The Hi-Line is Montana’s major northern transportation corridor–first carved by the St. Paul, Minneapolis and Manitoba Railway in the 1880s and then extended by the Great Northern Railway a decade late. Today most travelers use U.S. Highway 2, which largely parallels the railroad, to traverse the Hi-Line. The first place you encounter of more than 500 people is Culbertson, established in the 1880s and named for Alexander Culbertson, who was once the factor (the manager) of the Fort Union fur trading post at the confluence of the Missouri and Yellowstone rivers.
The Great Northern depot at Culbertson
Earlier in this documentary blog on the Montana landscape, I discussed Culbertson as part of the landscape of oil and fracking then taking place in the region. Today I want to share images of community institutions that link the town’s more than 130 year history to the present. Historic churches are a good place to start.
The United Methodist Church reflecting a vernacular Gothic type that can be found all across the northern plains in the late 19th and early 20th century. The Community of
God Church shares that similar vernacular Gothic style and retains its bell tower. Mid-20th century modern style can be found in St. Anthony Catholic Church. As regular readers of the blog may recall, I have explored the diocese’s choice of mid-century 
modern style for many Catholic churches in eastern Montana. The Culbertson church is a good example of that pattern. Another church that belongs to the modern design era of the 20th century is Trinity Lutheran Church, especially as this distinguished building expanded over the decades to meet its congregation’s needs.
One of the most interesting buildings in Culbertson is the Armory, part of the significant impact that New Deal agencies had on the built environment of Roosevelt County in the 1930s. Justified as part of the nation’s war preparedness efforts in the late 1930s, so many armories across the country have found second life as public buildings, serving local government and community events.
In my earlier post about Culbertson I should have focused more on surviving commercial buildings from the early 20th century–the time of the homesteading boom. The beautiful cast-iron cornice on the Moen Building (1908) is impressive, one of the best examples of that Victorian commercial style still extant on the Hi-Line.
Some of the extant two-story commercial buildings from the homesteading boom show some architectural styling, like the two below, but then a former town bank is impressive in its detail and masonry as any in the region. Culbertson had high hopes in the 1910s.
On either side of the town center are two additional important institutions. The Culbertson Museum serves as a community heritage center but also as a visitor center for travelers entering Montana. Its outdoor sculpture of the Lewis and Clark Expedition is a reminder to all travelers that traces of the Corps of Discovery can be found along so much of the Hi-Line.
On the west side of town is its historic cemetery, the Hillside Cemetery. At first glance, it seems unimposing, more quaint that important. But the cemetery is the oldest historic
resource in Culbertson, and in fact is the the burial place of two former Union soldiers, one from Illinois and one from Minnesota, who fought in the Civil War. The markers are a reminder that the mid-19th century roots of Montana are never far away, even at the small town of Culbertson.
metal like Thunder jack in the Shields Valley on U.S. 89 north of Livingston. There’s always a wave and friendly greeting!
and consider those who have passed before with the many historical markers.
The vastness and diversity of the Big Sky Country is amazing, with so many bridges to
In late may I return to the Big Sky Country, my first visit in two years, when I will once again be looking for changes in the historic built environment as I speed along the state’s
highways and backroads, crossing the bridges over the Yellowstone River, and trying my best to catch as many Burlington Northern and Santa Fe Railroad freight trains as possible, although I doubt that I will ever have such a fun moment than in 2013 when I
caught this freight along the original Great Northern route while I was driving on the original–still dirt and gravel–road of U.S. Highway 2 between Tampico and Vandalia.
Certainly I will keep my eye out for Montana’s famed wildlife, although I don’t expect again to see a bighorn sheep outside of Glasgow, especially one being chased by a dinosaur. I will also stay on the lookout, as regular readers of this blog well know, for the beef–it is rarely a question of where’s the beef in Montana.
No doubt there will be both new and older historical markers to stop and read; the evolving interpretation of Montana’s roadside continues to be such a strong trend.
And through all of the brief stay in the state–perhaps 10 days at the most–I will also stop and enjoy those local places, far removed from the chain-drives roadside culture of our
nation, where you can enjoy a great burger, rings, and shake, like Matt’s in Butte, or a good night sleep at any of the many “Mom and Pop’s” motels along the state’s highways, such as this one in Big Timber.
I am speaking instead of the wide range of images and themes that visually interpret the town’s and county’s history. Finding public art murals about the open landscape once dominated by the Blackfeet Indians and the buffalo is not surprising–communities often embrace the deep history of their land.
That Cut Bank also has a large expressive mural about the Lewis and Clark Expedition is not surprising–murals about Lewis and Clark were installed across several towns during the bicentennial of the expedition in the first decade of this century. East of Cut Bank is Camp Disappointment, one of the more important sites associated with the Corps of Discovery.
Nor is it surprising to see communities commemorate their homesteading roots, and the importance of agriculture and cattle ranching.
But I was surprised, pleasantly, by the number of murals that also documented the town’s twentieth century history, whether it is the magnificent steel trestle of the Great Northern Railway just west of the commercial core, or a mural that reminded everyone of the days when the railroad dominated all traffic here.
It is this first half of the 20th century feel that the murals interpret–the era that actually built most of the historic buildings you find there today–that I find so impressive and memorable about Cut Bank, be it people on bicycles or what an old service station was like.
Space matters when you interpret the built environment, and these various murals reflect not only a sense of town pride and identity they also give meaning to buildings and stories long forgotten.
At this time, my entry on Flaxville, the tiny place above in Daniels County, has received the most views. Perhaps that changes as I continue to move into the northwest portion of the state, starting with one of the most rapidly changing places in the last 30 years, Missoula County.
I am on the back end of my trek across the Big Sky Country, with probably 50 entries to go–see you soon!
Montana's Historic Landscapes 