This week Chico Hot Springs and 500-plus acres were sold—shocking news for many but really not surprising, considering what happened earlier in the year at Izaak Walton Inn in Essex. A big development company that operates high end hotels and resorts from California to New York purchased the property and surrounding acreage for $33 million.
First I am glad the long-term owners got “paid.” They deserved it. They have been successful and effective stewards of this special place, a property I first documented during the historic preservation plan survey in 1984.
Let’s hope the new owners “get it” and respect the history and traditions of the place. After all it is listed in the National Register of Historic Places. (You can read my earlier 2016 blog “Chico Hot Springs” on the place for more on the history).
The place has changed in my 40 years of visiting. By the 21st century, the one-story side wing had grown to two stories and a small conference center had been built.
However these changes left the historic barn and stables intact. My children loved to pet the horses at the barn.
Over the last 40 years other buildings were added: cabins, wagons, separate spa and more—but the historic lodge remained at the center and the heart of the experience. From 1984 to today, Chico had evolved into a destination not just a hot springs pool with an absolute killer bar and restaurant. (In fact the restaurant has been legendary for almost 50 years and was highlighted in the classic western movie “Rancho Deluxe” from 1975.)
Throughout the changes the rustic feel, the early 20th century aura of the place remained. The lobby had the same lumpy chairs, the same heavy tables, well worn. If you had to have more modem facilities, they had it. But if you wanted a taste of the west from decades ago, you had the lobby—the perfect place to have a great cup of coffee and watch people in way too big of a hurry.
And you have the plain, no air conditioner third floor rooms—a bed, sink, and common bathroom down the hall. I have heard now for years that visitors complain about the third floor. I really hope the renovation leave these plain but comfortable rooms as they are.
Chico has many character defining nooks and crannies that could disappear in an over-wrought renovation. There’s no need to make every room a $300 “suite”. Do that in the modern additions of the last 30 years; respect the old historic inn and the pool. Keep Chico accessible to all, not just the few.
Kalispell’s Main Street–the stem of the T-plan that dates to the town’s very beginning as a stop on the Great Northern Railway–has a different mix of businesses today than 30 years ago when I visited during my state historic preservation plan survey. It also now is a historic district within National Register of Historic Places, noted for its mix of one-story and two-story Western Commercial style businesses along with large historic hotels and an opera house for entertainment.
The Opera House, and I’m sorry you have to love the horse and buggy sign added to the front some years ago, dates to 1896 as the dream of merchant John MacIntosh to give the fledging community everything it needed. On the first floor was his store, which over the years sold all sorts of items, from thimbles to Studebakers. The second floor was a community space, for meetings, a gymnasium, and even from a brief period from 1905 to 1906 a skating rink. In this way, MacIntosh followed the ten-year-old model of a much larger building in a much larger city, the famous Auditorium Building in Chicago, providing Kalispell with a major indoor recreation space and landmark. Allegedly over 1000 people attended a performance of Uncle Tom’s Cabin soon after the opening.
The Alpine Lighting Center dates to 1929 when local architect Fred Brinkman designed the store for Montgomery Ward, the famous Chicago-based catalog merchant. Its eye-catching facade distinguished it from many of the other more unadorned two-part commercial blocks on Main Street.
The town’s early religious institutions also built to stay, leaving key landmarks throughout the neighborhoods that serve as historic anchors today. On Main Street alone there is the unique Arts and Crafts styled First Presbyterian Church (1925-26) by architect Fred Brinkman, and the Gothic Revival masonry and tower of Bethlehem Lutheran Church (1932-1937).
The city’s first Catholic school dated to 1917. The historic St. Matthew’s Catholic Church (1910) by Great Falls architect George Shanley remains the city’s most commanding Gothic landmark.
Are we truly at a point in our culture that we can’t take the past and build a stronger community–this blog has pointed out countless examples of how that has happened across Montana–and we rather tear down and waste as we bow to the inevitability of Big box retail? The entrepreneurial spirit of Montana needs its landmarks–and the adaptive reuse of the Mercantile would be a great place to say here we make our stand, and build a better Missoula.
Miners first began to gather at what is now Philipsburg in the late 1860s; the town was later named for Philip Deidesheimer, who operated the Bi-Metallic Mine works. As the Bi-Metallic Mine and Mill expanded operations in the 1880s, a rapid boom in building
The quality of the Victorian commercial architecture still extant in Phillipsburg, such as the 1888 Sayrs Block above, astounded me during the 1984-85 preservation work. So much was intact but so much needed help. Residents, local officials, and the state preservation office understood that and by 1986 the Philipsburg Commercial historic district had been added to the National Register of Historic Places.
What is exciting is that in this decade, entrepreneurs are building upon early successful renovations and adaptive reuse project to launch new businesses and create new jobs. The town’s population is growing, after 30 years of decline.
The new developments in Philipsburg are interesting and invaluable changes since 1984-1985. At the same time, I am happy that residents have still embraced their historic public buildings in a similar fashion. The photograph I used in my book about the town in 1985
was the Philipsburg School, with its soaring tower symbolizing the hopes that residents had for Philipsburg’s future in the 1890s. The historic school, which is listed in the National Register, remains although the community built a new building adjacent to the historic one in 1987. (you can see a corner of the new building at the lower left).
When I first visited in 1984 the only building in Philipsburg listed in the National Register was the Queen Anne-styled Granite County Jail of 1902. It also remains in use.
But now the Classical Revival-styled Granite County Courthouse (1913) is also listed in the National Register. Designed by the important Montana architectural firm of Link and Haire, this small town county courthouse also speaks to the county’s early 20th century ambitions, with its stately classical columned portico and its central classical cupola.
By climbing the hill above the courthouse you also gain a great overview look of the town, reminding you that these rather imposing public buildings are within what is truly a modest urban setting that is connected to the wider world by Montana Highway 1.
The Philipsburg Cemetery, which like so many that I ignored in 1984-1985, was a revelation, reflecting the quality of Victorian period architecture found in the town.
The beauty and serenity of its setting were impressive enough, but then some of the family plots and individual markers reflected Victorian era mortuary art at its best.
This cast-iron gate, completed with urns on each post and the music lyre gate, is among the most impressive I have encountered in any small town across America. And this cemetery has two separate ones.
Many grave markers came from local or nearby masons but others, like these for the Schuh and Jennings families, were cast in metal, imitating stone, and shipped by railroad to Philipsburg.
Montana's Historic Landscapes 