Telling Butte’s Stories

Archives and fire station, ButteLet me just jump right in:  I do not know of another town in Montana that has done more with the concept of heritage development than Butte in the last 30 years.  Heritage development, in brief, means that a community identifies the stories and places that define their past and sense of identity and then uses them as tools for community revitalization and growth.  The stories and places must be authentic, meaningful, real–fake pasts don’t get you very far.  In 1981, out of fears that its storied and nationally significant history would be lost in the haze of late 20th century urban renewal and economic change, Butte created as part of local government the Butte-Silver Bow Archives–everyone I knew were excited about its potential and its early discoveries at the time of the state historic preservation plan work in 1984-1985.  Now that institution is one of the key rocks upon which Butte’s future lays.  Above is the conversion of a historic firehall into the modern archives/heritage center the institution is today–in itself a great example of adaptive reuse and historic preservation at work.

Professional staff and volunteers, all led by Ellen Crain, keep both the community and scholars engaged–the number of strong histories, public projects, and exhibits that have come, in whole or in part, from this place in the last 30 years is very impressive.  Plus it is

IMG_1105a vibrant institution, always in touch as its community room hosts other heritage groups and special programs throughout the year.  The archives is just around the corner from one of the most important, and solemn,  places in the city, the location of the Butte Miners’ Union Hall, which was bombed in 1914.

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Now an interpretive monument talks about the union, the bombing, and addresses directly a chilling chapter in the long struggle between labor and capital in Butte. Installed c. 1993 near the “top” of Main Street, this site sets the stage for the amount of public interpretation found in the city today.

2011 MT Silver Bow County Butte 033Heritage development has become part of the basic sinews of Butte. Along with its active archives board, the city also maintains an effective historic district commission, and provided seed money for several key projects over the past generation.  The Original Mine site below, the city’s first copper mine, not only serves as part of the city’s public

interpretation efforts, it is also a place for community gatherings, such as the Montana Folklife Festival in recent years. It is important to note that the marker at the Original just doesn’t celebrate the technology it also notes how many men–43–died at that mine.  The progress of Butte happened on the back of its working class miners.

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Here is another promising change:  the willingness to landmark and discuss the human costs of mining.  Butte’s most infamous event was the Granite Mountain/ Speculator Mine disaster of 1917 in which 168 miners died–still the single most deadly disaster in American hard-rock mining history. Not that the event was ignored at the time.  In fact the North Butte mining company erected the memorial above to those who perished in Mountain View Cemetery, far from the scene, shortly thereafter.  Who knew this memorial existed?  There were no signs marking the way there–you had to search to find it.

IMG_1230Today the Granite Mountain site is one of the best interpreted mining properties I have encountered.  The miners’ stories are told–often with the words they were able to write down before dying from the lack of oxygen–and their multiple ethnic backgrounds are acknowledged, and celebrated.

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IMG_0977The interpretive memorial overlooks the mine, and is located high over town.  But when I visited in May 2012 a school group was there too, along with visitors like me.

ARCO, along with public partners, funded the site in this century, as part of the general Superfund cleanup of the mining district.  But the park was long overdue as well as the recognition that some 2,500 miners lost their lives in the Butte district.  The marker’s statement–“you are standing on hallowed ground”–is typically reserved for military parks.  Within the context of Butte, however, it is totally justified, and an important point to remember wherever you are in the city.

The reality that Butte’s mines contributed significantly to American war efforts in the 20th century is recalled through a public art mural near a public transit stop.  Public sculpture also interprets what was and what has been lost in Butte.

Through the efforts of the state historic preservation office, and its commendable program of providing interpretive markers for National Register properties, the residential side of Butte’s story is also being told.  You have to love the “blue” house, associated with U.S. Senator Burton K. Wheeler, one of the New Deal era movers and shakers.

I-15 interpretive markers, ButteAll of these efforts considerably enhance earlier efforts at public interpretation, be they along Interstate I-15 and its overview of Butte or the visitor center maintained just off the

Butte Visitor Centerinterstate by the local chamber of commerce.  The center, yet another change in the last 30 years, is an attractive reproduction of a classic railroad depot design.  It also provides a useful perspective of the city from its south side, giving special prominence to the soaring clock tower of the historic Milwaukee Road depot.

Butte overview from visitor centerThe Berkeley Pit in 1984 was a giant hole in the earth, with a viewing stand.  It too now has a more comprehensive heritage experience with a small visitor center/ museum adding to the public understanding of the massiveness and significance of the pit.

Berkeley Pit, entrance, Butte

Then of course, designed for highway travelers and tourists, there is the now classic World Museum of Mining, established in 1965 around the Orphan Girl mine.  The WMM lets rusting industrial artifacts convey part of the story while the existing mining buildings are open, allowing you to get a more physical experience of what the head frames and mines were really about.  And, as typical of Montana museums of the 1960s and 1970s, there is the attached “frontier village,” interpreting what early Butte was all about. Don’t get me

wrong: there are many things to like about the WMM–it is rich in artifacts, as the miners items above suggest (and more about it in another post).  But it is a controlled, sterile experience, and I would hate for that to be the only takeaway visitors have about Butte and its significance.  The museum is away from uptown Butte, and visitors who stop here may never go explore the deeper story within the town and its historic neighborhoods.

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Old Butte Historical Adventures on Main Street is just one group of heritage entrepreneurs who provide visitors with a “up close and personal” viewpoint and experience of Butte’s historic landscape.  Walking tours of Uptown along with various special theme tours engage visitors and residents with local history in a way different from traditional monuments, markers, and historic sites.

But one must be aware that the pressure to commercialize can also distort, and demean, the significance of it all.  What happens at the Dumas Hotel–a historic brothel–will be interesting to watch.  The story of prostitution is very much part of the fabric of the city, but one that for many years people did not want to tell, except with snide references and a snicker or two.  Let’s hope that changes as the Dumas is restored and opened as a heritage venue:  addressing the sex trade and role of women and men accurately and in context would add immeasurably to the sense of authenticity, of realism, in the Butte story.

Butte Greenway towards Walkerville

The most exciting part of Butte’s heritage development to my mind are the series of greenways or trails that link the mines to the business and residential districts and that link Butte to neighboring enclaves like Centerville (shown above).  Recreational opportunity–walking, jogging, boarding, biking–is a huge component of livable spaces for the 21st century.  When these trails are enhanced by the stories they touch or cover,

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they become even more meaningful and valuable.  If you have lived in Montana for 6 months or 60 years, it is time to return to Butte and take the Montana Copperway (trailhead shown above) –not only would it be good for your health, it also gives you a lasting perspective of a mining town within the vast Northern Rockies landscape, and how men and women from all sorts of backgrounds and nations established a real community, one that has outlasted the mines that first created it.

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Bozeman and two railroads

IMG_6990On Bozeman’s Main Street today there is a huge mural celebrating the arrival of the Northern Pacific Railroad in 1882. The impact of the railroad on the town was certainly a topic of interest in the 1984-85 survey, and one image included the existing Northern Pacific Railroad and adjoining grain elevators and other businesses reliant on the corridor.IMG_2659Today that same place has been transformed, through adaptive reuse, into a micro-brewery and restaurant–pretty good place too, and a great place in 2015 for me to get out of a persistent rain.  The Northern Pacific reached a deal with rancher Nelson Story in 1882 to build through his property but also provide a spur line to his existing mill operations.  From the beginning both the railroad and local entrepreneurs saw an agricultural future for Bozeman and Gallatin County.

A similar re-energized future has not yet happened for Bozeman’s historic Northern Pacific passenger depot.  The depot is a turn of the 20th century brick building that received a remodeling and expansion from Bozeman architect Fred Willson c. 1922 that turned it into a fashionable (and for the Northern Pacific line, a rare) example of Prairie style in a railroad building.

IMG_6976The depot and adjoining buildings have been designated as a historic district, with a pocket city park providing some new life to the area.  But this impressive building’s next life remains uncertain even as the city encourages creative solutions for the area.

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IMG_6973The c. 1922 depot is adequately moth-balled–the new roof has lots of life left–and as the city maintains it is structurally sound with key interior features intact.  Yet graffiti now mars one end of the building, and any building that is empty, especially in such a booming local economy, is cause for concern.

Why?  Because Bozeman has a tradition of tearing down historic railroad depots.  The images above from 1985 were of the town’s Milwaukee Road depot (c. 1907).  It was abandoned then, and I was concerned because so many of the railroad’s buildings had already disappeared across Montana, and because the arrival of the Milwaukee Road in Bozeman had launched an economic boom that shaped the town from 1907 to 1920.  In 2003, despite howls of protest, the building was demolished–a new use for it had never been found.

IMG_2660The same fate did not befell the Milwaukee Road’s other significant building in Bozeman, its concrete block warehouse, shown above in an 1985 image.  The open space, solid construction, and excellent location helped to ensure a much longer life for the building, which is now a building supplies store, with a repainted company sign adorning the elevations of the building.

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IMG_6993It is encouraging that the city recognizes the significance, and the possibilities, for the historic buildings along Bozeman’s railroad corridor.  Let’s hope that a permanent solution soon emerges for the empty Northern Pacific depot.

Bozeman’s historic districts after 30 years

Bozeman, the county seat of Gallatin County, was one of my favorite Montana towns during the 1984-1985 survey.  In some ways, it was still a cowtown, a commercial center for the hundreds of surrounding ranches in Gallatin County.  Yet it was also a college town–bars, music, cheap eats–as home to Montana State University.  In 1980 its population was over 21,000–thirty years later by 2010 it had boomed to over 37,000.  By the time I explored the town in 2015 for this new survey there were an estimated 42,000 residents, double of that of the 1980s town I had so enjoyed.

In 2007 then State Senator Lynda Bourque Moss stopped with me in Bozeman as we traveled from Billings to Helena where I was to speak to the governor’s task force on historic preservation, a meeting where the idea that I would recreate the survey of 1984-1985 first took root.  We stopped because she wanted to show me changes.  The four photos above showed me that yes, change had come, and in a big way to Bozeman.  The old Hallmark Store, which had moved into an earlier Stockman Bar, had become an upscale wine bar–a bit of California in the old cowtown of Bozeman–and when I next returned “Plonk” had added sidewalk seating.  We could have been in Aspen, at least Breckinridge, Colorado.

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Plonk and the sporting goods store, 2007

Bozeman had eagerly embraced the idea of historic districts in 1984-1985 as a way of revitalizing its downtown–so much had moved, or was going to move, out to the interstate exits.  John DeHaas at Montana State University had done so much to promote historic preservation in the 1970s and early 1980s.  A tradition and commitment were in place.  That much was clear when I surveyed the town and talked with residents and decision makers in 1984-85. The next several posts will explore the impact of those historic districts in the last 30 years, and offer observations on where next steps may go.

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Let’s start with what I saw as the public landmarks, and anchors, for downtown Bozeman in 1984-1985.  None was more important than the New Deal era Gallatin County High School, a striking Art Moderne design by Bozeman architect Fred Willson.  At that time, the “new” high school–which stood right by an earlier 20th century brick high school building–was not “old enough” to be considered for the National Register.  This building, like many of the state’s New Deal era legacy, has since been listed in the National Register.  And its grounds have been re-energized for all who walk by through the installation of a statue in honor of Malcolm Story, designed by Belgrade, Montana, artist Jim Dolan and placed in front of the earlier high school in 1995.

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Across Main Street is another public anchor, also funded by the New Deal in the late 1930s and also designed by Fred Willson:  the Art Deco classicism of the Gallatin County Courthouse.  Next door is the historic county jail, in a distinctive castellated Gothic style, which already had been converted into headquarters for the local historical society and county museum when I visited in 1984.  The facility still serves that purpose today.

A couple of blocks away from this public landscape core of Bozeman were additional public buildings, on side streets to Main Street.  Tracy and Babcock Streets had the town’s first two federal buildings/post office.  The 1915 neoclassical styled post office operated until 1964 and filled several community roles, including a turn in the 1990s hit movie A River Runs Through It until it became home to the non-profit HRDC after a complete renovation at the turn of the 21st century.  The building also has been enlivened by the addition of Jim Dolan’s statue in honor of Jeanette Ranklin, the first woman U.S. Congress representative, elected in 2010 from Montana.

Nearby is the mid-1960s Federal Building, a grand though boxy five-story building that symbolized the growth of the federal government and its impact on Gallatin County in the Cold War era while also adding a modernist design landmark to the city’s mix of Victorian and Classical architectural styles.  The earlier post office was given attention in my 1984-85; due to its date of construction and style, I paid no attention to the new Federal Building.  I didn’t repeat that mistake in 2015–the Federal Building of 1964-66 is one of the region’s most impressive statements of Montana modernism. and a much more recent Federal Building, which I ignored, for reasons of chronology that no longer apply in 2015.

The final public anchor was the Carnegie Library of 1902-1903, one of the better architectural expressions of Classical Revival style in the state, designed by architect Charles S. Haire, who shaped so much of state’s architecture in the early 20th century.

IMG_6895Then Senator Moss took me for a quick tour of its late 1990s renovation in 2007–its conversion into law offices respected both its original spaces and interior design.

 

That brings me to the four commercial anchors you encountered on Main Street in 1984-1985.  Two were massive buildings on either end of Main Street that defined the entire district–the Renaissance Revival style of Hotel Baxter, individually listed in the National Register in 1984, and the massiveness of the Victorian Romanesque style of The Bozeman Block, reminding everyone of the town’s railroad era.

In the middle of the district were two other key National Register properties–the Ellen Theatre, a wonderful Beaux Arts design scaled for the small town that it served in the 1920s.  Everyone thought that keeping a movie house/ theater downtown would help keep it alive at night.  The second building, the Union Hall, was both historically important but also could serve as a symbol of what downtown revitalization meant–a building need not

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be spectacular to serve an important role in the historic district.  The c. 1880s building belonged to the town’s boom during after the Northern Pacific Railroad arrived, and originally served as a brewery.  Here was where the Bozeman historic preservation office was located when I conducted the state historic preservation plan survey in 1984-85. Next let’s consider the town’s railroad resources, a focal point of mine 30 years ago.

 

 

Livingston: the river side of town

Park Co Livingston catholic school 1Livingston’s town plan from 1882 was all about the railroad, with the adjacent Yellowstone River an afterthought, at best an impediment since it defined the south end of town.  So far from the tracks to be of little worth to anyone, few paid it any attention.  100 years later when I am considering the town for the state historic preservation, I too was all about the railroad and the metropolitan corridor of which it was part.  I paid no attention to the river.  The town’s schools were on this end, but they were “modern” so did not capture my attention.

Park Co Livingston L&C at Yellowstone 3Consequently I missed a bit part of the town’s story, the effort to reform the landscape and create public space during the New Deal era.  The Works Progress Administration (WPA) transformed this part of town from 1935 to 1938 expanding an earlier public park into today’s Sacajawea Park.

The agency built a diversion dam on the river to create the lagoon for Sacajawea Lake, and added a lovely rustic-styled stone bridge.  Later improvements came in 1981.

Park Co Livingston Sacajawea Park New Deal pool

As in many other communities across the nation, the agency also added a modern outdoor swimming pool, and bathhouse.  Plus it built a public amphitheater–several of these still exist in Montana.

Park Co Livingston Sacajawea Park New Deal 6The major addition, however, was the large combination Civic Center and National Guard Armory, an Art Deco-styled building that cost an estimated $100,000 in 1938.  It too survives and is in active use by the community.

Park Co Livingston Sacajawea Park New Deal 1Tourists now come to this area more often than in the past due to additions made during the Lewis and Clark Bicentennial in the early 21st century.  The park is part of the Lewis and Clark National Historic Trail.

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Local sources funded the additional of an interpretive memorial and statue in honor of the July 1806 stop at this place by Sacajawea and her baby Pomp. Mary Michael is the sculptor. The result is a reinvigorated

public space, not only due to the history markers about Lewis, Clark, Sacajawea, and Pomp, but also the obvious community pride in this connection between town, river, and mountains.

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U. S. Highway 89 heading south

After taking a long look at the depth of nationally significant heritage stories and historic places in and around Great Falls, I want to change regions, to the Upper Yellowstone valley and get there by one of my favorite western highways, U. S. Highway 89.

Cascade Co Neihart US 89 NAs the highway leaves the central plains east of Great Falls, it heads east through coal country (see the earlier post on Belt) and south into the Little Belt Mountains and the old mining towns of Monarch and Neihart (above).  Both Cascade County towns are proud of their heritage, a story embodied in the Monarch-Neihart School, a wonderful bit of log craftsmanship from the New Deal era, a WPA project finished in 1940 that is listed in the National Register of Historic Places.

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Another point of pride is the ongoing renovation of Neihart’s Great Northern Railroad depot, a mark of the town’s beginnings, which also serves the greater Monarch-Neihart area as the local museum and heritage center. While on the other side of the road, another turn of the century historic building has been converted into a self-described junk shop where you can acquire bits and pieces of the past.

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After traversing through the mountains, by a sky resort, you suddenly drop back into the central Montana plains, a landscape shaped by the Smith River, one of the state’s most compelling natural and historic landscapes.  You are now in Meagher County, discussed in an earlier post, where the town of White Sulphur Springs is the county seat. It too has its New Deal landmark, the Classical Moderne styled county courthouse.

IMG_7160When I last visited there in 2015 the combined route of U.S. 89 and 12, which passes in front of the courthouse and the center of town, was being rebuilt, giving the historic business district the look of a ghost town.

The Fort Logan Road, on the east side of town, was not under construction, allowing for easy access to the other significant transportation link, the railroad, and the still surviving White Sulphur Springs depot, a place certainly worth of listing in the National Register.

Meagher Co White Sulpjur Springs depot 3U.S. Highway 89 continues south, crossing the historic corridor of the Milwaukee Road at Ringling, another Meagher County town discussed in an earlier post, marked by the landmark St. John’s Catholic Church.

IMG_9498Travelers continuing south soon find themselves in Park County, entering the Shields River Valley just north of Wilsall, where highway markers and monuments, like that for “Thunder Jack” (2006) by sculptor Gary Kerby, convey the significance of the place.

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IMG_1158Wilsall was not much a place 30 years ago, a small trade town on the edge of a Northern Pacific Railroad spur line, a past still recalled by the tall elevator and old railroad corridor.

Park Co US 89 wilsall elevator 1But the growing popularity of the Shields River Valley has led to a new boom in Walsall, with old banks converted into bars and old general stores

being revived and expanded. The town has its own museum now, in a converted gas station from the 1920s that served travelers and locals. The stories preserved there, along with the mural of Walsall over 100 years ago, show the residents’ sense of place and the past.

Park Co US 89 wilsall crazy little museum 2

Park Co US 89 wilsall mural

The next town down the old Northern Pacific line, Clyde Park, has a similar story of revival from 30 years ago. Glenn’s Shopping Center is still going strong, as is the town community hall across the street, and the town park is neatly kept and in regular use.

Park Co US 89 Clyde Park stores 1Clyde Park Tavern is still the place to go for an adult beverage, or two.  Historic grain elevators still serve local ranchers, marking the railroad line that defined the town’s landscape until the impact of the highway in the early 20th century.

The sojourn to the Yellowstone Valley will stop here, on the edge before we cross bridges, backtrack to Springdale and Fort Parker, before we explore in some depth Livingston, Montana’s gateway to Yellowstone National Park.

 

Bridger: Northern Pacific Railroad Hub in the Clark’s Fork Valley

IMG_5650As you head north into Montana from Wyoming on U. S. 310, the first substantial place you encounter is Bridger, named for famed fur trader and early Yellowstone traveler Jim Bridger.  Like its neighbor to the north in Fromberg, Bridger is another turn of the 20th century Northern Pacific Railroad town in the Clark’s Fork River Valley that was much the same from my initial visit 31 years ago.  Its population had remained steady–a tad over 700, about the same as in 1984, and only 150 or so less than its height in 1950.

IMG_5659The town’s grain elevators speak to the formative impact of the railroad.  Here back in the late 1890s engineers followed a well worn and recognized Indian trail–a similar route to what Chief Joseph of the Nez Perce Indians chose a generation earlier as he tried to find safety for his people, traveling from Wyoming into the Clark’s Fork Valley.

IMG_5631The town’s commercial district retains much of its early 20th century look.  Old bank buildings dominate the town center, while substantial 2-story commercial buildings (including properties listed in the National Register) remain, showing how quickly merchants came to Bridger and launched businesses to attract the growing number of homesteaders in the Clark’s Fork River valley in the 1910s.

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IMG_5655That first generation of settlers did their part to build lasting community institutions.  The Bridger United Methodist Church is an impressive example of vernacular Gothic design. It is listed in the National Register of Historic Places.  The town library is almost a picture perfect example of what this institution should look like in a small town setting.

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IMG_5636The irrigation ditch drifting through the town park is a reminder of how the engineered landscape of irrigated fields provided much of Bridger’s early wealth and development.  The park itself was a creation of the Works Progress Administration in the late 1930s.

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Within the park is a ceramic and brick arch, one of the town’s many examples of public art.  The mural on a side of a store seen earlier in this post is another example while creative metal statues of wild horses grazing or the imposing figure of Jim Bridger himself welcoming visitors at the southern end of the town underscores a local tradition of public art not often seen in Montana’s small towns.

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IMG_5661                     Carbon Co Bridger jim bridger mt 2 - Version 2

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Other historic statements of the town’s sense of community include the 1930s Civic Center, a bit worn today but a center for community gatherings and social events for decades.

IMG_5651Bridger’s schools from the 1960s introduce Montana modernism to the townscape, almost like spaceships landing within the middle of the Clark’s Fork River Valley.  Modernism 1960s style also characterize Sacred Heart Catholic Church, St. Paul’s Lutheran Church, and the Bridger Seventh Day Adventist Church, constructed in 1965.

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St. Paul Lutheran ChurchIMG_5639                                            Sacred Heart Catholic Church

IMG_5649These community anchors date from 50 years ago, so obviously growth has been stagnant, or stable, pick your terms, since the boom introduced in the valley through expanded irrigation projects in the post-World War II era.  But all of the buildings are well maintained, and are part of the sense of overall sense of pride you get from a visit to Bridger.

IMG_5654Bridger has reminders, both in monuments and in businesses, of the deep past of the Clark’s Fork River Valley.  It is an interesting place of strong institutions, several National Register-listed historic homes, and local business, and a significant part of the often ignored history of the Clark’s Fork Valley.

Glendive: the Yellowstone’s first railroad town

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As the tracks of the Northern pacific Railroad pushed west in 1881, they encountered the Yellowstone River at a place that became Glendive, the Yellowstone Valley’s first railroad town. Here the company located a division point and built offices, roundhouses, and other support structures for the trains moving between the Great Lakes and the West Coast. In 1984 when I came to Glendive for the state historic preservation plan survey, it was not my first visit. A year earlier I had began to work with the Western Heritage Center in Billings as a historian for its first major exhibit on the Yellowstone and its history, an exhibit that eventually was titled “Yellowstone: River of Life.” Glendive as a railroad division point played a key role in that story, and when I first visited the town I enjoyed the fact that a late 19th century depot, standing just off the main line, now served as the local visitor center and Chamber of Commerce offices.
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At that time I saw little outside of the railroad’s imprint on the landscape. Glendive, like many initial Northern Pacific towns, had a “symmetrical plan.” The train tracks cut a path through the town, with a combination passenger station/company office commanding the corridor. On the opposite side of the tracks were housing for railroad workers and machine shops, roundhouses, elevators, etc. associated with the railroad.

Northern Pacific corridor in Glendive

Northern Pacific corridor in Glendive


Facing the depot was the primary commercial street, Merrill Avenue, which later served as the town’s primary commercial artery for U.S. Highway 10 and is now designated as “Business I-94.” The many historic commercial buildings along Merrill Avenue facing the depot and railroad tracks captivated me–the dialogue between local entrepreneurs and the massive international capitalism represented by the Northern Pacific was plain to see.
Merrill Avenue Historic District, Glendive

Merrill Avenue Historic District, Glendive


Clearly this long-stretch of buildings recorded the town’s shifting economic fortunes from the 1880s to the depression era, and was worthy of designation in the National Register of Historic Places, work that has since taken place.
Closed for sometime now, the Lulhaven Bar is a classic example of Art Deco, with its black carrera glass and glass block entrance

Closed for sometime now, the Lulhaven Bar is a classic example of Art Deco, with its black carrera glass and glass block entrance


The Jordan Hotel combines both Art Deco elements and an overall International Style feel to reflect not only the depot across the street but to invite customers into its corner entrance

The Jordan Inn combines both Art Deco elements and an overall International Style feel to reflect not only the depot across the street but to invite customers into its corner entrance


The striking 1960s metal facade of the Rose Theater was layer over an earlier brick building

The striking 1960s metal facade of the Rose Theater was layer over an earlier brick building


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What particularly struck my eye was the different eras of prosperity represented by buildings such as those owned by Henry Dion, a leading early 20th century merchant. Dion built the 1905 brick building above during the boom brought out by the launching of the Lower Yellowstone Irrigation Project. Later, as the railroad expanded its presence with the new passenger station and the federal highway came down Merrill Avenue, an Art Deco layer appeared, making a old building suddenly trendy and “modern.”
In 1984, however, I did not much venture beyond the railroad corridor to understand how the shifts documented in those historic buildings also could be found across the town. Much like the residents I was captivated with the railroad’s imprint–as shown in this wonderful mural of local history, prepared by high school students, and installed in the lobby of the modernist Dawson County Courthouse in 1982.
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I spoke with the community at the courtroom around the corner one March night in 1984 and we all agreed on what was important. But later trips to Glendive, and the town’s push into historic preservation, quickly convinced me that there was more to tell.