Sanders County, like many of the places that are on the western side of the Rocky Mountains, has boomed in the last 25 years, from a population over 8,000 to the current estimated population of 11,300. It is close to Missoula, the eastern side is not far from Flathead Lake, Montana Highway 200 runs from Dixon to the end of the county at Heron. With wide valleys and narrow gorges created by both the Flathead and Clark’s Fork Rivers, which meet outside the town of Paradise, Sanders County is frankly a spectacular landscape, with dramatic mountain views framing open plains, such as the image above and the awesome gorge of Clark’s Fork River, below at Thompson Falls.
The eastern side of the county is just as dramatic just in a far different way. For centuries First Peoples hunted game and dug the camas root in the broad upland prairie that became known as Camas Prairie, crossed now by Montana Highway 28.
Then, leading from the county’s southeastern edge there is the beautiful Flathead River Valley, followed by Montana Highway 200, from Dixon to Paradise, and most importantly,
a transportation route initially carved as a trail by the First Peoples who became the nucleus of today’s Confederated Salish and Kootenai Tribe and much later engineered into a major corridor by the tracks of the Northern Pacific Railroad, as it stretched westward from Missoula to the west coast.
In its wake, the Northern Pacific created most of the county’s townsites by locating sidings along the track. Substantial settlement arrived once the federal government opened lands for the homesteading boom in the early 20th century.
Dixon, named for the former Montana governor Joseph Dixon, is one of the remaining railroad/homesteading towns along the Flathead River. The fate of the community bar, above, is symbolic of the recent history of the town, one of population decline.
Decline but not despair, judging from the pride and identity reflected in the Dixon School. The classroom building dates to the end of the homesteading boom, 1919, and reflects a local contractor’s interpretation of Prairie/ Mission-style. The gymnasium, like several in rural Montana, comes from the New Deal era of the 1930s and is in the WPA Deco style often favored by the federal agencies.
The most spectacular historic rural school in Sanders County, however, lies to the northwest of Dixon in Camas Prairie. The setting itself is jaw dropping but then the tiny gymnasium is among the handful of really excellent examples of Prairie style in Montana’s public architecture.
Local residents are being excellent stewards of this captivating property–certainly one of my favorite spots in the state combining landscape with architecture with history. The architect was the Missoula designer H. E. Kirkemo, and the school was completed in 1940, near the end of the New Deal school building programs.
Bridges for Montana Highway 200 and the Northern Pacific Railroad cross the Clark’s Fork River at Paradise
Located near the confluence of the Clark’s Fork River and the Flathead River–long a place of settlement for the Salish and later Canadian and American fur traders–is the town of Paradise, first platted by the North West Improvement Company, a group of investors aligned with the Northern Pacific Railroad, in 1908. Paradise today is one of the region’s best examples of a railroad town and served the railroad as a switching yard and division point, with lumber being the primary product shipped along the rails. The railroad opened its own Tie Treating Plant here in 1908, producing hundreds of thousands of railroad ties each year and at its peak employing 45 workers. It was one of two Northern Pacific facilities for the production of railroad ties–the second plant was on the eastern end of the line in Brainerd, Minnesota.
The brick mid-20th century passenger station and office is a physical indicator of the importance of the Paradise operations to the Northern Pacific. Most small towns merited only a frame depot. No National Register-listed properties exist in Paradise.
Let’s hope that changes soon as residents continue on their quest to preserve, restore, and transform the historic Paradise school as a community center and museum, not just of 20th century rural education but of the town and railroad history as well. Located on a hill north of town that provides excellent views of Paradise, the railroad tracks, and the river confluence, the 1910 nschool is an interesting piece of late Victorian public architecture, more Romanesque than anything else, particularly with its projecting central entrance with the arched window providing light to the hallways and staircases.
The school had just closed its doors for good when I lasted visited but the restoration planning has been underway ever since. I look forward to my next visit to Paradise to experience the final results. Near the school is another historic community property, the Paradise Cemetery, where tombstones mark the names of those who worked so long for the railroad and for the creation of this place within the Clark’s Fork River Valley.
of the Milwaukee Road in 1980, the town has steadily lost population-2oo less residents in 2015 compared to my first visit 30 years earlier. Never a large place–the town’s top population was 1242 residents in 1960–Superior has several landmark buildings from its railroad days but only one has been listed in the National Register of Historic Places.
That one place, the Superior School, is spectacular and its tall central tower has long served as a community beacon. Built 1915-16 by contractor Charles Augustine, the high school reflected Colonial Revival style, and later community growth led to wing additions in 1925, shown above, and in 1947.
Another Colonial Revival-styled public building is the Mineral County Courthouse, 1920, complete with its colonial-inspired cupola. Mineral County was created in 1914. This building is more complete rural interpretation of Colonial Revival style than the school.
The historic Strand Theater (c. 1915) operated in 1984 but closed in 2013 and remained shuttered when I visited in 2015, no doubt a victim of not only the home theatre phenomenon but also the switch to digital delivery of movies in this decade. This theatre, however, is a rare and important building from the homesteading era of the 1910s.
From the same decade, the historic Masonic Mountain Lodge still operates, serving as another community outlet and center in Superior. The town’s population height in the 1960s led to the construction of the institutional Ranch-style of the Superior High School, one of two bits of mid-century modernism in Superior.
The other example dates to 1958 and represents yet another example of modern design in a rural Catholic Church in Montana. St Mary Queen of Heaven Catholic Church is also a
Ranch-styled inspired design, although its stand-alone but visually and physically linked low bell tower is unique compared to other Montana Catholic churches from this era.
The church is Superior’s best contribution to Montana modernism and complements well the Victorian influence found at the town’s historic United Methodist Church, built almost 50 years earlier. Note that both churches have low bell towers.
The two railroads and the river that shaped Missoula also carved the landscape to the northwest. Following the Clark’s Fork River to the northwest, the Milwaukee Road passes through Mineral County, adding to a transportation corridor that, earlier, included the Mullan Road, and then later U.S. Highway 10. It is now the route of Interstate Highway I-90 as i heads west to Idaho and then Washington State.
As the interstate crosses the Clark’s Fork River near Tarkio it bypasses the earlier transportation network. A particular marvel is the Scenic Bridge, listed in the National Register in 2010, especially how the bridge of U.S. 10, built in 1928, was designed in dialogue with the earlier high-steel bridge of the Milwaukee Road.
The Scenic Bridge has been closed to traffic but is safe to walk across, creating great views of both bridges and the Clark’s Fork River–travel here has always been challenging.
Twenty years historic preservationists stepped up to add numerous properties to the National Register throughout the county. In addition to the passenger depot, the Montana Valley Book Store, above, was listed. This two-story false front building, with attached one-story building, was once the town’s commercial heart and known as Bestwick’s Market–it has been close to the heart of book lovers for years now. Montana Valley Book Store was a relatively new business when I first visited in 1984 but now it is one of the region’s cultural institutions, especially when a visit is combined with a quick stop at the adjacent Trax Bar.
The historic three-story brick Alberton High School (now the Alberton School) operated from 1919 to 1960 as the only high school facility within miles of the railroad corridor. It too is listed in the National Register and was one of the community landmarks I noted in the 1984-1985 state historic preservation plan work.
I gave no notice to the replacement school, the modern Alberton High School, c. 1960. That was a mistake–this building too reflects school design ideas of its time–the Space Age of the late 1950s and 1960s, when open classrooms, circular designs, and a space-age aesthetic were all the rage. Alberton High School is one of my favorite small-town examples of Montana modernism.
The school is a modern marvel just as the high school football field and track are reminders of how central the schools are to rural community and identity in Montana. Alberton has held its own in population in the decades since the closing of the Milwaukee Road, largely due to its proximity to Missoula and the dramatic gorges created by the Clark’s Fork River. Change is probably coming, and hopefully these landmarks will remain in service for years to come.
To wrap up this multi-post look at Missoula and Missoula County, let’s take a brief look at the city’s historic neighborhoods. With seven historic districts, Missoula is rich in domestic architecture, and not only the homes built during its rise and boom from the early 1880s to the 1920s–there also are strong architectural traditions from the post-World War II era. This post, however, will focus on the early period, using the South Side and East Pine historic districts as examples.
Listed in the National Register of Historic Places 25 years ago, the south side district was platted in 1890, with development especially booming after the turn of the century and the arrival of the Milwaukee Road depot by 1910. Within that 20 year period, an impressive grouping of domestic architecture, shaped by such leading architects as A. J. Gibson, was constructed, and much of it remains today. When the state historic preservation office designated the district in 1991, there were over 200 contributing buildings.
The neighborhood contains some of the city’s best examples of Queen Anne style, as seen above but also has many different examples of other popular domestic styles of the era, such as the American Four-square and variations on the various commonplace turn of the century types as the bungalow.
Apartment blocks and duplexes from the turn of the century also are important contributing buildings to the neighborhood. They reflect the demand for housing in a rapidly growing early 20th century western city.
Before we leave Missoula, I want to also briefly consider its historic 1884 cemetery, an often forgotten place as it is located on the northside of the Northern Pacific Railroad corridor, and a property, like so many in 1984-1985, I gave no consideration to as I carried out the fieldwork for the state historic preservation plan.
A large concrete cross and adjacent river rock stone lined marker pay homage to the cemetery’s earliest burials as well as the many first citizens interred here.
Downtown Missoula’s architectural wonders make it a distinctive urban Western place. Let’s start with my favorite, the striking Art Moderne styled Florence Hotel (1941) designed by architect G.A. Pehrson. Located between the two railroad depots on Higgins Street, the hotel served tourists and residents as a symbol of the town’s classy arrival on the scene–it was the first place with air-conditioning–of a region transforming in the 1940s and 1950s.
With the coming of the interstate highway in the 1970s, tourist traffic declined along Higgins Street and the Florence Hotel was turned into offices and shops, a function that it still serves today.
Next door is another urban marvel, the Wilma Theatre, which dates to 1921 and like the Florence it is listed in the National Register of Historic Places. The building was the city’s first great entertainment landmark (even had an indoor swimming pool at one time) but with offices and other business included in this building that anchored the corner where Higgins Street met the Clark’s Fork River. Architects Ole Bakke and H. E. Kirkemo designed the theatre in the fashionable Renaissance Revival style, with a hint towards the “tall buildings” form popularized by architect Louis Sullivan, the building later received an Art Deco update, especially with the use of glass block in the ticket booth and the thin layer of marble highlighting the entrance.
Missoula’s first major department store and entrepreneurial center. The late Victorian era architectural styling of the two-story building also set a standard for many other downtown businesses from 1890 to 1920. These can be categorized as two-part commercial fronts, with the first floor serving as the primary commercial space and the second floor could be offices, dwelling space for the owner, or most common today storage space.
Gibson, the building is one of the state’s best examples of what is called “Beaux Arts classicism,” a movement in the west so influenced by the late 1890s Minnesota State Capitol by architect Cass Gilbert.
Just as impressive, but in a more Renaissance Revival style, is the Elks Lodge (1911), another building that documents the importance of the city’s working and middle class fraternal lodges in the early 20th century.
Of more recent construction is another federal courthouse, the modernist-styled Russell Smith Federal Courthouse, which was originally constructed as a bank. In 2012, another judicial chamber was installed on the third floor. Although far removed from the classic
look, the Russell Smith Courthouse is not out-of-place in downtown Missoula. There are several other buildings reflecting different degrees of American modern design, from the Firestone building from the 1920s (almost forgotten today now that is overwhelmed by its neighbor the Interstate Bank Building) to the standardized designed of gas stations of
1930s and 1940s, complete with enamel panels and double garage bays, standing next to the Labor Temple.
Modernism is alive and well in 21st century Missoula, with a office tower at St. Patrick’s Hospital, a new city parking garage, and the splashy Interstate Bank building, which overwhelms the scale of the adjacent Missoula Mercantile building–which had been THE place for commerce over 100 years earlier.
Missoula County has grown, a lot, since my state historic preservation plan work in 1984-1985, especially in the county seat of Missoula and surrounding suburbs. Yet Missoula County still has several spectacular rural drives, like Montana Highway 83 above at Condon, along with distinctive country towns. This post will share some of my favorites.
The Condon Community Center and adjacent Swan Valley Community Library serve as additional hubs for those living along the lakes and mountains of northeast Missoula County. Both buildings are excellent examples of mid-20th century Rustic style–a look that, in different variations, dominates the Highway 35 corridor.
Condon is also the base for the Condon Work Center, home to the Great Northern Fire Crew, of the Flathead National Forest. Here you can take a mile-long Swan Ecosystem Trail and learn of the diversity of life in this national forest region.
South of Condon on Montana Highway 83 is Seeley Lake–a place that certainly has boomed in the last 30 years–witness the improved highway, new businesses, and population that has increased over 60 percent since my last visit in 1992. Yet it still had places rooted in the community’s earlier history such as the Sullivan Memorial Community Hall–a good example of mid-20th century Rustic style.
And it had added one of my favorite bits of roadside architecture in this part of Montana: the Chicken Coop Restaurant as well as opening a new Seeley Lake Historical Museum and Chamber of Commerce office at a spectacular highway location just outside of town.
I don’t recall even thinking about the forest service facility, but here was an entire complex devoted to the forest service’s use of mules and horses before the days of the ATV that was built by the Civilian Conservation Corps. The remount depot is an interesting
The name Frenchtown dates to 1868 and is a reference to a number of French Canadians who moved here in the early settlement period. A National Register-listed church, the St. John the Baptist Catholic Church (1884) marks that first generation of settlers. Its classical-tinged cupola has long been the town’s most famous landmark.
The Milwaukee Road built through here in 1907-1908 and there remains a handful of historic business buildings from the time of the Milwaukee boom. There is one landmark
another roadside landmark–the Bucksnort Bar, just further evidence to add to the Chicken Coop and the Alcan that you won’t go hungry if you explore the small towns of Missoula County.
Imagine my pleasure to be there for the theatre’s grand opening May 19, 2012. Not only had the community raised the funds to repair and reopen the business, they also took great pains to restore it to its earlier architectural glory. Such an achievement for a town of just over 3,000 residents–when you consider that the next city south on Interstate I-90 is Anaconda with its monument Washoe Theatre, I immediately began to think of future “movie palace” trips. What a treat, both for the experience and architecture.
In that same trip to Deer Lodge, I noted how the community had recently enhanced the National Register-listed W. K. Kohrs Memorial Library (1902), one of the region’s great Classical Revival buildings by the Butte architectural firm of Link and Carter (J.G. Link would soon become one of the state’s most renowned classicists), by expanding the library
with an addition to the side and behind the commanding entrance portico. Although it has proven to be difficult for such a small town to keep the library professionally staffed, the care they have shown the exterior and interior indicate they understand the value of this monument from the past.
Then add in the impressive examples of turn of the 20th century church architecture, represented by the Cotswold Gothic stone work of St. James Episcopal Church, the more former Tudor Revival of the 1st Presbyterian Church, and the more vernacular yet
Drummond is the north entrance of the Pintler Scenic Route. The first ranchers settled here in the 1870s but a proper town, designed in symmetrical fashion facing the railroad tracks, was not established until 1883-1884 as the Northern Pacific Railroad built through here following the Clark’s Fork River to Missoula.
There is a faintly classically influenced two-story brick commercial block, a Masonic Lodge made of concrete block, various bars and cafes, a railroad water tank, and a slightly Art Deco movie theater, which was open in the 1980s but is now closed.
Due to the federal highway and the later Interstate I-90 exit built at Drummond, the town even has a good bit of motel roadside architecture from c. 1970 to 1990.
Between the Northern Pacific corridor and old U.S. 10 is the town’s most famous contemporary business, its “Used Cow” corrals, and now far away, on the other side of the
tracks are rodeo grounds named in honor of Frank G. Ramberg and James A. Morse, maintained by the local American Legion chapter.
The rodeo grounds are not the only cultural properties in Drummond. The Mullan Road monument along the old highway is the oldest landmark. The local heritage museum is at the New Chicago School (1874), an frame one-story school moved from the Flint River Valley to its location near the interstate and turned into a museum.
Another local museum emphasizes contemporary sculpture and painting by Bill Ohrmann. A latter day “cowboy artist” Ohrmann grew up in the Flint River Valley but by the 12960s he was producing sculpture and painting on a regular basis. The museum is also a gallery and his works are for sale, although the huge sculptures might not be going anywhere.
Montana Highway 1, designated the Pintler Scenic Route, has long been one of my favorite roads. It was the first Montana road to be paved in its entirety. During the state historic preservation plan work of 1984-1985, I documented the route as U.S. 10A, but once government officials decided to decommission the U.S. 10 designation in 1986, the name U.S. 10A also went away. t. In its early decades the route had passed through Opportunity to Anonconda onto Phillipsburg and then Drummond, but for all of my time in Montana, the highway has gone from Interstate I-90, Anaconda/Opportunity exit to the west and then north to the Drummond exit on the same interstate. There is a new 21st century rest stop center at the Anaconda I-90 exit that has a Montana Department of Transportation marker about the mountain ranges and the Pintler route.
The town of Opportunity was not a priority for my travels in 1984-1985 but recent scholarship on how local residents have fought back against the decades of pollution from Anaconda’s Washoe Stack led me to give this small town of 500 a new look. The book is Brad Tyer’s Opportunity, Montana: Big Copper, Bad Water, and the Burial of an American Landscape (2014). Tyler details how the success of Anaconda also meant the sacrifice of thousands of surrounding acres to the pollution belching daily from the Washoe Stack until it closed in 1981. He then reviews in detail how in the 21st century, EPA heaped a new disaster on the town by moving Milltown wastes from the Clark’s Fork River near Missoula to Opportunity, telling locals that the Milltown soil would be new top soil for Opportunity. The environmental solution didn’t work, leaving the town in worse shape than before.
Opportunity residents got a small fraction of SuperFund monies for the environmental cleanup in the form of Beaver Creek park. But the centerpiece of the park, the Opportunity School built for residents in 1914 by the Anaconda Company, has been mothballed for now. It operated from 1914 until the smelter ceased operations in 1981 and
served as the community’s focal point. Restoration of the school is problematic due to the prior use of asbestos, meaning the federally funded park is only partially finished since the SuperFund support is now gone.
Sitting at 6,425 feet in elevation Georgetown Lake covers over 3700 acres. Today it is very much a recreational landscape but when it was created in 1885 its job was to generate electrical power for the nearby mines since it stood roughly equal distance between
As the state highway historical marker above documents, this high country area was another mining region. With an vantage point above the lake, Southern Cross is a significant remnant of the mining activities from the early 20th century. The mines here
began operation in the mid-1860s and production continued for until World War II. The settlement was largely Finnish and Swedish in the early 20th century when most of the remaining buildings were constructed.
Since my earlier work on the state historic preservation plan in 1984-1985, few places in Montana had experienced such rapid population growth as Stevensville. The place had just over 1200 residents in the 1980s, and that increased to a mere 1221 in 1990. But now Stevensville is close to 2,000 in population.
But enough is still here–like the historic mill complex above–that even as the business changes there is still the feel of an agricultural town at Stevensville. A major reason for the sense of continuity is the Stevensville Commercial Historic District, which has helped to protect the core of the town.
Also, buildings such as the two-story Old Fellows Hall (1912) have been individually listed in the National Register, adding prominence to the historic district. The district has a range of one-story and two-story brick buildings, most from the agricultural boom of the first two decades of the 20th century. A notable exception is a two-story concrete block
One major trend of Stevensville over 30 years is how buildings have been adapted to new uses. You expect that in a commercial area with a rising population, but here it has happened to such landmarks as the historic turn of the 20th century school building,
which is now the United Methodist Church, while the two-story brick American Four-Square house below is the historic Thornton Hospital (1910), but now serves as the Stevensville Hotel. Both buildings are listed in the National Register.
One area that I really failed to consider in the 1984-1985 work was the diversity and cohesiveness of the historic residential neighborhood. It too has been documented by a National Register historic district, but some dwellings, such as the impressive Classical Revival-styled Bass House have been individually listed.
Another favorite dates to the 1930s and the impact of the International Style on Montana domestic architecture: the Gavin House, with its flat roof, its boxy two-story shape and bands of windows at the corners.
Between these two extremes of early 20th century domestic design, Stevensville has an array of architectural styles, from the Folk Victorian to the more austere late 19th century vernacular to bungalows to revival styles.
Montana's Historic Landscapes 