most important buildings of New Deal Montana, is the Fort Peck Theatre.

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Nothing in Montana matches its Arts and Crafts-infused Swiss Chalet styling.  Details abound on both the exterior as well as the interior.

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In 1984 I marveled at the building.  My colleagues at the Montana SHPO, especially Lon Johnson, had prepared me for it by sharing images and stories.  But nothing quite matches being in the space, as then experiencing a stage show as I did in 2013.

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The theatre, the town, and the colossi of the dam, reservoir, spillway, and powerhouses create a landscape like none other in the northern plains and one of the nation’s most powerful statements of the New Deal landscape.

Fort Peck Dam and the Transformation of Valley County, part 1

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The southern end of Valley County has forever transformed by the construction of the Fort Peck Dam, Powerhouse, and Reservoir during the New Deal of the late 1930s.  The huge construction project, building an earthen-filled dam across the river near an old fur trading post, employed tens of thousands of Depression-era workers and left a permanent federal imprint in the lake, the huge, iconic concrete spillway, and the village of Fort Peck.

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The massiveness of the project–reflecting the boundless ambition and optimism alike of government planners, engineers, and workmen–is difficult to grasp.  As you drive across

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the top of the dam, the high vantage point of the Montana plains is spectacular, and a reminder of just how radically the dam changed the Missouri River Country.  An interpretive kiosk–in need of repair and refreshening–tells of the Lewis and Clark Expedition and what it found and learned.  But as soon as you turn to the east, it is not a open, wild landscape, but one dominated by the soaring towers of the power plant turbines, two concrete and steel obelisks to the 1930s ability to transform, and that decade’s faith in hydroelectric power.

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The Corps of Engineers has recently opened a full interpretive center, not only about the dam’s construction but of the environment and wildlife of the region.  But the story of the federal imprint is most graphically portrayed in the village of Fort Peck, built for the key administrators and officials of the project as well as important guests in the 1930s. We will look at that story next.