Kalispell is the seat of Flathead County, established on the Great Northern Railroad line in the 1890s. Today the city is the hub for commerce, transportation and medical care in northwest Montana. The Advisory Council on Historic Preservation designated it as a Preserve America community in recognition of its historic downtown and multiple National Register of Historic Places properties.
Certainly the town has many impressive late Victorian era buildings, like the County Courthouse, but this post focuses on a part of Kalispell’s historic built environment that doesn’t get enough attention—its buildings of modern 20th century styles.
The key town founder was C. E. Conrad and similar to how he started the town, you could also say he started the modernist traditions by commissioning his grand Shingle-style mansion from architect A.J.Gibson in 1895. Architectural historians consider the Shingle style, introduced by major American architects Henry Hobson Richardson and the New York Firm McKim, Mead, and White, to be an important precursor to the modernist buildings that would flourish in Kalispell during the 1930s.
Another important example of early modernist style is this local adaptation of Prairie house style, a form introduced and popularized by the designs of American master Frank Lloyd Wright.
Kalispell’s best modernist examples come from the 1930s to 1960s. In 1931 Brinkman designed the KCFW-TV building in a striking Art Deco style. It was originally a gas station but has been restored as an office building with its landmark tower intact.
The Strand Theatre closed as a movie house in 2007 but its colorful Art Deco marquee and facade remain, another landmark across the street from the History Museum which is housed in the old high school.
The Eagles Lodge (1948-1949) is an impressive example of late Art Deco style, especially influenced by the federal “WPA Moderne” buildings from the New Deal. G.D. Weed was the architect.
Then the town opened Elrod School in 1951. It is a good example of mid-century International style in a public building.
The 1950s decade witnessed new modern style religious buildings. The Central Bible Church (1953) evolved from a merger of Central Bible and the West Side Norwegian Methodist Church. Harry Schmautz was the architect.
That same year, the Lutheran church added a new wing for its youth ministry, the Hjortland Memorial, which is one of Kalispell’s most impressive 1950s design. Ray Thone was the architect.
In 1958 Central Christian Church completely remodeled its earlier 1908 building to a striking modern design.
That same year came the opening of St. Matthew Catholic School, an impressive two-story example of International style in an institutional building. the architect was the firm of Brinkman and Lenon.
Kalispell also has two excellent examples of commercial buildings in the mid-century contemporary style. Below is the stone veneer and window wall of the McGarvey and Townsend building.
But my favorite, until a recent “remuddling,” is the Sutherland Dry Cleaners, now a golf supply shop.
Kalispell has several good examples of mid-century domestic design. My favorite is this Ranch-style residence near the Conrad Mandion.
This post doesn’t include all of Kalispell’s modernist designs but hopefully I have included enough to demonstrate that the town has a significant modernist architecture tradition.
Somehow it is most appropriate that my 300th post for Revisiting the Montana Landscape would find me back at Glacier National Park, especially the west side or Flathead County part of the park. From the first visit in 1982, Glacier always intrigued me–at first because of the tie between park creation and railroad development, then the Arts and Crafts/Chalet architecture associated with the park, and then high mountain Alpine environment. In the years since, I have eagerly grabbed a chance to get a cabin by Lake McDonald and just re-charge for a few days.
For the 1984-1985 state historic preservation plan work, however, I did not visit the west side of the park–the bulk of the travel took place between mid-February to mid-May 1984, meaning only the lower elevations such as Apgar Village were accessible. But already the state historic preservation office was aware that a major effort was underway to identify and nominate key properties within the park to the National Register of Historic Places, and by the end of the decade that process was largely complete. The National Park Service identified a range of historic resources from the turn of the 20th century to the Mission 66 program of the National Park Service during the 1960s–Glacier became one of the best studied historic landscapes in all of Montana.
Register as an excellent example of Mission 66-associated architecture within the park. Burt L. Gewalt of the Kalispell firm Brinkman and Lenon was the architect.
Great Northern officials considered the lodge to be the center of the mountain experience on the park’s west side. From there visitors could take overnight hikes to two other facilities, shown below, the Granite Park Chalet to the northeast or the Sperry Chalet to the southeast of Lake McDonald, both of which are also listed in the National Register.
City as one large tourism funnel. After spending a good part of 2006-2007 working with local residents and the Great Smoky Mountains National Park about the heritage and preservation of Gatlinburg, Tennessee–one of the most notorious gateways into any national park–I learned to look deeper than the highway landscape and find some real jewels in each of these Glacier National Park gateway communities.
At Hungry Horse, however, I did leave the highway and explored the marvelous landscape created by the Hungry Horse Dam and Reservoir, a mid-20th century project by the U.S. Bureau of Reclamation. The agency justified the dam as a hydroelectric power project for a growing Flathead County and as a boost to local irrigation. The irrigation side of the project–the real reason the agency exists–never happened and Hungry Horse today is an electric power and recreational project.
I appreciated the vastness of the concrete arch dam–the 11th largest concrete dam in the United States–as well as the beauty of Hungry Horse Reservoir, an under-appreciated tourism asset as anyone in Flathead County will tell you. But again, I let just the size and impact of the dam distract me from some of the details of its construction that, today, are so striking.
I am concerned, however, about news in September 2015 that Reclamation has contracted for updates and renovation at the Visitor Center–let’s hope that the classic 1950s look of the property is not sacrificed.
Architect Kirtland Cutter of Spokane was the architect and the chalet design was actually just a smaller scale and less adorned version of the Idaho State Exhibition Building that he had designed for the 1893 World’s Fair in Chicago. Cutter is one of the major figures of the Arts and Crafts Movement in the American Northwest and we will look at another of his buildings for the railroad and Glacier in the next post about Lake McDonald Lodge.
The answer was yes, to both questions. Here is an early 20th century log building landmark on a highway where the traffic seems to never end. It is also along the corridor of a new recreational system–the Great Northern Rails to Trails linear park that uses an old railroad corridor to connect the city to the country in Flathead County.
The trail allows bikers to see the rural landscape, still dotted with family farms, of the Smith Valley as it stretches west to Kila, where the old Cottage Inn has been converted in the last few years into the Kila Pub, complete with the Arts and Crafts/Tudor theme associated with the railroad corridor.
To the north of Kalispell and Whitefish U.S. Highway 93 takes you past the ski developments into a thick forested area, managed in part as the Stillwater State Forest.
from the 1920s into the 1960s. While several are from the Civilian Conservation Corps during the 1930s, state ranger Pete De Groat built his log residence in 1928 in the Rustic Style. Stillwater was Montana’s first state forest.
“lone eagles” was local–an attempt to describe those professionals “who fly to work as comfortably as most Americans drive, and whose use of computers in business lets them indulge their preference for life in the great outdoors,” as a June 19, 1994 story in the New York Times explained.
The station along with the railroad tracks defined everything you saw in Whitefish–here in the classic Great Northern T-plan landscape was a classic railroad town–one that old-timers even called the best along the entire line. Whitefish developed and then prospered as a division point on the mainline from 1904 to 1955–and that corporate imprint was still there to be experienced, in 1984.
Thankfully in 2015, I still found all of my favorite landmarks from 30 years earlier, even though there was little doubt that the business district had been altered, sometimes in ways that left little original fabric in place but still some two-story brick blocks stood.
A much earlier landmark, the Classical Revival Masonic Temple from the town’s first decade still stood, and it too found a new use through adaptive reuse.
Despite the population boom over the last 30 years, Whitefish still uses its Art Deco-styled school from the New Deal decade of the 1930s, although the auditorium has been restored and updated into a community performing arts center.
The images above and those below come from those well maintained neighborhoods, where the sense of place and pride is so strongly stated.
Montana's Historic Landscapes 