
As discussed at several places in this blog, I have given careful consideration to the historic cemeteries of Montana in the fieldwork of 2012-2016. When the initial survey for the state historic preservation plan took place in 1984 to 1985, cemeteries rarely registered with anyone–the professionals were not looking that way nor were communities. That is no longer the case in historic preservation–cemeteries are an increasing area of interest.

Home of Peace was established in 1867 and the cast iron fence around its boundaries dates to that time. The earliest identified grave marker is 1873 but the Hebrew Benevolent Society (or Association), which established the cemetery originally, believes that Home of Peace includes burials from the 1860s. The beautiful arched gateway to the cemetery dates c. 1910, the same time that the cottonwoods were planted and most of the existing ornamental plants in the cemetery were added. Most of the burials are arranged in family groups, outlined by low stone or concrete walls. Some are individuals, or couples. A few are non-Jewish since at one time the association, which still owns the cemetery, allowed for their burials.

The date of most markers are from the late 19th century to the early 20th century. Mostly made of granite and sandstone, with some marble as well, the grave markers reflect Victorian styles and Classical influences. Herman Gans’ marker from 1901, seen below, is a mixture of both.

The cemetery contains several veterans markers in the standardized tablet design provided by the War Department and later the Veterans Administration. The grouping in the forefront, below, identifies two veterans from the Spanish-American War of 1898.

In the mid-1970s the association transferred some of its land for the construction of Capitol High School, which now almost surrounds the cemetery, which had once stood faraway from the center of Helena’s population.

The looming presence of the school grounds is a worry for future preservation of the cemetery–could it be possibly overlooked, ignored, and abandoned? One online resource about the cemetery remarks that there are more Jews buried in the cemetery than live in Helena today. But this sacred place is a powerful reminder of the contributions of the Jewish community to Helena’s growth and permanence. Listed in the National Register of Historic Places, the cemetery should be valued as one of the city’s oldest and most significant historic properties.












Craftsman style popular in the early 20th century. It is a place where the pages of the famous Craftsman Magazine seem to come alive as you walk the tree-lined streets. But there is more to Havre’s historic districts than the homes–there are the churches, about which more needs to be said.
As my first two images of the First Lutheran Church show, Gothic Revival style is a major theme in the church architecture of Havre, even extending into the mid-20th century. First Lutheran Church is a congregation with roots in Havre’s boom during the homesteading era. As the congregation grew, members decided to build the present building in 1050-51, adding an educational wing by the end of the decade.
The earliest Gothic Revival styled church is First Baptist Church, constructed c. 1901, shown above. The unidentified architect combined Gothic windows into his or her own interpretation of Victorian Gothic, with its distinctive asymmetrical roof line.
A more vernacular interpretation of Gothic style can be found in the town’s original AME Church, built c. 1916 to serve African American railroad workers and their families, and later converted and remodeled into the New Hope Apostolic Church.

The Spanish Colonial Revival style of St. Jude’s Catholic Church, however, shows us that architect Frank F. Bossuot was more than a classicist. The church’s distinctive style sets it apart from other church buildings in Havre.
The same can be said for a church building that comes a generation later, the Van Orsdel United Methodist Church. When the Havre historic district was established, this mid-century modernist designed building was not yet 50 years old, thus it was not considered for the district. But certainly now, in 2018, the contemporary styling of the sanctuary has merit, and the church has a long history of service. It started just over one hundred years ago with a brick building named in honor of the Montana Methodist circuit rider W. W. Van Orsdel who introduced the faith to Havre in 1891. A fire in late 1957 destroyed that building, and the congregation immediately began construction on its replacement, dedicating it in 1958.



deteriorating in the mid-1980s but a determined effort to save the building and use it as an anchor for the Montana Avenue historic district has proven to be a great success in the 21st century.
Milwaukee Road depot there, since Harlowtown was such an important place in the railroad’s history as an electric line.









In the 1984-1985 fieldwork for the state historic preservation plan, the impact of lodging chains in Montana was pretty limited to the larger towns, and gateways to the national parks. Many what I called “mom and pop” motels, largely from the pre-interstate highway era of the 1940s and 1950s, still operated. I was working with the state employee lodging rate of $24 a night (remember it was 1984!) and I found that the per diem eliminated the chains and I was left with the local establishments. During those months of intense travel I came to respect and really like the Moms and Pops. Several of the places I stayed in 1984-1985 are long gone–but ones like the Lazy J Motel in Big Timber remain. In this post I am merely sharing a range of historic motels from across Big Sky Country.
I began the fieldwork in February 1984 and the first stop was a public meeting at the Toole County Courthouse in Shelby. My first overnight was just as memorable–for good reasons–at the O’Haire Manor Motel. Its huge neon sign on the town’s main street, which was U.S. Highway 2, could not be missed, and actually the sign replaced a building that once stood along the commercial district, knocking it down so travelers would have a clear shot to the motel itself.
Cut Bank’s Glacier Gateway, on the other hand, reminded visitors that it was that “coldest place” in the United States that they had heard about in weather forecasts.

Another example from the old Yellowstone Trail and U.S. Highway 10 is the Shade Tree Inn Motel in Forsyth–although coal and railroad workers help somewhat to keep it going in the 21st century.
Just a block west of another historic section of U.S. Highway 10 in Deer Lodge is the Downtowner Motel, with its sloping roof and extended rafters representing the best in “contemporary” style from the 1960s. This place too was clean, cheap, and well located for a day of walking the town back in 1984.

Not only have the changes in traffic patterns been important, the present generation’s preference for chain motels–and the proliferation of chains across the state–have shaped the future of the mid-20th century motel. A good example is the challenges facing the continuation of the Cherry Hill Motel in Polson, located along U.S. Highway 93. Here was a favorite spot in 1984–near a killer drive-in–a bit out of the noise of the town, and sorta fun surroundings with a great view of Flathead Lake.
The place was up for sale in 2015–and the internet today tells me that it is “permanently closed.” I hope it can find a new owner and is still there when I next return to Polson but with the general boom in the Flathead Lake region, one assumes its days are numbered.
The bear might be hugging the tree but does anyone else care enough–or want this type of lodging, complete with the “picture window” of the 1950s and 1960s, in the comfort obsessed 21st century?

Community Center Bowl in Hardin, Big Horn County, is a wonderful recreational space, with its bays defined by c. 1960 styled “picture windows” framed in glass blocks. The owners have refurbished the lanes two years ago–this institution still has years left in it.
From the southeast corner of the state to its northwest corner–the Trojan Lanes (so named for the school mascot) in Troy, Montana. Here you find the type of alley that is common throughout the small towns of Big Sky Country. Not only do you have a recreational center but you often have the best family restaurant in town. That’s the
case where at Troy’s Trojan as well as–returning to the southeast corner–the Powder River Lanes in Broadus. This tiny county seat has lost several of its classic cafes from the 1980s–the Montana Bar and Cafe on the opposite side of the town square being my favorite in 1984–but Powder River Lanes makes up for it.
I am sorta partial to the small-town lanes, like the Lucky Strike above in Ronan, Lake County. Located next door to “Entertainer Theatre,” this corner of the town is clearly its center for pop culture experience.
Another fav–admittedly in a beat-up turn of the 20th century building–is Roper Lanes and Lounge in Whitehall, Jefferson county, in the southwest corner of the state. Gotta love the painted sign over the entrance–emojis before they were called emojis.





St. Joseph Catholic Church, perched now on a barren bluff facing the lake, was moved about 2.5 miles east to its present location in 1954. Originally near the river in what was then known as the Canton Valley settlement, the church building is one of the state’s oldest, dating to 1874-1875 and is listed in the National Register of Historic Places. The proud Gothic styled church is the remnant of one of the valley’s earliest settlements.





















In the early posts of this exploration of Montana’s historic landscape I spoke of the transformation that I encountered when I revisited Glendive, the seat of Dawson County, for the first time in about 25 years, of how local preservation efforts had kept most of the town’s railroad era landscapes alive while leading to the revitalization of its amazing number of historic residences from 1900 to 1950.
Let’s now turn our attention to public landmarks, old and more recent, that also deserve notice, starting with the magnificent Classical Revival-styled City Hall, one of the anchors of the Merrill Avenue historic district, which is listed in the National Register of Historic Places. Built in 1914, this all-in-one municipal building is an impressive architectural
statement by the second generation of Glendale’s leaders that the town would grow and prosper during the homesteading boom of the first two decades of the 20th century. The architect was Brynjulf Rivenes of Miles City. His firm had so many commissions coming from eastern Montana and Yellowstone Valley patrons that by this time Rivenes operated offices in both Glendive and Miles City.
Rivenes had earlier marked Glendive’s new emerging townscape with his Gothic design for the First Methodist Church, in 1909. Fifteen years later, he added another landmark church design with the Romanesque styled Sacred Heart Catholic Church (1924-1925).

With recovery and the arrival of more and more automobile traffic from the late 1930s to the 1950s, many of the older buildings received mid-century updates. The remodels could
The 1950s and 1960s brought many changes to Glendive. Post World War Ii growth both in the town and the many surrounding ranches led to expansion and remodeling at the historic Glendive Milling Company in 1955. When the historic districts for Glendive were designated in the late 1980s, preservationists questioned the inclusion of this important industrial/agricultural complex due to the changes of the 1950s. Viewed today, however, the mill complex is clearly a very significant historic site.
More contemporary styled church buildings were also dedicated in the mid-century, such as the classic “contemporary” styling of the Assembly of God building, with classrooms at
at the front rather than the rear, or the modified A-frame style of the First Congregational Church, which I shared in an earlier post on Glendive.
Glendive is very much a blending of different 20th century architectural styles, reaching back into the region’s deep, deep past, as at Makoshika State Park, where the visitor
center/museum is an excellent example of late 20th century modern style–clearly a building of the present but one that complements, not overwhelms, the beauty of the park itself.