Verona L. Burkhard’s 1939 mural for the Deer Lodge Post Office.
In the thirty years between my first visits in Deer Lodge and my most recent, the town’s population dropped almost 25%–nearly 1,000 residents. But when I spent a day there in May 2012 I witnessed one of the most impressive community revitalization efforts in all of my years in historic preservation–the grand opening of the historic Rialto Theatre.
Rialto Theatre in 2007.
My first digital image of the theatre dates to 2007–and I was happy to see this monumental 1921 Beaux Arts-styled theatre, designed by the Butte firm of Arnold and Van Hausen, was still in business. With rural population decline, the rise of home movie viewing, and the impact of satellite television, so, so many small town movie theaters were closing across the country. I was glad to see this one still operating. Then a few years later came the news of a fire that severely damaged the building–and from my vantage point way back east I thought, well that’s it–the building will be gone the next time I get to Deer Lodge–and I wondered if that would not be the start of a general abandonment of Main Street.
Imagine my pleasure to be there for the theatre’s grand opening May 19, 2012. Not only had the community raised the funds to repair and reopen the business, they also took great pains to restore it to its earlier architectural glory. Such an achievement for a town of just over 3,000 residents–when you consider that the next city south on Interstate I-90 is Anaconda with its monument Washoe Theatre, I immediately began to think of future “movie palace” trips. What a treat, both for the experience and architecture.
Re-energizing the Rialto to once again be an anchor for community, both in an economic sense but also a cultural sense, is an achievement not to be taken lightly. In the spring of 2016 a team of experts got together to inventory, consider, and make recommendations for Deer Lodge’s 21st century future. The report covers much ground, is well meaning, yet is devoid of the type of passion that the theatre project involved. Experience tells me that heritage assets can do that–the sense of the past, identity, promise, and nostalgia that they represent are important building blocks for any committed community.
In that same trip to Deer Lodge, I noted how the community had recently enhanced the National Register-listed W. K. Kohrs Memorial Library (1902), one of the region’s great Classical Revival buildings by the Butte architectural firm of Link and Carter (J.G. Link would soon become one of the state’s most renowned classicists), by expanding the library
with an addition to the side and behind the commanding entrance portico. Although it has proven to be difficult for such a small town to keep the library professionally staffed, the care they have shown the exterior and interior indicate they understand the value of this monument from the past.
The town’s New Deal era post office–a Colonial Revival design from the office of Louis A. Simon–is another National Register landmark that serves dual purposes as both a post office, but also community art museum with the wonderful mural by Verona L. Burkhard.
Then add in the impressive examples of turn of the 20th century church architecture, represented by the Cotswold Gothic stone work of St. James Episcopal Church, the more former Tudor Revival of the 1st Presbyterian Church, and the more vernacular yet
expressive Gothic spire, with fish-scale shingles, of the Latter-Day Saints Church. The care and respect here also says much about Deer Lodge’s understanding of the value of the past, a pattern reflected in the community’s historic school buildings that range from the Victorian Gothic of Trask Hall to the 1960s modernism of the elementary school–and
then there is Powell County High School campus that moves from the Collegiate Gothic style of the early 20th century to the New Deal functionalism of the gym for the Fighting Wardens and onto the modernism of 1960s school design. The Vo-Tech Building is one of my favorite examples of public school modernism in all of Montana.
When you add the decades-long care manifested in the Deer Lodge Woman’s Club building, what do you learn: Deer Lodge gets it, and while the road is not easy I look forward to this community charting its course in the 21st century. Next post: some of the challenges ahead.
Photograph from 2007.
Powell County’s Deer Lodge Valley is another favorite western Montana landscape. I visited there often during the 1980s, and in the years since I found myself often back in places like Deer Lodge, the county seat, if for nothing else to stop at the R&B Drive-In.
Let’s start with the town of Deer Lodge, a place that has changed much in the last 30 years, a process that was underway in the early 1980s after the Milwaukee Road closed its division point and declared the entire line bankrupt. Besides Miles City, it is difficult to find a town more impacted by the Milwaukee’s failure than Deer Lodge.
Yet, Deer Lodge was not a typical small town base for the Milwaukee Road; railroads typically wanted to create their own place. But Deer Lodge was one of the oldest places in the state, where ranchers in the 1850s first arrived–the early site is now interpreted at the Grant-Kohrs National Historic Site of the National Park Service–soon followed by Capt. John Mullan as he and his soldiers built the Mullan Road through this valley.
The Northern Pacific passenger depot exists across the tracks from the Milwaukee Road station. It too has a new use: the Northern Pacific depot is now the senior citizens center.
Before Deer Lodge was a railroad town, it was a prison town, the location for the Territorial Prison, and later the state prison. Most of the buildings you can visit today are from the state prison era. It operated here until 1980 when it moved to a facility outside of town.
Deer Lodge also was an early center for education, represented by Trask Hall (1870s), which, like the territorial prison, is listed in the National Register. So with the themes of settlement, ranching, railroads, education, prisons, and the beauty of the valley why has Deer Lodge struggled to be recognized as one of Montana’s premier heritage designations? As the next post will discuss, citizens are taking steps to remedy the situation.
Drummond is the north entrance of the Pintler Scenic Route. The first ranchers settled here in the 1870s but a proper town, designed in symmetrical fashion facing the railroad tracks, was not established until 1883-1884 as the Northern Pacific Railroad built through here following the Clark’s Fork River to Missoula.
There is a faintly classically influenced two-story brick commercial block, a Masonic Lodge made of concrete block, various bars and cafes, a railroad water tank, and a slightly Art Deco movie theater, which was open in the 1980s but is now closed.
Due to the federal highway and the later Interstate I-90 exit built at Drummond, the town even has a good bit of motel roadside architecture from c. 1970 to 1990.
Between the Northern Pacific corridor and old U.S. 10 is the town’s most famous contemporary business, its “Used Cow” corrals, and now far away, on the other side of the
tracks are rodeo grounds named in honor of Frank G. Ramberg and James A. Morse, maintained by the local American Legion chapter.
The rodeo grounds are not the only cultural properties in Drummond. The Mullan Road monument along the old highway is the oldest landmark. The local heritage museum is at the New Chicago School (1874), an frame one-story school moved from the Flint River Valley to its location near the interstate and turned into a museum.
Another local museum emphasizes contemporary sculpture and painting by Bill Ohrmann. A latter day “cowboy artist” Ohrmann grew up in the Flint River Valley but by the 12960s he was producing sculpture and painting on a regular basis. The museum is also a gallery and his works are for sale, although the huge sculptures might not be going anywhere.
Montana Highway 1, the Pintler Scenic Route as I knew it during the 1984-85 state historic preservation plan survey, provides travelers with two distinct experiences. The southern half is a mining landscape, centered on the urban places of Anaconda and Philipsburg. The northern half is very agricultural, a place where cowboys and cowgirls still roam. It is one of my favorite parts of the state. Fret not, I won’t explore every nook and cranny but I will talk about three favorite places.
First up is the village of Hall, which is north of Phillipsburg. The Northern Pacific Railroad ran its spur line from Drummond to Philipsburg through the middle of the valley, leaving Hall as the halfway stop between the larger towns. Just as in 1984, the old town bank still served as the post office. Hogan’s Store still stood near the railroad tracks and a lone grain elevator stood along the old railroad corridor.
So too was the historic school at Hall still standing–in fact this c. 1920 brick building continues to serve local children as it has for decades. The same was true for the Stockman
Bar–maybe not as old as the school building but not far behind and still in business despite the proximity to Drummond and Philipsburg. Then there is a wonderful piece of yard art in Hall–leaving no doubt about the primary agricultural product here.
As you travel north on Montana Highway 1 you next, unexpectedly, cross the historic Mullan Road, one of the oldest roads in the northwest. Parts of the road are graveled and graded, others are paved, but whatever the condition the road takes you to 19th century log
buildings, even a dog-trot type log dwelling as well as the spectacular Valley Cemetery. I call it spectacular not for its cemetery art–although there is more than you would expect–but for its setting in the Flint Valley.
Wherever you look the vista is jaw dropping and can’t be that different than what Capt. Mullan and crew experienced in the late 1850s as they trekked this way. The Annie Milroy grave marker and statue (1912) speaks to the sadness that many homesteaders experienced as they tried to make a go of it in this demanding land.
The nearby elaborate carving of the Bergman family marker is just another indication that this cemetery deserves additional, full research. (Not far away from Hall is the lone obelisk marker for the historic Emmitsburg Cemetery, another early settlement site.) My next post will finish the Pintler Scenic Route with a deep look at Drummond.
Are we truly at a point in our culture that we can’t take the past and build a stronger community–this blog has pointed out countless examples of how that has happened across Montana–and we rather tear down and waste as we bow to the inevitability of Big box retail? The entrepreneurial spirit of Montana needs its landmarks–and the adaptive reuse of the Mercantile would be a great place to say here we make our stand, and build a better Missoula.
When I carried out the Montana State Historic Preservation Plan field work in 1984-1985 I passed through Basin Street in the heart of “downtown” Basin quite frequently, not because of the Silver Saddle Bar–fine place it is–but because I had no choice if headed
The glory days of Basin had long since passed, although some locals and visitors would go to the Merry Widow Mine for a dose of radon, thinking it could cure their ills (of course radon exposure is actually dangerous). Led by the Butte capitalist Augustus Heinze, the town from the mid-1890s to mid-1920s had been a quite thriving place, served as both the Great Northern and Northern Pacific Railroads with its Basin Street becoming the route for U.S. Highway 91. The numerous two-story brick commercial buildings reflected that era of prominence while a decaying c. 1930 garage on the town’s outskirts documents the impact of the federal highway.
Several key community landmarks remain. The most impressive is the two-story frame Basin School, built in 1895 and still in use as a school today. Here is another great Montana rural school building–the state is so rich in this type of public architecture.
Nearby is the Community Church, another late Victorian-era styled building, with its tall bell tower and distinctive corner entrance.
Miners first began to gather at what is now Philipsburg in the late 1860s; the town was later named for Philip Deidesheimer, who operated the Bi-Metallic Mine works. As the Bi-Metallic Mine and Mill expanded operations in the 1880s, a rapid boom in building
The quality of the Victorian commercial architecture still extant in Phillipsburg, such as the 1888 Sayrs Block above, astounded me during the 1984-85 preservation work. So much was intact but so much needed help. Residents, local officials, and the state preservation office understood that and by 1986 the Philipsburg Commercial historic district had been added to the National Register of Historic Places.
What is exciting is that in this decade, entrepreneurs are building upon early successful renovations and adaptive reuse project to launch new businesses and create new jobs. The town’s population is growing, after 30 years of decline.
The new developments in Philipsburg are interesting and invaluable changes since 1984-1985. At the same time, I am happy that residents have still embraced their historic public buildings in a similar fashion. The photograph I used in my book about the town in 1985
was the Philipsburg School, with its soaring tower symbolizing the hopes that residents had for Philipsburg’s future in the 1890s. The historic school, which is listed in the National Register, remains although the community built a new building adjacent to the historic one in 1987. (you can see a corner of the new building at the lower left).
When I first visited in 1984 the only building in Philipsburg listed in the National Register was the Queen Anne-styled Granite County Jail of 1902. It also remains in use.
But now the Classical Revival-styled Granite County Courthouse (1913) is also listed in the National Register. Designed by the important Montana architectural firm of Link and Haire, this small town county courthouse also speaks to the county’s early 20th century ambitions, with its stately classical columned portico and its central classical cupola.
By climbing the hill above the courthouse you also gain a great overview look of the town, reminding you that these rather imposing public buildings are within what is truly a modest urban setting that is connected to the wider world by Montana Highway 1.
The Philipsburg Cemetery, which like so many that I ignored in 1984-1985, was a revelation, reflecting the quality of Victorian period architecture found in the town.
The beauty and serenity of its setting were impressive enough, but then some of the family plots and individual markers reflected Victorian era mortuary art at its best.
This cast-iron gate, completed with urns on each post and the music lyre gate, is among the most impressive I have encountered in any small town across America. And this cemetery has two separate ones.
Many grave markers came from local or nearby masons but others, like these for the Schuh and Jennings families, were cast in metal, imitating stone, and shipped by railroad to Philipsburg.
The late 19th century discovery and development of silver mines high in the Granite Mountains changed the course of this part of the Pintler route. The Granite Mountain mines yielded one of the biggest silver strikes in all of Montana, creating both the mountain mining town of Granite and a bit farther down on the mountain’s edge the town of Philipsburg, which by 1893 served as the seat for the new county of Granite.
The U.S. Forest Service’s rather weathered and beat-up sign marks the historic entrance to the mining town of Granite, located at over 7,000 feet in elevation above the town of Philipsburg. During the 1984-85 state historic preservation plan work Granite was the focal point. The office knew of the latest collapse of Miners Union Hall (1890) turning what had been an impressive Victorian landmark into a place with three walls and lots of rubble–it remains that way today.
Connecting the Granite road to the town of Philipsburg, today as in the past, is the site of the Bi-Metallic Mill, which is still in limited use today compared to the mining hey-day.
Montana Highway 1, designated the Pintler Scenic Route, has long been one of my favorite roads. It was the first Montana road to be paved in its entirety. During the state historic preservation plan work of 1984-1985, I documented the route as U.S. 10A, but once government officials decided to decommission the U.S. 10 designation in 1986, the name U.S. 10A also went away. t. In its early decades the route had passed through Opportunity to Anonconda onto Phillipsburg and then Drummond, but for all of my time in Montana, the highway has gone from Interstate I-90, Anaconda/Opportunity exit to the west and then north to the Drummond exit on the same interstate. There is a new 21st century rest stop center at the Anaconda I-90 exit that has a Montana Department of Transportation marker about the mountain ranges and the Pintler route.
The town of Opportunity was not a priority for my travels in 1984-1985 but recent scholarship on how local residents have fought back against the decades of pollution from Anaconda’s Washoe Stack led me to give this small town of 500 a new look. The book is Brad Tyer’s Opportunity, Montana: Big Copper, Bad Water, and the Burial of an American Landscape (2014). Tyler details how the success of Anaconda also meant the sacrifice of thousands of surrounding acres to the pollution belching daily from the Washoe Stack until it closed in 1981. He then reviews in detail how in the 21st century, EPA heaped a new disaster on the town by moving Milltown wastes from the Clark’s Fork River near Missoula to Opportunity, telling locals that the Milltown soil would be new top soil for Opportunity. The environmental solution didn’t work, leaving the town in worse shape than before.
Opportunity residents got a small fraction of SuperFund monies for the environmental cleanup in the form of Beaver Creek park. But the centerpiece of the park, the Opportunity School built for residents in 1914 by the Anaconda Company, has been mothballed for now. It operated from 1914 until the smelter ceased operations in 1981 and
served as the community’s focal point. Restoration of the school is problematic due to the prior use of asbestos, meaning the federally funded park is only partially finished since the SuperFund support is now gone.
Sitting at 6,425 feet in elevation Georgetown Lake covers over 3700 acres. Today it is very much a recreational landscape but when it was created in 1885 its job was to generate electrical power for the nearby mines since it stood roughly equal distance between
As the state highway historical marker above documents, this high country area was another mining region. With an vantage point above the lake, Southern Cross is a significant remnant of the mining activities from the early 20th century. The mines here
began operation in the mid-1860s and production continued for until World War II. The settlement was largely Finnish and Swedish in the early 20th century when most of the remaining buildings were constructed.
Since my earlier work on the state historic preservation plan in 1984-1985, few places in Montana had experienced such rapid population growth as Stevensville. The place had just over 1200 residents in the 1980s, and that increased to a mere 1221 in 1990. But now Stevensville is close to 2,000 in population.
But enough is still here–like the historic mill complex above–that even as the business changes there is still the feel of an agricultural town at Stevensville. A major reason for the sense of continuity is the Stevensville Commercial Historic District, which has helped to protect the core of the town.
Also, buildings such as the two-story Old Fellows Hall (1912) have been individually listed in the National Register, adding prominence to the historic district. The district has a range of one-story and two-story brick buildings, most from the agricultural boom of the first two decades of the 20th century. A notable exception is a two-story concrete block
One major trend of Stevensville over 30 years is how buildings have been adapted to new uses. You expect that in a commercial area with a rising population, but here it has happened to such landmarks as the historic turn of the 20th century school building,
which is now the United Methodist Church, while the two-story brick American Four-Square house below is the historic Thornton Hospital (1910), but now serves as the Stevensville Hotel. Both buildings are listed in the National Register.
One area that I really failed to consider in the 1984-1985 work was the diversity and cohesiveness of the historic residential neighborhood. It too has been documented by a National Register historic district, but some dwellings, such as the impressive Classical Revival-styled Bass House have been individually listed.
Another favorite dates to the 1930s and the impact of the International Style on Montana domestic architecture: the Gavin House, with its flat roof, its boxy two-story shape and bands of windows at the corners.
Between these two extremes of early 20th century domestic design, Stevensville has an array of architectural styles, from the Folk Victorian to the more austere late 19th century vernacular to bungalows to revival styles.
Montana's Historic Landscapes 