These two photographs of the turn of the century historic Hamilton City Hall and mid-20th century Masonic Hall date to 2014 (left) and 1984 (right). They suggest that the town of Hamilton, seat of Ravalli County, has not changed much in those 30 years–and that would be misleading.
Downtown commercial landmarks such as Ford’s Department Store (a jewel in its own right as a full-service local store in the age of big box retail), Bitterroot Drug Store, and the Bower Building remain open for business, and tourist-oriented businesses are few.
A downtown car dealership, set within a quite wonderful early 20th century garage, is still there as there are a myriad of cafes, bars, lodges, and other community institutions.
The New Deal era post office has been listed in the National Register of Historic Places; indeed several different individual properties in addition to historic districts have been National Register-listed in the last 30 years.
The historic county courthouse is still one of the best preserved turn of the century Montana courthouses, and still houses an excellent local collection. I was particularly impressed in 2012 with its sesquicentennial exhibit on the Civil War, a topic largely ignored elsewhere in the state.
But just as clearly, change had come to Hamilton, as it had so much of the northern half of Ravalli County. The town’s population when Hank Williams, Jr., put it on the national map with his album Montana Cafe hovered around 2700. Thirty years later it was over 4300 and climbing. What did I see differently? Well for one thing, a consistent trend across the state, I appreciated the touches of 1960s modernism in the town, be it the
contemporary styling of the Ravalli County Bank or the “new” county courthouse of 1976, a building that I totally dismissed in 1984 but now that it has reached the 40 year mark the design seems so much of its time, and a very interesting local reaction by the firm of Howland and Associates to the ne0-Colonial Revival that gripped so much of the nation during the American bicentennial.
Adaptive reuse had put some buildings back into use, such as the historic Creamery, once such an important link between town and ranch in the county. Other landmarks didn’t
fare as well as the old stack once built for a sugar beet factory that never went into business is now surrounded by sprawl and typical chain businesses of the 21st century. One wonders how much long it will be another link between the history of the town and the surrounding countryside.
New buildings, with compatible looks and names, lined the railroad corridor through Hamilton while tight security and tall metal fences separated the Rocky Mountain Laboratories from the surrounding neighborhood and its historic place as a federal investment in the 1920s that has paid long-term benefits to the town. The separation here from town and lab, regretfully, made sense: since 9/11 security over what is studied in the labs must take precedence over the relative openness of the restrained Collegiate Gothic-styled campus in the past.
Marcus Daly, the copper magnate of Butte and Anaconda, certainly put his stamp on the landscape of Silver Bow and Deer Lodge counties. But not until the early 1980s did most Montanans understand that Daly too had shaped the landscape of the Bitterroot Valley with the creation and expansion of his Bitterroot Stock Farm, starting in 1886 and continuing even beyond his death in 1900.
to have a place, on the other side of the divide from his dark, dank, smelly mining towns, where he and his family could escape and enjoy Montana’s open lands and skies. The ranch began with the purchase of the Chaffin family homestead in 1886. Daly immediately set forth to remodel and expand the older ranchhouse yet those changes only lasted three years when Daly replaced the first house with a rather grand and flamboyant Queen Anne-styled mansion and named it Riverside. Daly died in 1900 and Riverside’s last grand remodeling was guided by his wife, who looked to architect A. J. Gibson of Missoula to design a Colonial Revival-on-steroids mansion, which referenced the recent Roosevelt family mansion on the Hudson River in New York State.
There is really nothing in the world of domestic architecture in Montana to compare to the Daly family’s Riverside estate. As we made our plans for the state historic preservation survey in 1984, I never imagined gaining access to this mysterious place. Then, suddenly, the owners decided to offer the property to someone–the state preferably but locals if necessary–who could transform it into a historic house museum and still working farm.
Indeed not far away is a 21st century sign of the super-rich and their imprint on the Montana landscape: the Stock Farm Club, a private, gated community for those who can afford it–and probably 99% cannot.
When most people think of Ravalli County they think of the ever suburbanizing northern half, as you take U.S. Highway 93 south–a four lane highway–from Missoula and encounter the new suburbs of Florence. But if you use U.S. Highway 93 from the southern end, you find a very different place, one that starts with Ross’ Hole.
There are few more beautiful places in the state, even on this cloudy day in 2012, the hole beckoned, as it has for centuries. In western American history, its importance has multiple layers, from ancient Native American uses to the peaceful encounter between Flathead Indians and the Lewis and Clark Expedition in 1805. Without the horses the expedition acquired from the Flathead, its journey would have been much more difficult, if not impossible.
Montana “cowboy” artist Charles M. Russell painted the scene as a prominent historical mural in the House of Representatives chamber at the Montana State Capitol in 1912. His composition, as I used to like to point out when I gave state capitol tours in 1982, emphasized the centrality of the Native Americans in the region–the expedition were minor characters, in the background of the painting’s right side. The place name Ross’s Hole refers to Hudson Bay Company trader Alexander Ross who traded there in 1824. Hole was a trader and trapper term for mountain valley.
At the time of the 1984 survey, Ross’ Hole was interpreted by this single wooden sign, now much worse for the wear of the decades. But like many important landscapes in the state, today you find a rather full public interpretation in a series of markers sponsored by the Montana Department of Transportation, the U.S. Forest Service, and the Lewis and Clark National Historic Trail.
Any trip to Ross’ Hole would not be complete with a stop, however brief, at the roadside architecture-a log bungalow–home to the Sula Community Store, which can basically provide you with about anything you might need while traveling on U.S. Highway 93.
And the coffee is always hot, and strong.
Dillon is not a large county seat but here you find public buildings from the first third of the 20th century that document the town’s past aspirations to grow into a large, prosperous western city. It is a pattern found in several Montana towns–impressive public buildings designed to prove to outsiders, and perhaps mostly to themselves, that a new town out in the wilds of Montana could evolve into a prosperous, settled place like those county seats of government back east.
The Dillon City Hall also belongs to those turn-of-the-20th century public landmarks but it is a bit more of a blending of Victorian and Classical styling for a multi-purpose building that was city hall, police headquarters, and the fire station all rolled into one.
A New Deal era post office introduced a restrained version of Colonial Revival style to Dillon’s downtown. The central entrance gave no hint to the marvel inside, one of the
state’s six post office murals, commissioned and executed between 1937 and 1942. The Dillon work is titled “News from the States” painted by Elizabeth Lochrie in 1938. It is a rarity among the murals executed across the country in those years because it directly addressed the mail and communication in early Beaverhead County. Ironically, few of the post office murals actually took the mail as a central theme.
The New Deal also introduced a public modernism to Dillon through the Art Deco styling of the Beaverhead County High School, a building still in use today as the county high school.
A generation later, modernism again was the theme for the Dillon Middle School and Elementary school–with the low one-story profile suggestive of the contemporary style then the rage for both public and commercial buildings in the 1950s-60s, into the 1970s.
The contemporary style also made its mark on other public buildings, from the mid-century county office building to the much more recent neo-Rustic style of the Beaverhead National Forest headquarters.
This birds-eye view of the town is at the Beaverhead County Museum at the railroad depot. It shows the symmetrical plan well, with two-story commercial blocks facing the tracks and depot, which was then just a frame building. To the opposite side of the tracks with more laborer cottages and one outstanding landmark, the Second Empire-style Hotel Metlen. The Metlen, listed in the National Register of Historic Places, remains today, one
of the state’s best examples of a railroad hotel. I recognized the building as such in the 1984 state historic preservation plan and my book, A Traveler’s Companion to Montana History, included the image below of the hotel.
This three-story hotel served not only tourists but especially traveling businessmen–called drummers because they were out “drumming up” business for their companies. The interior has received some restoration work in the last 30 years but little has changed in the facade, as they two images, one from 1990 and the other from 2012, indicate.
built environment has many stories to tell.
At Farlin, the scars of mining are everywhere, surrounded by sage grass, brush, and scattered trees, trying to recover in what was once a denuded landscape. Operations had ended by the time of the Great Depression. While never a huge place–population estimates top out at 500–Farlin is representative of the smaller mining operations that reshaped the rural western Montana landscape. Not every place became a Butte, or a Virginia City. Properties like Farlin help to tell us of the often lonely and exceedingly difficult search for opportunity in the Treasure State over 100 years ago.
Pony, as a gateway into the Tobacco Root Mountains, may be categorized as a ghost town in much of today’s literature about Montana, but it certainly has a lot of real people hanging around to be a ghost town. Established during the gold rush decade of the 1860s, mines here stayed in operation until World War II, and consequently, a wide range of historic buildings remain in the town today.
Yes, Pony has a park, another of positive developments since my work in 1984-1985. The park is not only community space, but it also has various artifacts and machinery from the mining era, along with public interpretation of the district’s history and of the artifacts within the park.
Nestled where Montana Highway 287 encounters U.S. Highway 287 in the southern end of Madison County, Ennis has changed in significant ways in the last 30 years. Its earlier dependence on automobile tourism to Yellowstone National Park has shifted into the favor of population growth and development in this portion of the county.
The iconic Ennis Cafe, always a favorite place back in the day of the statewide work, remains, with a new false front emphasizing the wildlife and open spaces of this area. That place, along with several classic watering holes, served not only locals but the
of a section of the highway where you will encounter magnificent views of the Madison River Valley and open ranch lands.
In restoring Virginia City, the Bovey family thus worked within a local government context. The Montana Heritage Foundation also works within that context today.
There was no living community here to speak of. It presented the opportunity for the Boveys to acquire and save other buildings from the area, however. The Finney property became the historic foundation of one of the state’s first “building zoos”–a collection of historic buildings moved together to tell a local history story. In 1984, when I was surveying Montana for the state historic preservation plan process, I paid little to no attention to Nevada City–here, I thought, was fake western history, with a bunch of moved buildings, which by definition are rarely eligible for the National Register.
Nevada City tells multiple stories. One of the most apparent is how heritage tourism has shaped the late 20th century historic preservation movement. The lodging and restaurant at Nevada City is part of the general sustainability plan for the entire operation. The authentic environment and ease of highway access are major draws for tourists.
Another way to consider Nevada City is how heritage tourism ideas of the 1960s–especially the idea of excursion passenger trains–impacted the built environment. What is now known as Alder Gulch Railroad started c. 1964, a way of attracting visitors to stop in Nevada City where then they could take the short ride to Virginia City.
telling example of how historic preservation worked in the West, a true public-private partnership, in the years immediately before the passage of the National Historic Preservation Act in 1966.
For travelers along Montana Highway 287 the villages of Laurin and Alder are a mere diversion as you motor along from Sheridan to Virginia City. From those towns the Ruby River winds into the mountains, and they were the “end of the line” for the railroad spur that tied the southern part of Madison County to the state’s rail system. About two miles south of Sheridan is a former late 19th century Queen-Anne style ranch house that now houses the Ruby Valley Inn, a bed and breakfast establishment.
At Laurin, St. Mary of the Assumption Catholic Church is a major Ruby River Valley landmark. It roots the settlement history of this place deep in the valley; John Batiste Laurin, for whom the village is named, established the place in July 1863. The church is listed in the National Register of Historic Places. Laurin was never large and a few repurposed commercial buildings indicate that. The historic Laurin School is now a private home, an excellent example of adaptive reuse of a historic rural school.
While Laurin has a reserved, calm feel to it, Alder feels like the highway road-stop it has been for decades. Its historic brick school is not as architecturally elaborate as Laurin but in 2012 it was still open and serving local students.
Other commercial buildings from the early 20th century were now abandoned, including the eye-popping, yellow-painted false front bar and steakhouse, which I understand has moved its business elsewhere since 2012.
At Alder you can go south on Montana Highway 357 and follow a good, paved road to the Ruby Dam and Reservoir. Part of the New Deal’s contributions to reshaping rural Montana through new or expanded irrigation projects, the Ruby Dam is not an awe-inspiring engineering feat on par with Fort Peck Dam. But the views are striking and here is another engineered landscape created by mid-20th century irrigation projects from the Bureau of Reclamation.
Back on Montana 287 is one of the first log buildings that I visited in Montana, known as Robber’s Roost. Listed in the National Register, this two-story log building dates to 1863, constructed by Pete Daly as a road house for travelers to the Virginia City mines. Tradition has it that it also became a hang-out for road agents who stole from travelers, thus the name. It is an important part of the vernacular log construction tradition of the territorial era in Montana history.
Montana's Historic Landscapes 