Municipal cemeteries are key public spaces in the Hi-Line towns of Montana. As they mostly date from the 1890s to 1910s, the cemeteries are part of the region’s progressive-era history. New settlers sought to replicate their prior homes—building permanent schools, new churches, town blocks, and homes while also establishing cemeteries.

In 1915 settlers formally incorporated Wolf Point as a municipality. A year later, mortician L.M. Clayton opened a funeral business, which would operate until 2005. On a hill several blocks north of the town’s railroad tracks, Clayton established Greenwood Cemetery by 1917. The name came from his wife, Nora May Greenwood. The Greenwood Cemetery Association was organized to administer the property, and its beautification was ensured by the town’s Woman’s Club when it worked with Wolf Point leaders and the cemetery association to extend water to the place. It became a green oasis of rest and tranquility within the often brown, water starved landscape. It remains an impressive landmark of civic pride today.

There are two ceremonial areas that immediately capture your attention. Two veterans circles have been installed to honor the many from Roosevelt County who have served the nation from World War I forward.


Scattered through the cemetery are other veteran burials, including ones from the Civil War and the Spanish-American War.


The second ceremonial area is more subtle in appearance but unique in its own way.

Father Benedict Seehaler established and led Wolf Point’s Immaculate Conception Catholic Church from 1917 to 1931. After his death, parishioners built a tiny memorial chapel in his memory. It was built over his grave.



The chapel has an altar and a carved depiction of Christ. The church on Memorial Day holds a memorial mass is held (weather permitting) at the Father Benedict Seehaler Memorial Chapel in Greenwood Cemetery.

There are many impressive grave markers at the cemetery, whether they are unadorned crosses of early settlers to ones that through the materials used help to tell a story.


Two of the most unique, however, are pedestal sculptures in memory of a husband and wife, Floyd and Bea Dewitt. Floyd passed away in 1980, Bea followed three years later. Floyd’s sculpture is a likeness while Bea’s pedestal sculpture is more symbolic, with the interpretation left to the visitor, until you learn she was a beloved nurse.


Historian Patty Dean found the DeWitt’s obituaries published in the Billings Gazette, see below, and graciously shared them:


There are many more observations you can make about Greenwood Cemetery but this is enough for the posting (I reserve the right to revisit this place in the future. It is simply one of the most significant municipal cemeteries of northern Montana.
























































But my visit on Memorial Day 2018 left me with the feeling that the cemetery is an under-appreciated historic property. There are no signs of true neglect, but it was so quiet on Memorial Day that I did think the place had become an almost forgotten historic asset–an afterthought in today’s busy world. I hope not–because this cemetery has many jewels to explore and appreciate. Perhaps the most striking–certainly most rare to see–are the cast iron baskets–or bassinets, see below, that surround two children’s graves.

plots–certainly the ironwork was a status symbol in the late 19th century and there is no one statement. Families adorned their graves with fences much as they surrounded their houses in the nearby neighborhoods.



Benton Avenue Cemetery is worth a new consideration for its many different forms, materials, and designs. When I lived in Helena some thirty-five years ago, I gave it scant attention–it deserves so much more.
Far from the bustle and grime of the Richest Hill on Earth are the historic cemeteries of Butte. As I have said many times already in this blog, I rarely considered cemeteries during the 1984-1985 state historic preservation plan work. That was a huge mistake for Butte. The three historic cemeteries I wish to consider here–Mt. Moriah, St. Patrick’s, and B’nai Israel–document the city’s ethnic diversity like few other resources, reinforcing how groups survived in a city together although they often keep to their separate communities. But the cemeteries also have sculpture and art worthy of attention and preservation–they are outstanding examples of late 19th and early 20th cemetery art and craftsmanship in the United States.
The Masons established Mr. Moriah Cemetery Association in 1877. The cemetery has many striking markers, especially the Thompson Arches (seen above and below), an elaborate statement to mark a family plot, especially when compared to the cast-iron
iron fence, when combined with the carving and detail of the gravestone itself makes quite the statement for Cornish identity in Butte at the turn of the century. Note the dual fraternal lodge marks, one for the Masons, another (the linked chain) for the Odd Fellows.
Frank Beck left this earth in 1909, and the marker for Frank and his wife Agnes is remarkable for the inclusion of the family pet, noted above as Frank and His Faithful Dog.


1881 when the Hebrew Benevolent Association first acquired the land from the Northern Pacific Railroad. Congregation B’nai Israel acquired the property in 1905, two years after finishing its landmark synagogue in uptown Butte.
The cemetery seems to stretch to the very edge of the city, but it is worth a long walk around for what you can discover about the Catholic impact on Butte in the late 19th and early 20th centuries.
There are spectacular sculptural monuments to prominent city builders, such as the Classical Revival-style temple crypt for merchant price D. J. Hennessy.
Adjacent are separate plots maintained for Sisters who served and died in Butte as well as larger, more elaborate memorials for priests who served in Butte over the years.

