Canton was one of the early Missouri River towns in what is now Broadwater County, Montana. Canton was never much of a place but it had enough people and vision to build one of the first landmarks in this part of the Missouri River valley, St. Joseph’s Catholic Church in 1875-76.

Listed in the National Register of Historic Places, the church served local residents from almost the beginning of the town’s settlement through the homesteading boom of the early 20th century. The Northern Pacific Railroad ran along the other side of the River, diminishing the importance of Canton but never really indenting the significance of the church as a territorial-era landmark and as a compelling example of vernacular church architecture. Regularly held services continued until 1954.

It really is a splendid bit of craftsmanship. The Gothic influenced bell tower entrance dates to the homestead boom of the early 20th century while the rounded arches over the windows well express its late 19th century roots.

Determined residents saved the church from destruction in 1954. They had the building moved to this place, higher ground away from the lake and lakeside developments created by Canyon Ferry Dam and Reservoir. The grand Bureau of Reclamation project totally reshaped Broadwater County. The town of Canton was erased but St. Joseph’s remained.
Thirty years later when I stopped at the church in 1984, it was ragged and needed attention. Residents did that in the 1990s and ever since the church has stood as a quiet but imposing marker of the territory days of Montana.

























































The earlier homes in the district are mostly Victorian in style and form, like the dwellings at 707 N. Meade (below) and 709 N. Kendrick (second below), the most Queen Anne style dwelling that I recorded in 1988 in Glendive.



























The date of most markers are from the late 19th century to the early 20th century. Mostly made of granite and sandstone, with some marble as well, the grave markers reflect Victorian styles and Classical influences. Herman Gans’ marker from 1901, seen below, is a mixture of both.


The looming presence of the school grounds is a worry for future preservation of the cemetery–could it be possibly overlooked, ignored, and abandoned? One online resource about the cemetery remarks that there are more Jews buried in the cemetery than live in Helena today. But this sacred place is a powerful reminder of the contributions of the Jewish community to Helena’s growth and permanence. Listed in the National Register of Historic Places, the cemetery should be valued as one of the city’s oldest and most significant historic properties.