Powell County’s Deer Lodge Valley is another favorite western Montana landscape. I visited there often during the 1980s, and in the years since I found myself often back in places like Deer Lodge, the county seat, if for nothing else to stop at the R&B Drive-In.
Let’s start with the town of Deer Lodge, a place that has changed much in the last 30 years, a process that was underway in the early 1980s after the Milwaukee Road closed its division point and declared the entire line bankrupt. Besides Miles City, it is difficult to find a town more impacted by the Milwaukee’s failure than Deer Lodge.
My images of the wasting away roundhouses and other buildings that the Milwaukee once operated in Deer Lodge cannot be replicated today–the complex is gone, scrapped. The town’s Milwaukee Road depot survives, has been repainted, and now serves as the Depot Church, a great example of how Montanans practice adaptive reuse with historic buildings.
On the Main Street, there is a memorial to the Milwaukee’s impact, commemorating the line’s “silver spike” event in 1909 and the E-70 electric engine, one of the trains that ran through this region for most of the 20th century.
Another interesting remnant on the Milwaukee’s side of the tracks in Deer Lodge is the Civic Pavilion of 1911. Here in this large brick building with stone quoins and pilasters is a statement both of the general movement to establish “community halls” in rural communities in the early 20th century plus the Milwaukee Road’s wish to have at least one landmark on its side of town. This was the city’s social center for most of the century.
Yet, Deer Lodge was not a typical small town base for the Milwaukee Road; railroads typically wanted to create their own place. But Deer Lodge was one of the oldest places in the state, where ranchers in the 1850s first arrived–the early site is now interpreted at the Grant-Kohrs National Historic Site of the National Park Service–soon followed by Capt. John Mullan as he and his soldiers built the Mullan Road through this valley.
The Milwaukee in the first decade of the 20th century came to a town whose general outline had been imprinted on the landscape by the Northern Pacific Railroad in the early 1880s. Deer Lodge, in other words, had been a Northern Pacific town for a generation before the Milwaukee arrived.
The Northern Pacific passenger depot exists across the tracks from the Milwaukee Road station. It too has a new use: the Northern Pacific depot is now the senior citizens center.
Main Street in Deer Lodge is a long symmetrical commercial district that links the Grant-Kohrs Ranch to another early territorial landmark, the Territorial (and later State) Prison.
Before Deer Lodge was a railroad town, it was a prison town, the location for the Territorial Prison, and later the state prison. Most of the buildings you can visit today are from the state prison era. It operated here until 1980 when it moved to a facility outside of town.
Deer Lodge also was an early center for education, represented by Trask Hall (1870s), which, like the territorial prison, is listed in the National Register. So with the themes of settlement, ranching, railroads, education, prisons, and the beauty of the valley why has Deer Lodge struggled to be recognized as one of Montana’s premier heritage designations? As the next post will discuss, citizens are taking steps to remedy the situation.
Drummond is the north entrance of the Pintler Scenic Route. The first ranchers settled here in the 1870s but a proper town, designed in symmetrical fashion facing the railroad tracks, was not established until 1883-1884 as the Northern Pacific Railroad built through here following the Clark’s Fork River to Missoula.
There is a faintly classically influenced two-story brick commercial block, a Masonic Lodge made of concrete block, various bars and cafes, a railroad water tank, and a slightly Art Deco movie theater, which was open in the 1980s but is now closed.
Due to the federal highway and the later Interstate I-90 exit built at Drummond, the town even has a good bit of motel roadside architecture from c. 1970 to 1990.
Between the Northern Pacific corridor and old U.S. 10 is the town’s most famous contemporary business, its “Used Cow” corrals, and now far away, on the other side of the
tracks are rodeo grounds named in honor of Frank G. Ramberg and James A. Morse, maintained by the local American Legion chapter.
The rodeo grounds are not the only cultural properties in Drummond. The Mullan Road monument along the old highway is the oldest landmark. The local heritage museum is at the New Chicago School (1874), an frame one-story school moved from the Flint River Valley to its location near the interstate and turned into a museum.
Another local museum emphasizes contemporary sculpture and painting by Bill Ohrmann. A latter day “cowboy artist” Ohrmann grew up in the Flint River Valley but by the 12960s he was producing sculpture and painting on a regular basis. The museum is also a gallery and his works are for sale, although the huge sculptures might not be going anywhere.
When I carried out the Montana State Historic Preservation Plan field work in 1984-1985 I passed through Basin Street in the heart of “downtown” Basin quite frequently, not because of the Silver Saddle Bar–fine place it is–but because I had no choice if headed
The glory days of Basin had long since passed, although some locals and visitors would go to the Merry Widow Mine for a dose of radon, thinking it could cure their ills (of course radon exposure is actually dangerous). Led by the Butte capitalist Augustus Heinze, the town from the mid-1890s to mid-1920s had been a quite thriving place, served as both the Great Northern and Northern Pacific Railroads with its Basin Street becoming the route for U.S. Highway 91. The numerous two-story brick commercial buildings reflected that era of prominence while a decaying c. 1930 garage on the town’s outskirts documents the impact of the federal highway.
Several key community landmarks remain. The most impressive is the two-story frame Basin School, built in 1895 and still in use as a school today. Here is another great Montana rural school building–the state is so rich in this type of public architecture.
Nearby is the Community Church, another late Victorian-era styled building, with its tall bell tower and distinctive corner entrance.
Miners first began to gather at what is now Philipsburg in the late 1860s; the town was later named for Philip Deidesheimer, who operated the Bi-Metallic Mine works. As the Bi-Metallic Mine and Mill expanded operations in the 1880s, a rapid boom in building
The quality of the Victorian commercial architecture still extant in Phillipsburg, such as the 1888 Sayrs Block above, astounded me during the 1984-85 preservation work. So much was intact but so much needed help. Residents, local officials, and the state preservation office understood that and by 1986 the Philipsburg Commercial historic district had been added to the National Register of Historic Places.
What is exciting is that in this decade, entrepreneurs are building upon early successful renovations and adaptive reuse project to launch new businesses and create new jobs. The town’s population is growing, after 30 years of decline.
The new developments in Philipsburg are interesting and invaluable changes since 1984-1985. At the same time, I am happy that residents have still embraced their historic public buildings in a similar fashion. The photograph I used in my book about the town in 1985
was the Philipsburg School, with its soaring tower symbolizing the hopes that residents had for Philipsburg’s future in the 1890s. The historic school, which is listed in the National Register, remains although the community built a new building adjacent to the historic one in 1987. (you can see a corner of the new building at the lower left).
When I first visited in 1984 the only building in Philipsburg listed in the National Register was the Queen Anne-styled Granite County Jail of 1902. It also remains in use.
But now the Classical Revival-styled Granite County Courthouse (1913) is also listed in the National Register. Designed by the important Montana architectural firm of Link and Haire, this small town county courthouse also speaks to the county’s early 20th century ambitions, with its stately classical columned portico and its central classical cupola.
By climbing the hill above the courthouse you also gain a great overview look of the town, reminding you that these rather imposing public buildings are within what is truly a modest urban setting that is connected to the wider world by Montana Highway 1.
The Philipsburg Cemetery, which like so many that I ignored in 1984-1985, was a revelation, reflecting the quality of Victorian period architecture found in the town.
The beauty and serenity of its setting were impressive enough, but then some of the family plots and individual markers reflected Victorian era mortuary art at its best.
This cast-iron gate, completed with urns on each post and the music lyre gate, is among the most impressive I have encountered in any small town across America. And this cemetery has two separate ones.
Many grave markers came from local or nearby masons but others, like these for the Schuh and Jennings families, were cast in metal, imitating stone, and shipped by railroad to Philipsburg.
The late 19th century discovery and development of silver mines high in the Granite Mountains changed the course of this part of the Pintler route. The Granite Mountain mines yielded one of the biggest silver strikes in all of Montana, creating both the mountain mining town of Granite and a bit farther down on the mountain’s edge the town of Philipsburg, which by 1893 served as the seat for the new county of Granite.
The U.S. Forest Service’s rather weathered and beat-up sign marks the historic entrance to the mining town of Granite, located at over 7,000 feet in elevation above the town of Philipsburg. During the 1984-85 state historic preservation plan work Granite was the focal point. The office knew of the latest collapse of Miners Union Hall (1890) turning what had been an impressive Victorian landmark into a place with three walls and lots of rubble–it remains that way today.
Connecting the Granite road to the town of Philipsburg, today as in the past, is the site of the Bi-Metallic Mill, which is still in limited use today compared to the mining hey-day.
Since my earlier work on the state historic preservation plan in 1984-1985, few places in Montana had experienced such rapid population growth as Stevensville. The place had just over 1200 residents in the 1980s, and that increased to a mere 1221 in 1990. But now Stevensville is close to 2,000 in population.
But enough is still here–like the historic mill complex above–that even as the business changes there is still the feel of an agricultural town at Stevensville. A major reason for the sense of continuity is the Stevensville Commercial Historic District, which has helped to protect the core of the town.
Also, buildings such as the two-story Old Fellows Hall (1912) have been individually listed in the National Register, adding prominence to the historic district. The district has a range of one-story and two-story brick buildings, most from the agricultural boom of the first two decades of the 20th century. A notable exception is a two-story concrete block
One major trend of Stevensville over 30 years is how buildings have been adapted to new uses. You expect that in a commercial area with a rising population, but here it has happened to such landmarks as the historic turn of the 20th century school building,
which is now the United Methodist Church, while the two-story brick American Four-Square house below is the historic Thornton Hospital (1910), but now serves as the Stevensville Hotel. Both buildings are listed in the National Register.
One area that I really failed to consider in the 1984-1985 work was the diversity and cohesiveness of the historic residential neighborhood. It too has been documented by a National Register historic district, but some dwellings, such as the impressive Classical Revival-styled Bass House have been individually listed.
Another favorite dates to the 1930s and the impact of the International Style on Montana domestic architecture: the Gavin House, with its flat roof, its boxy two-story shape and bands of windows at the corners.
Between these two extremes of early 20th century domestic design, Stevensville has an array of architectural styles, from the Folk Victorian to the more austere late 19th century vernacular to bungalows to revival styles.
Much to my surprise I found a “pocket” park, set almost like you will find historic sites within major cities, except here the site is next to a working ranch. Not what I expected.
But no complaints either. We are lucky that the ranchers shared a bit of the ranch and preserved some of the site’s history, especially the one remaining adobe barracks since this type of building and method of construction is so rare to find today. Most western forts are nothing more than archaeological sites.
The barracks has much to say but public interpretation here has not improved to the degree found at several other state parks in Montana like at First Nations in Cascade County. We get enough of the story to tantalize the average visitor and perhaps confound the scholar who wants more context.
The turn of the 20th century historic photo above shows how much was still here about 100 years ago but a storm ripped the roof off one of the barracks, and after all the construction Owen used here over 150 years ago was never meant to last for long. Traders wished to make an outpost impressive–why would anyone trade with a business that lacked substance?–but it made no business sense to build anything grandiose.
that the open views to the greater landscape which remain as they were in the past might not last in the rapidly suburbanizing upper Bitterroot Valley. The Fort Owen park is still an invaluable national story set within a working ranch–but what if it becomes a pocket park surrounded by a 21st century suburb? The chance for meaningful archaeology–not to
rebuild the fort as what has happened at its cousins in Fort Benton and Fort Union–but to understand much more about the formative period of Montana history: that could be lost forever.
Luckily at St. Mary’s Mission enough land has been secured that even as Stevensville expands (its population has jumped over 50% since 1984), perhaps the historic site’s future will not be that of a pocket park.
Let’s hope that future development in and around the historic mission keep these vistas as they are–for it is here that the modern story of the Bitterroot–meaning the last 175 years–begins.
South 3rd Street also has a strong set of bungalows, Montana style, which means that they take all sorts of forms and use all sorts of building materials.
My favorite set of public buildings in Hamilton got back to the theme of town and ranch and how community institutions can link both. The Ravalli County Fairgrounds began on
40 acres located south of downtown on the original road to Corvallis in 1913. Its remarkable set of buildings date from those early years into the present, and the Labor Day Rodeo is still one of the region’s best.
contemporary styling of the Ravalli County Bank or the “new” county courthouse of 1976, a building that I totally dismissed in 1984 but now that it has reached the 40 year mark the design seems so much of its time, and a very interesting local reaction by the firm of Howland and Associates to the ne0-Colonial Revival that gripped so much of the nation during the American bicentennial.
Adaptive reuse had put some buildings back into use, such as the historic Creamery, once such an important link between town and ranch in the county. Other landmarks didn’t
Marcus Daly, the copper magnate of Butte and Anaconda, certainly put his stamp on the landscape of Silver Bow and Deer Lodge counties. But not until the early 1980s did most Montanans understand that Daly too had shaped the landscape of the Bitterroot Valley with the creation and expansion of his Bitterroot Stock Farm, starting in 1886 and continuing even beyond his death in 1900.
to have a place, on the other side of the divide from his dark, dank, smelly mining towns, where he and his family could escape and enjoy Montana’s open lands and skies. The ranch began with the purchase of the Chaffin family homestead in 1886. Daly immediately set forth to remodel and expand the older ranchhouse yet those changes only lasted three years when Daly replaced the first house with a rather grand and flamboyant Queen Anne-styled mansion and named it Riverside. Daly died in 1900 and Riverside’s last grand remodeling was guided by his wife, who looked to architect A. J. Gibson of Missoula to design a Colonial Revival-on-steroids mansion, which referenced the recent Roosevelt family mansion on the Hudson River in New York State.
There is really nothing in the world of domestic architecture in Montana to compare to the Daly family’s Riverside estate. As we made our plans for the state historic preservation survey in 1984, I never imagined gaining access to this mysterious place. Then, suddenly, the owners decided to offer the property to someone–the state preferably but locals if necessary–who could transform it into a historic house museum and still working farm.
Indeed not far away is a 21st century sign of the super-rich and their imprint on the Montana landscape: the Stock Farm Club, a private, gated community for those who can afford it–and probably 99% cannot.
Montana's Historic Landscapes 