Great Falls Heritage Area, part two: First Nations Buffalo Jump

Posted on November 22, 2015 by carrollvanwest

Successful heritage areas have chronological depth to their history, and places that are of national, if not international, significance. To begin that part of the story, let’s shift to the other side of Cascade County from Belt and explore the landscape and significance of the First Nations Buffalo Jump State Park. When I visited the site in 1984 there was not much to it but the landscape: no interpretive center existed and there were only a few markers. To give the state its due, it then only owned a portion of the site, with the first land acquisition dating to the New Deal. Listed in the National Register in 1974, the site only had opened as a state park a few years earlier, and no one seemed to know much about it or even how to get to it. But as this photograph from “A Traveler’s Companion to Montana History” shows, wow, what a view: it was totally impressive, and had a big story obviously to convey.

Buffalo jumps were ways that the first nations in Montana could effectively kill large number of bisons–by planning, gathering and then stampeding a herd over a steep cliff. Native Americans used this site for hundreds, if not thousands of years. The cliff is hundreds of yards long and kill sites are throughout the property.

State park officials, working with local residents and ranchers, have significantly enhanced the public interpretation at the park since the late 1990s. Hundreds of additional acres have been acquired, better access roads have been installed. and new interpretive features, such as these reproduction sweat lodges on the top of the cliff, have been added to the landscape to physically enhance the Native American feel to the park.

The interpretive center is a model of 21st century Native American-focus history. It provides facilities and exhibits for visitors, and encourages a longer stay and exploration of the site.

Park managers understood that this site had special significance to all Native Americans thus they included capsule history displays about all Montana tribes of today along with displays that emphasize the Native American dominance of the landscape when the jump was in use.

As the park was being expanded and improved into an effective heritage asset, both in its public interpretation and visitor facilities, research on the property continued. The buffalo jump is now considered the largest in the United States, and quite likely the world. In the summer of 2015, the site was designated as a National Historic Landmark as one of the nationally significant archaeological and Native American properties in America. The bone deposits remain deep and rich in artifacts, still awaiting further exploration despite being mined for a brief time during World War II for phosphorus production. Indeed the entire site is one of reflection and respect for the cultural contributions made by the First Nations long before the arrival of Lewis and Clark just over 200 years ago.

Here is a property that today tells us how the earliest Montanans used their wits and understanding of nature and landscape to enrich their diet and to make their world, one far from that of our own, and one still difficult for those of us in the 21st century to grasp.

This buffalo jump remains a place of mystery and meaning, and when you look to the south and see the shadow of Crown Butte you glimpse into that world of the deep past in Montana,. If you look in an opposite direction you find the patterns of settlement that surround this sacred place. And that is where we go next to St. Peter’s Mission and the Sun River Valley.

The Great Falls Heritage Area, part one

Posted on November 22, 2015 by carrollvanwest

Along the Missouri River is Paris Gibson Park, deep in the heart of Great Falls, Montana. Gibson was one of the classic civic capitalists of the late 19th century who understood that as the community prospered he too would achieve this dream of building a great western empire, with his town of Great Falls as the center. Almost 100 years after his death, in 2015, residents, preservationists, historians, and economic developers began discussions on establishing a heritage area, centered on Great Falls, but encompassing the Missouri River as the thread between the plains and mountains, that has shaped the region, and the nation, for hundreds of years. I strongly endorse the discussion and will spend the next several posts exploring key resources in Cascade County that could serve as the foundation for a larger regional story.

Sand Coulee Coal Mine, Cascade Co (32-34)

Abandoned coal mine at Sand Coulee from the 1984 preservation survey.

Let’s begin with the coal deposits to the east of Great Falls, often forgotten places today but the exploitation of the easily accessible belts of coal not only provided the railroads crisscrossing the region with necessary coal but also left in their wake classic mining communities such as Belt, just off of US 87/Montana 200.

Situated along a creek nestled within coulees of coal, Belt is a classic mining town, where all of the historic buildings are situated along the main road into town. When I visited in 1984, Belt like most central Montana towns was no where near its population height of over 1100 residents during the homesteading boom, but its 800 plus residents in 1980 was a marked increase from recent decades and many of the town’s historic buildings were in use.

The Farmers and Miners State Bank said so much to me in 1984, and beyond its classical facade so in keeping with the Classical Revival style favored by state banks throughout the state. It was the name: farmers and miners–both walked the street and helped to make the town.

Thirty years later, Belt’s population had bottomed out, declining to under 600 by the time of the 2010 census. But both times I have stopped by, in 2013 and 2015, the town has a sense of life about it, and hope. The town’s two historic taverns, the Harvest Moon Tavern and the Belt Creek Brew Pub, as well as the Black Diamond Bar and Supper Club attract visitors from nearby Great Falls and elsewhere, giving the place a sense of life at evenings and weekends.

When planners talk about heritage areas, they often focus on the contributions of local entrepreneurs who take historic buildings, like the Pioneer above, and breathe new life into them. Throughout small town Montana and urban commercial districts, new breweries and distilleries are creating such opportunities.

Belt has a range of historic buildings, mostly of vernacular two-part commercial style that speak strongly to the boom of 1900 to 1920. The Victorian-styled cornice of the Belt Hardware Store (1896) speaks to the town’s origins. The Knights of Pythias Lodge of 1916 has been restored as a community theater, another reason for visitors to stop and explore.The result is a living cultural experience, since nothing in Belt is over-restored or phony feeling. It is still a gritty, no frills place. That feel is complemented by the Belt museum, which is housed in a historic jail on road down into town and within sight on a railroad trestle, a reminder of what literally drove the town’s development, coal for the railroads.

During the 1984 survey, I gave the jail a good bit of attention since this stone building spoke to the craftsmanship of the era, the centrality of local government as the town developed, and the reality that this building was the only thing in Belt listed in the National Register of Historic Places. But in 2004 the state historic preservation office approved the Belt commercial historic district, and that designation has done much to drive the town’s recent revival. Belt is just the first place that speaks to the promise of the Great Falls heritage area concept.

Lewistown’s Heritage Development

Posted on November 19, 2015 by carrollvanwest

Photo by Montana Preservation Alliance.

During the state historic preservation planning process in 1984-1985, the new historic preservation efforts in Lewistown, especially the focus on the sandstone masonry of the Croatians, were noted and celebrated as well as the town’s only “marked” historic site, Reed’s Fort Post Office, associated with the very early history of settlement in Fergus County and the history of the Metis who lived here in the 1870s and 1880s. Certainly much more was known about the community’s history and architecture. But there was little public interpretation, except for this log building and, on the other side, of the town, a public park with military artifacts including an ICBM missile–a rarity then and now for a public park anywhere in the west.

Even the local museum was at the beginning stage, sharing quarters with the chamber of commerce in a Ranch-style building, like the park, on the outskirts of town.

How times changed over 30 years. The museum is still at its location but adjacent is now a new facility, replicating a huge barn, expanded exhibits and artifacts about the region’s history.

Markers about National Register-listed properties and districts exist throughout town, courtesy of the exemplary interpretive marker program of the Montana Historical Society.

What happens within town is supported by recent interpretive marker installations at the highway rest stop as you enter Lewistown. From this spot there is an excellent view of the historic Lewistown airfield, listed in the National Register of Historic Places, for its significance in World War II aerial supply lines and defense.

Not only can you see the historic district, you also can learn about its significance through an interpretive marker developed by Montana Department of Transportation.

Steps away is another interpretive kiosk, related to an earlier, sadder military story, that of Chief Joseph of the Nez Perce Indians and their attempted flight to freedom in Canada in the 1870s. Both markers also emphasized the overall theme of transportation and how Lewistown has been crisscrossed by important historical events for centuries.

Walking tour brochures help visitors and residents understand more of the history and architectural beauty of the town, from landmarks such as St. Leo’s Catholic Church, an amazing interpretation of Italian

Renaissance revival style from the prominent Montana firm of Link and Haire, and the historic early 20th century domestic architecture in the downtown neighborhoods.

The town’s historic districts serve as anchors within the commendable trail system developed in Lewistown over the last 20 years. Local officials and representatives, working with the state government and abandoned railroad property and corridors, have established a series of trail loops that not only provide excellent recreational opportunities, as signified in this trail head near the Yogo Inn, but also paths for heritage tourists and

residents alike to explore the landscape, and how history in the 19th and 20th centuries created the place where they live and play today.

As we will see later in western Montana, like in Butte and Kalispell, trail systems can be the best of heritage development because they take advantage of the state’s greatest asset–its landscape and sense of the Big Sky Country–and combine it with explanations of the layers of history you encounter wherever you go, creating an asset that visitors will like but that residents will cherish, because they can use it on a daily basis.

Of course recreation, to my mind, is never complete unless there are nearby watering holes where one can relax and replenish, and Lewistown is rich in those too, being they the various classic roadside establishments along the highways entering and leaving town or the can’t miss taverns downtown, such as The Mint and the Montana Tavern, where the signs speak to the good times to come. Those properties are crucial for heritage development because they are important in themselves but they also are the places that get people to stop, and hopefully explore.

Using multiple pasts to create new opportunities for communities: Lewistown has it going, and it’s far different world today than in 1984.

Lewistown’s Public Buildings: Legacies of Service in Two Centuries

Posted on November 17, 2015 by carrollvanwest

For a town of 6,000, Lewistown has an imposing, impressive public presence in its historic built environments. Clearly town founders and generations of later residents have taken the meaning of public architecture to heart–not only are they just buildings meant to hold public services but they are buildings that are meant to ennoble–to say that the town matters to those who use them, and those who come this way.

The Fergus County Courthouse (1907-1908) lies at the center of town, on a rise above the railroads tracks and central business district and then the homes and schools that surround it. Newton C. Gauntt of Yakima, Washington, was the architect. He also designed courthouses in Washington and Oregon. His Classical Revival design reflected a more vernacular interpretation of the style that preceded the courthouse by two years–that would be the Carnegie Library of 1905. T. J. Tubb was the

contractor/designer and used the town’s Croatian stone masons to create one of the most distinctive Carnegie designs in the state. The additions below and in front came in 1990–quite the change in 30 years but also a necessary one to keep the original building as a community landmark and to serve a much different public library audience of the late 20th century.

Behind the library was the place I always stayed at in Lewistown during the fieldwork of 1984–the Calvert Hotel. Originally built as a girls’ high school dormitory, the building was a disappearing relic from the early homesteading days before buses and automobiles dominated traffic do and from county schools. Students in faraway ranches would spend the week, maybe more, in the dorms during the school term–a reality that spoke to sense of distance and the limits of transportation 100 years ago. In the 1980s, the Calvert was much like its dorm-day appearances: some modern upgrades but it was a rustic, and inexpensive, stay, perfect for someone like me. New owners, thankfully, carried out a complete restoration and upgrade between 2007-2009. The Calvert is now a totally different place, and fits squarely in our theme of a public building serving the community well, through adaptive reuse and historic preservation, in the 21st century.

The same can be said for the historic school just up the street from the Calvert and its conversion into the Esplanade condominiums. Here again, a public building still serves the community but in a different way than before.

In the central business district, the grand triple-arched entrance of the Civic Auditorium is a reminder of the impact of the New Deal on the city. The Works Progress Administration did a lot of little things in Lewistown, streets, sidewalks, utilities, but its most lasting contribution is the civic auditorium of 1936, still a meeting place for community events.

Another federally funded building a few steps away was finished during the beginning of the Great Depression, the Lewistown Post Office, an impressive Classical Revival design from 1931.

On the outskirts of town is another important set of buildings still in community service, not just to Lewistown but to towns and villages from miles away: the Central Montana Fairgrounds. The monument at the front entrance, part of the fair’s centennial celebration a few years ago, says it all: 100 years of pulling together. Yes, it is a good motto for the fair, but to my eye it’s also a fitting motto for the entire town.

The fairgrounds has an array of historic barns, stalls, and exhibition buildings that define the grounds while the new grandstand defines the signature events of today’s 21st century fair experience.

Lewistown: at the heart of Eastern Montana

Posted on November 15, 2015 by carrollvanwest

Lewistown, the seat of Fergus County, has been a hub for trade and government for eastern Montana since the 1880s. Beginning as a trading post, the town next served as a crossroads for traffic going to short-lived precious metal mines at Kendall, Maiden, Giltedge, and other places. Cattle ranches, such as the famous DHS Ranch and the N-Bar Ranch, also surrounded the place. By the turn of the 20th century, the town had over 1,000 residents. But by this time, railroad companies eyed the area for possible agricultural development, and within 20 years Lewistown had boomed–gaining six times its population–and a fascinating array of commercial and public buildings in the wake of the population growth.

The Great Northern Railway not only an understated Classical Revival depot on one end of the town, it also expanded lines throughout Fergus County like tentacles desperate to grab as many wheat crops as possible. The depot remains today, converted into a convenience mart and gas station (an adaptive reuse you do not commonly find for railroad depots). On the other end of town stands the other major line–the Milwaukee Road–devoted to the homesteading rush in Fergus County. It built an even grander

complex as a statement to its wishful dominance of the agricultural trade. Shortly after the closure and bankruptcy of the line in the late 1970s and early 1980s, the depot became a large adaptive reuse project, turning the Milwaukee Road complex into the Yogo Inn and convention center, where, in 1984, I attended the Montana Historical Society statewide history conference.

The bloom grew stale over the decades and when I visited in 2013, the Yogo was clearly on life support; I was encouraged in May 2015 to find renovations underway–maybe there will be a third life for this Milwaukee Road landmark in Lewistown.

The Great Northern and the Milwaukee created the transportation network that brought homesteaders to central Montana by the thousands. Merchants, bankers, and craftsmen then rebuilt the downtown from 1904 to 1916, and much of that flurry of construction still serves residents today in the central business historic district, which is listed in the National Register of Historic Places.

Classical Revival was the architectural statement of choice to this new Lewistown taking shape along Main Street. The architects of the Montana State Capitol, Bell and Kent, designed a new Bank of Fergus County (above, on the right) in 1904. It received another layer of classicism in the pilasters a decade later when owners wanted to match the flashy Judith Theater (1914), certainly one of the great examples of Beaux Arts design in a small Montana town movie palace.

By 1916, however, bank officials were ready to support the town’s most complete interpretation of Classical Revival design in the new Montana Building, designed by the firm of Link and Haire. The bank seemingly had few limits in front of it–homesteaders still arriving and agricultural prices were high. But the boom went bust in the early 1920s and by 1924 the building had new owners, the First National Bank. It has remained home to financial institutions ever since.

The splashy Beaux Arts classicism of the banks and theater catch your eye but much more common are two-story commercial blocks, often with a more understated classicism, where retail businesses used the first floor and professionals occupied the second. The town had a several gifted craftsmen who left their mark in these buildings and others.

Croatian stonemasons left impressive stone Romanesque arches at the Masonic Lodge, a detail I photographed in 1984 (left) and 2013 (right). The building itself is a dignified statement of both craftsmanship and purpose, combining both classical and Romanesque elements using locally available stone. It’s one of my favorite buildings in town.

Not far away is the I.O.O.F. Hall, from 1914. Here is an even later example of Romanesque arches highlighting a building that is both a fraternal lodge but also valuable retail space.

Be they multi-story or just one-story commercial businesses, this set of commercial designs convey so strongly the promise of early 1900s to thousands of Montanans. Lewistown’s population had reached 6,000 by 1920–that generation would be shocked to know that remains the population today. Much more on Lewistown to come.

Baker: The Milwaukee Road’s Eastern Gateway to Montana

Posted on November 5, 2015 by carrollvanwest

The Milwaukee Road, the last transcontinental railroad to crisscross Montana, enters eastern Montana at the town of Baker, established in 1908, which served as an important rail center for the company with the full name of the Chicago, Milwaukee, St. Paul and Pacific. When I visited Baker in 1984 i noted that many of its buildings dated from the homesteading era although there was a clear second layer of development died to the region’s oil boom of the late 1960s and 1970s. In A Traveler’s Companion to Montana History (1986) I noted “Baker’s railroad corridor is still largely intact, and the spatial arrangement created by its Milwaukee depot and the neighboring Baker Hotel, an imposing brick building dating to 1916, symbolizes the railroad’s importance to the town.” Both buildings are gone now unfortunately but an indication of the prominence of the corridor is still conveyed by the brick building below which has served the community in many commercial and professional ways over the decades.

Insurance was just one of the services provided by this neoclassical styled building.

Today the hotel, the tracks, and the huge grain elevators along the railroad corridor remain, and the elevators still visually dominate the surrounding mostly one-or two-story built environment. But the depot is gone, leaving a hole in the town’s historic fabric.

Buildings and railroad tracks were not the only legacy of the Milwaukee in Baker–there was the large lake the company developed to provide water for its trains in a largely parched region. The Baker Lake, 30 years ago, was undergoing another improvement project, part of the town’s generation-long effort to turn a forgotten corporate remnant into a community asset. The company built the lake c. 1908 but soon found that the water was too salty–it corroded the equipment. And so the lake sat, until the 1950s when the Baker’s Woman Club began an effort to convince the railroad to transfer the lake to local

government. County leaders became convinced that yes, Baker needed a community recreation asset, and eventually the land was transferred into the public use, and Baker Lake by the end of the century was an unique asset in southeastern Montana, and a center for recreation and special events.

The lake is not the only contribution of the Woman’s Club. it also was central in creating, staffing, and maintaining a public library, and the contemporary-designed library from 1970 remains but also has been enlarged since 1984.

The Fallon County-City of Baker Administration Building, 1974-1975

Indeed, I noted the recent construction of the 1970s in Baker, like the new county courthouse/city administration building where I held a public meeting, but I didn’t really process the layer of modernism in the town, a reflection of its growth from 1950 to 1970, when the population grew from 1,772 to 2,584. The new joint administration building, designed by the Billings firm of Johnson Graham Associates, remains an impressive piece of contemporary design. Architects Willard Johnson and Orval Graham had established the firm in 1967. The Baker project established a connection between the firm and county that continued into the present: the new grandstand at the Fallon County Fairgrounds is also a JGA design, from 2011.

The tradition of county fairs dates to 1909 and today the Fallon County Fair is one of the region’s largest.

Historic schools are other important contributions to the town’s built environment. Above is the Washington School, built in 1927. It is a brick Classical Revival statement of the town’s insistence for permanence in the face of the homesteading bust. When I last visited in 2013, the school was undergoing rehabilitation to become an office building. On the other side of town stood a more modern design, the Longfellow School, built in 1968 during the height of the population boom in Baker. Its low, rectangular mass was modern school design at its best, although since my 1984 visit the casement windows have been covered so central heat and air could be installed.

The second building in Baker listed in the National Register was the only one designated in 1984, and it was the pride and joy of the community: the old county courthouse converted into the O’Fallon Museum. Here was not only the historical exhibits typical of the area but also installations about the region’s prehistoric past and moved buildings to host special

collections but also to interpret the homesteading past. I will always remember my public meeting in Baker, for the obvious pride residents had in the museum but also for the comment that they could not wait to show me “our really old stuff,” such as a 1916 homestead. Coming from my training at Colonial Williamsburg, considering places from 1916 as really old was a notion that took some getting used to, but of course in the context of settlement and development of southeastern Montana, it made perfect sense.

Today I would even join into the call for the “really old stuff”–like the Lake Theatre of 1918. It certainly deserves a place in the National Register as so few classic movie theaters remain in this part of the state. The same could be said for this classic c. 1960 drive-in,

which is part of the town’s roadside architecture traditions along U.S. Highway 12, the federal road that parallels so much of the Milwaukee Road’s route through Montana. For

good measure I would even dare say that it’s time to assess the significance of the oil wells and facilities along Montana Highway 7 as you enter or leave Baker. The discovery of oil and its development in the 1960s and 1970s certainly was the major economic story of the town and county in the second half of the 20th century.

In 2015 Baker has retreated from that c. 1960-1970 boom. Population peaked at 2584 in 1970. It remained just a hundred or so under that in 1980, but changes in demand, technology and the bankruptcy of the Milwaukee meant that Baker in the last 30 years has lost residents, in 2010 down to 1741, about the same number as in 1950. Yet I like that the lake had been restored, and it remained a vibrant part of the town, that new banks and new renovations were part of the town, and indeed, that an old car dealership and garage was now the very good Three Garages Bar. Historic preservation can play a larger role in Baker’s future just as it did during Baker’s boom in the past.

A last look at Carbon County, and a visit into the Crow Nation

Posted on October 22, 2015 by carrollvanwest

In the northern reaches of Carbon County are two additional towns on U.S. 212 I would like to review before I turn into a far different landscape in neighboring Big Horn County. I looked earlier at the Boyd store, and its changes over 30 years, briefly in passing on to other railroad towns in the Clark’s Fork Valley.

But Boyd is worth a second look if for nothing more than its rambling vernacular design post office since so many of those buildings have been replaced in the last 30 years by standardized USPS designs. The same can be said of the Boyd School, a frame building now encased in vinyl that has layers of history in it as the community made additions as necessary over the decades.Continuing north on U.S. Highway 212 is the much larger, prosperous town of Joliet. Joliet is an anomaly–its population now is larger than it has ever been since census data has been recorded. So many eastern Montana towns steadily lost population to where they are mere skeletons of themselves today. Joliet has avoided that fate; in fact its population in 2010 was slightly more than when I first visited in 1984.

The Joliet Community Center symbolizes the town’s stability and sense of itself.

The Rock Creek State Bank, now the Rebakah Lodge Building, anchors one of the town’s most prominent commercial corners. It is one of several buildings in Joliet listed in the National Register of Historic Places, including a large historic residential district, in the last 30 years. Joliet had nothing designated in the National Register when I visited in 1984.

While there is a bright new sheen to a good bit of Joliet, the downtown still has that classic mix of vernacular frame and brick one-story commercial buildings typical of the turn of the century railroad/homestead boom towns. And like most, a tavern, in this case the Frontier Bar, is a permanent fixture in the town.

Outside of town is a wonderful array of roadside public sculpture, courtesy of long-time Joliet resident Charles Ringer. Ringer moved to town, purchasing an old junk yard and part of a WPA granary, in 1971. His works have become landmarks for travelers along U.S. Highway 212. Ringer runs a studio shop out of an old ranch-style house.

Known to many winter travelers as “The Snow God” but named “The Creature” by its creator Charles Ringer, this huge metal sculpture is roadside art at its best in Montana.

Ringer is also known for his various kinetic sculptures, and the entire property becomes a way for travelers to interact with, or just enjoy, the general wackiness of his creations.

From Joliet you can strike out east on an improved gravel road, passing through the town of Edgar, and then climbing up out of the Clark’s Fork Valley and into the land of the Apsaalooke, or the Crow Indian Tribe. Traveling west in the Crow reservation, you encounter two instant landmarks, one much more recent than the other but both are tightly intertwined. A compelling metal sculpture of a warrior announces the entrance to the Plenty Coups High School, shrouded on the morning I went there in 2015 by an early morning fog.

Across the road is the Plenty Coups State Park, a fascinating memorial to the former Crow chief Plenty Coups, who the Crow Indian Tribe has designated as its last traditional tribal

chief. Plenty Coups had been among the first Crow Indians to take up a homestead, 320 acres along Pryor Creek, in 1884. His succession of dwellings, using locally available

materials to build a log house, help to tell his story as well as how some Crows became ranchers. The park has erected a modern tipi to show earlier Crow dwelling types; the rambling nature of the log house, is both typical and spectacular. Typical in that

it is a three-bay house with a centered front door, but actually quite spectacular in its interior feel of open space, and that its very size would have spoken to the family’s prominence and achievements. The park also interprets a traditional sweat lodge, adding to the understanding of tradition and new ways that blended to create the homestead.

When Plenty Coups died in 1932 he was 84. He and his wife Strikes the Iron left 195 acres of their property to be a public park. Later the National Park Service designated the site as a National Historic Landmark. Since my first visit in 1982 a new museum building had been added to the park, significantly enhancing the public interpretation of the site; you left with the feeling that this was just not a static installation and memorial (as it was in the 1980s) but a true museum and park which will continue to grow and adapt to the needs of the Crown Indian Tribe and the park’s visitors.

To the east of Pryor, on Pryor Creek Road, was another historical place associated with the Apsaalooke–the Pryor Creek Battlefield. Where in the low creek bluffs and the narrow

valley created by the water, a major battle between the Apsaalooke and their enemies the Lakota, Cheyenne, and Arapaho took place c. 1861–just at the time the Civil War was beginning in the United States far to the east.

The Crows had worked with federal officials to build a road turn-off and place interpretive markers about this key battle for the control of the Yellowstone Country c. 1861, just before the time that the first permanent white settlers entered what would become Montana Territory. Thirty years ago, I knew from Crow historian Joe Medicine Crow that this famous battle, where the Apsaalooke secured control of the region in what Medicine Crow called a “glorious victory,” took place along Pryor Creek Road. But the markers now pinpoint the battlefield and interpret what happened plus the significance of the fight.

Here was suddenly a place that I had truly never “seen” before–and an indication of how good interpretive markers can make a desolate place come alive with historical meaning. Kudos to all for bringing forth this forgotten battlefield and a site of a famous Crow victory.

Bridger: Northern Pacific Railroad Hub in the Clark’s Fork Valley

Posted on October 11, 2015 by carrollvanwest

As you head north into Montana from Wyoming on U. S. 310, the first substantial place you encounter is Bridger, named for famed fur trader and early Yellowstone traveler Jim Bridger. Like its neighbor to the north in Fromberg, Bridger is another turn of the 20th century Northern Pacific Railroad town in the Clark’s Fork River Valley that was much the same from my initial visit 31 years ago. Its population had remained steady–a tad over 700, about the same as in 1984, and only 150 or so less than its height in 1950.

The town’s grain elevators speak to the formative impact of the railroad. Here back in the late 1890s engineers followed a well worn and recognized Indian trail–a similar route to what Chief Joseph of the Nez Perce Indians chose a generation earlier as he tried to find safety for his people, traveling from Wyoming into the Clark’s Fork Valley.

The town’s commercial district retains much of its early 20th century look. Old bank buildings dominate the town center, while substantial 2-story commercial buildings (including properties listed in the National Register) remain, showing how quickly merchants came to Bridger and launched businesses to attract the growing number of homesteaders in the Clark’s Fork River valley in the 1910s.

That first generation of settlers did their part to build lasting community institutions. The Bridger United Methodist Church is an impressive example of vernacular Gothic design. It is listed in the National Register of Historic Places. The town library is almost a picture perfect example of what this institution should look like in a small town setting.

The irrigation ditch drifting through the town park is a reminder of how the engineered landscape of irrigated fields provided much of Bridger’s early wealth and development. The park itself was a creation of the Works Progress Administration in the late 1930s.

Within the park is a ceramic and brick arch, one of the town’s many examples of public art. The mural on a side of a store seen earlier in this post is another example while creative metal statues of wild horses grazing or the imposing figure of Jim Bridger himself welcoming visitors at the southern end of the town underscores a local tradition of public art not often seen in Montana’s small towns.

Other historic statements of the town’s sense of community include the 1930s Civic Center, a bit worn today but a center for community gatherings and social events for decades.

Bridger’s schools from the 1960s introduce Montana modernism to the townscape, almost like spaceships landing within the middle of the Clark’s Fork River Valley. Modernism 1960s style also characterize Sacred Heart Catholic Church, St. Paul’s Lutheran Church, and the Bridger Seventh Day Adventist Church, constructed in 1965.

St. Paul Lutheran Church Sacred Heart Catholic Church

These community anchors date from 50 years ago, so obviously growth has been stagnant, or stable, pick your terms, since the boom introduced in the valley through expanded irrigation projects in the post-World War II era. But all of the buildings are well maintained, and are part of the sense of overall sense of pride you get from a visit to Bridger.

Bridger has reminders, both in monuments and in businesses, of the deep past of the Clark’s Fork River Valley. It is an interesting place of strong institutions, several National Register-listed historic homes, and local business, and a significant part of the often ignored history of the Clark’s Fork Valley.

Railroad Towns of the Clark’s Fork Valley

Posted on October 10, 2015 by carrollvanwest

The name Carbon County seemingly says it all–here is a Montana place that is mining country, and coal mining at all. As earlier posts have discussed, coal mining is vitally important to the county’s history. The county seat of Red Lodge was a major coal mining town. But even Red Lodge’s historic built environment speaks of another side of Carbon County’s history. Its tall shiny grain elevator along the railroad tracks remind us that Carbon County was also agricultural country, especially in the Clark’s Fork River Valley.

The next couple of posts will explore this part of Carbon County–the towns and places many tourists roar by as they seek out Red Lodge and the mountains beyond. Some places were, and are, tiny but still changes over 30 years are apparent. Boyd, for instance. In 1984 I caught this iconic view of past and present at the historic Boyd store. The building is still there but the facade is changed, to a rustic western style, one more to the liking of fast-moving tourists.

Edgar is a place that admittedly I gave little attention to in 1984. That was a mistake. I missed a very interesting modernist-styled school, probably part of the county-wide WPA projects for schools in the late 1930s, along with another 1960s styled addition. The school closed in 2009.

Edgar still has its bar, located in a fine one-story brick building–but not much else from the decades when it mattered in the 20th century.

Fromberg is a different story. Unlike so many country railroad towns in Montana, Fromberg has a strong sense of itself, both in the present and in the past. Part of that has to be a reflection of its comparative stability. Its population height came in 1940, with mover 500 residents. Today the population remains over 400, just about a 100 person decrease over 70 years. For Montana rural towns that is exceptional. Indeed, from my first visit in 1984 to my last in 2015, the town had only lost a few families.

Fromberg has its own museum; the centerpiece of which is its restored railroad depot, part of the old Northern Pacific spur line. In true northern plains fashion, other historic buildings have been moved onto the museum grounds. It’s not quite a building zoo but the buildings give the place enough presence to attract visitors speeding along the highway.

Fromberg is a t-plan town, and all of the patterns of that type of town planning are apparent. From the depot, running west, is the primary commercial street, with brick and fame buildings on either side.

The historic Odd Fellows hall dominates the commercial district–its conversion into the town’s post office, rather than a historic building being lost so a modern standardized design post office could be put in its place, is an excellent example of historic preservation done right. Indeed, Fromberg residents have embraced the possibilities of preservation and multiple buildings are listed in the National Register of Historic Places.

The mural about overland travel on the front of the Clark’s Fork Bank adds a touch of public interpretation. If you want first-person stories, a stop at the Little Cowboy Bar (and “museum”, located at where the commercial district intersects with the highway, will be worth it. It is one of the region’s classic watering holes.

Fromberg also has documented its historic domestic architecture, raining from vernacular styled early 20th century homes to more stylish bungalows and even a couple of good examples of Dutch Colonial Revival style.

The homes are clustered around two historic churches, the brick St. Joseph Catholic church and the frame Gothic-styled and National Register-listed Methodist Church, built in 1907-1908 by contractor Charles Darnell and the community.

The historic Fromberg school, like its counterpart in Edgar, was part of the countywide program of building modern schools by the WPA during the New Deal. Its still impressive facade conveys well the WPA’s sense of modernism, and it remains the town’s primary community center today.

Carbon County’s Bearcreek and the Smith Mine Disaster

Posted on September 30, 2015 by carrollvanwest

Red Lodge prospered as a railroad/coal town because rich seams of coal existed all around it, especially to the east along Bear Creek, now followed by Montana 308. Active exploitation of these resources started at the beginning of the 20th century, and continued, on a significantly reduced scale, into the 1970s.

Bearcreek, the town that served these mines, was not much a place when I first visited in 1984, with the mines having been closed for a decade, many had left. It had that abandoned look of other Montana mining towns where mining had ceased. Over 300 people lived there during World War II; in the 1980s about 60 residents could be counted.

Today, population has slightly ticked up–to almost 80 residents–but little remains of historic Bearcreek and its boom from 1905-c.1925, except for buildings made with stone from nearby sandstone quarries or flashier commercial buildings with pressed tin exteriors.

Bearcreek is a sliver of what it had been due to the growth of the Colstrip mines and the railroad shift from coal to diesel power from 1925 to 1950. But its fate, so closely intertwined with the mines, took a terrible turn for the worst in early 1943 when methane gas combined with lax safety procedures to led to the explosion of the Smith Mine. With 74 miners dead, along with one first responder who died from injuries attempting to save the miners, the Smith Mine explosion is counted as Montana’s most deadly coal mining disaster. (Ironically due to the demand for coal during World War II, the mine stayed in production, in spite of the disaster, until the end of the war).

When I visited in 1984 the mine site was abandoned, deteriorating, but it did have public interpretation in the shape of a wooden highway historical marker, and the hulk of buildings did suggest a solemn memorial to those who had lost their lives.

Since that time, the deterioration of the site has continued, as it is open to the elements. But the Montana State Historic Preservation Office has worked with property owners to create the Smith Mine Historic District in the National Register of Historic Places. Plus, the preservation office and Montana Department of Transportation have added their own public interpretation markers to the highway historical marker, and these attract tourists on a regular basis to think about and remember those who died to fuel the nation’s war machine during World War II.

Frankly I think that is a good place for the Smith Mine site to be: a decaying yet compelling industrial memorial to coal, miners, and the constant need for mine safety.

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